Ratcliff carter essay (42 risultati)

Oversized Paperback. Condizione: Good. Profusely Illustrated (illustratore).

Paperback. Condizione: Near Fine. 1st. 28 pages, colour illustrations; 27 cm. Exhibition held March 6 to 31, 1990. Near fine. Firm binding, clean inside copy. Age toning. Size: 4to. Collectible.

Soft cover. Condizione: Good. No Jacket. Contents Include: Solo Exhibitions; Group Exhibitions; Bibliography; List of Plates, etc. Card Cover. Good+ tight condition with slight wear to cover edges and corners. 119 pages. Language: eng Language: eng 0.0.

Soft cover. Condizione: Good. Good copy paper ex. cat. December 5, 1998 - January 16, 1999, 40 pp, 1 pp introduction, 5 pp essay by Carter Ratcliff, 3 pp chronology, 24 4/C illus., many B/W including a self-portrait.

First 4to, stiff pictorial wrappers. [32] pp, 10 color plates (including covers), exhibition and installation lists, bibliography. Exhibition September 6 - October 6, 1990. Very good.

Paperback. Condizione: Very Good. Includes a postcard for the 2000 exhibition "Between Time and Timelessness: Works on Paper" held at the Southern Vermont Arts Center. Text and images are unmarked; pages are bright. Stapled binding is sturdy. Covers show some light wear around the corners.

Paperback. Condizione: Fine. 1st. 74 pages, illustrations (some colour); 28 cm. Text in Spanish/Texto en espanol. Catalogue of an exhibition held at the Palacio de Velazquez del Retiro, Madrid, September 14 to November 12, 1989; organized by Whitechapel Art Gallery. Firm binding, clean inside copy. *** Sean Scully: Pinturas y Obra sobre Papel, 1982-88 = Sean Scully: Paintings and Works on Paper, 1982-88. Size: 4to. Collectible. …

Paperback. Condizione: Fine. 1st. 36 pages, illustrations; 21 x 30 cm. Exhibition held May 7 to July 2, 1983, at Marlborough Gallery Inc., New York. Firm binding, clean inside copy. Size: Oblong.

Paperback. Condizione: Near Fine. Like new with light wear to covers and no marks to text. Art/Ch 66; 8vo 8" - 9" tall; 12 pages.

Paperback. Condizione: Fine. 16 pages, illustrated with large colour plates. A Fine copy.

Paperback. Condizione: As New. Softcover in translucent wrap with flaps. 8vo. First edition. Catalogue published to accompany an exhibit of Li-Lan's mail-art paintings at the Jason McCoy Gallery in New York in spring 1996. Catalogue is As New, with a small crimp to wrap at head of spine.

Paperback. Condizione: Fine. 1st. 39 pages, colour illustrations; 27 cm. Exhibition held May 2 to 25, 1990. Firm binding, clean inside copy. Size: 4to. Collectible.

1984. Art, Pamphlet. Knight Gallery, Charlotte, NC, 11 color plates, good ex-library paperback with slight handling along top edge.

1984. Art, Pamphlet. Knight Gallery, Charlotte, NC, 11 color plates, good ex-library paperback with slight handling along top edge.

Condizione: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, Nov. 9 (weekend SALE item)* 53 pp., softcover, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Wrappers. Condizione: Very Good. Slight foxing throughout. Published on the occasion of the exhibition from the Whitechapel Art Gallery, London 5 May-25 June 1989, Städtische Galerie im Lenbachhaus, Munich 12 July-27 August 1989 and the Palacio de Velázquez del Retito, Madrid 14 September-12 November 1989.…

Paper. Condizione: Good. Good paper copy ex. cat. 48 pp, 1 pp ack, 1 pp intro by Jerry A. Berger, 1 pp text by O. Aldon James, Jr., President National ARts Club, 39 4/C, 2 B/W illus, 3 pp chron, lists 41 works. @ Springfield Art Museum 9/18 - 11/14/99; @ The National Arts Club 5/2 - 5/25/2000 in association with ACA Galleries. *Signed by Erbe. Signed by Illustrator(s).…

Paperback. Condizione: Very Good. Exhibition catalogue featuring 22 reproductions. Light edge wear and handling to illustrated wraps. Text and images unmarked.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. A bright, tight copy. DJ is colorful, not price-clipped, slightest of edge rubbing, now protected in mylar. Boards are firmly bound, pages bright & clean throughout. Finn, David, photographer (illustratore).

