red butte (5 risultati)

Hardcover. 29 x 21 cm. Dunkelgrüner Leinenband der Zeit mit goldgeprägtem Kurztitel auf dem Rücken, etwas randbestoßen und am Rückenbezug bis zu 3 cm aufgeplatzt, Vorderdeckel mit kleinem Fleck. 84 Seiten in fortlaufender Paginierung. Aus dem aufgelösten, genealogischem Archiv der Arbeitsgemeinschaft für Familiengeschichte im Kulturkreis Siemens mit deren Signaturen und Stempeln nur auf Einband und erster Seite. Etwa ein Drittel der Seiten weist kurze Unterstreichungen / Ankreuzungen mit Rotstift auf. Das Papier ist leicht gebräunt, aber ansonsten sauber. Alter Vorbesitzer-Stempel auf dem hinteren Vorsatz ( Bibliothek und Sammlung Lothar Hempe ). Noch guter Gesamtzustand. Roland: Verein zur Förderung der Stamm-, Wappen- und Siegelkunde / später: Sächsischer Landesverein für Familienforschung und Wappenkunde. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! Genea.

Soft cover. Condizione: Fine. 1st Edition. 22 cm. 87 pages followed by local ads and an index to brands by the name of the rancher. Most rare; no copies found on OCLC as of April, 2022. This copy with some slight toning, but still a very nice copy.

Red Butte Press (illustratore). 10 x 7.5 inches. The coptic-style binding is comprised of aluminum and reclaimed wood, and the book is housed in a cloth-covered drop-spine box with a blind-debossed title on the spine. (32) pages. Monoprints by Christopher Stern. First edition limited to 125 numbered copies signed by the author and the illustrator. Prospectus loosely inserted. Only the slightest hint of offsetting of the engravings to the opposite pages, else fine in near fine clamshell box. The book features three monoprints by Christopher Stern. Designed as a model of sustainable thinking, Something Lived, Something Dreamed was composed and cast in hot metal by Christopher Stern. The type is Monotype Univers. The book was printed on handmade cotton paper from Cartiera Magnani paper mill by Marnie Powers-Torrey and Jennifer Sorensen on an 1846 Columbian handpress. Craig Jensen bound the books using post-consumer recycled aluminum and reclaimed wood. Victoria Hindley, the Press's creative director, developed the project and designed the book. Former dean of the school of architecture at the University of Virginia, William McDonough is recognized internationally for his writing and pioneering work in architecture and community planning. He is the only individual to have received the Presidential Award for Sustainable Development, and in 1999, Time magazine recognized him as a "Hero to the Planet," stating that "his utopianism is grounded in a unified philosophy that - in demonstrable and practical ways - is changing the design of the world." With Something Lived, Something Dreamed Red Butte Press turns its attention to the complex relationship between natural and urban landscapes. As a contribution to the dialogue surrounding this increasingly vital topic, the Press commissioned William McDonough to apply - for the first time - his comprehensive design philosophy to the American West. The result is a spirited manifesto in which McDonough reimagines the city through an optimistic, visionary lens, reminding us how deeply our built environments are embedded in the natural world. At once historical and cutting-edge, practical and poetic, Something Lived, Something Dreamed is a lyrical invitation to reconsider the rich relationship between nature and city in the twenty-first century. "It is urgent that we begin to love our cities," writes McDonough in the preface to Something Lived, Something Dreamed. "Cities are our future . In American mythology, the great beyond represented infinite resources; going away was the path to freedom. Now, the great beyond is here. And here, as we reimagine the urban landscape, we hold in our collective hands the chance to create vibrant, restorative, enduring cities - the critical habitat of humanity and the home of our hopes and dreams." The coptic-style binding is comprised of aluminum and reclaimed wood, and the book is housed in a cloth-covered drop-spine box with a blind-debossed title on the spine.

Red Butte Press