First edition (per "First published . . ." statement upon copyright page). 252 pages. Hardcover: H 28cm x L 27cm. Dust jacket rubbed; long scratch to rear panel; scuffs and some bumping at edges; front flap is not price-clipped. Beige cloth with bumping at edges. Interior pages are clean. Binding is firm. Please note that this large book has an approximate shipping weight of 4.5 pounds (2 kg) and may require additional postage for any postal class other than domestic Media Mail. ISBN 0972011927.…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good +. Inscribed and signed by artist Pat Steir on the front endpaper. The book is unmarked; spine slant; corners and spine ends unbumped. The dust jacket is not priced; edgewear at spine ends and corners; Brodart protected. Signed by Author(s).…

Paperback. Condizione: Near Fine. 1st. [32] pages, illustrations; 20 cm. Exhibition held February 21 to March 17, 1979. Near fine. Firm binding, clean inside copy. Age toning. *** A Pop artist? A Realist? Something in-between? Alex Katz has always been hard to define. This exhibition focuses on his monumental "cutouts" of the sixties and seventies, a series he inaugurated in 1959, which synthesize portrait painting and commercial billboards (one is a study for a Times Square Mural). Both paintings and sculptures, they defied art-historical conventions at the time he conceived them, putting Katz in a similar position to Rauschenberg & Johns, with their "combine" paintings and assemblages, and Frank Stella, with his shaped canvases. Ratcliff's essay interprets the cutouts in terms of gestalt theory, which was popular among many formalist art critics in the seventies. Some of the portraits in this exhibition include images of Philip Pearlstein, Edwin Denby, and Sanford Schwartz. Size: 8vo. Collectible.…

Paperback. Condizione: Very Good. Very Good with light wear to covers and no marks to text. ; 4to 11" - 13" tall.

Original Wraps. Condizione: Near Fine. First Edition. Gray stiff paper wraps, lettered in burgundy and black, French flaps. 40 pp., illus. w/ 12 color plates; 36 catalogued works. Very slightly pulling at binding staples, else as issued. This catalog is for the 1990 Gilbert & George exhibition; a 1990 Hirschl & Adler catalog for a Gregory Amenhoff exhibition was apparently issued with the same ISBN. Size: 4to - over 9¾" - 12" tall. Book.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. Folio, cloth, dust jacket, 271pp., ills. First edition. VG/G: clean cloth but mildly sunned at the edges; solid hinges and joints; mild soiling to the text block edges; clean internally; mild soiling to the jacket with scuffing at the corners and a small tear to the edge of the front panel. Extra postage may be asked (8).…

Paperback. Condizione: Very Good. First Edition. [48] pp., bw / color plates, 4to. Embossed ex libris stamp to title-page, scuffing along spine, pealing to glue along hinges. : Well packaged, ships with tracking.

Soft cover. Condizione: Good. Condizione sovraccoperta: No Jacket as Issued. 1st Printing. 31 pages. Size: 4to - over 9¾" - 12" tall.

Condizione: Near Fine unmarked. Catalog of an art exhibition Feb 21 - Mar 17, 1979, with reproductions and intrepretive essay. Nice bright clean copy of scarce item. 8-1/4 x 8, unnumbered pp, text on pink stock, b/w reproductions on white glossy stock. Trade Paperback in color illus wraps.

Paperback. Condizione: Fine. 31 pages, illustrated with colour plates. A Fine copy.

Hardcover. Condizione: Very good. Condizione sovraccoperta: Very good. Hardcover. Quarto. 119pp. Incl. index. Nicely illustrated with color and b&w illustrations, one folding. First book on this American artist. White cloth binding has a few light spots. Silverfish damage to edge of ffep. "Pat Steir is an American painter and printmaker. Her early work was loosely associated with conceptual art and minimalism, however, she is best known for her abstract dripped, splashed and poured "Waterfall" paintings, which she started in the 1980s, and for her later site-specific wall drawings."-Wikipedia.…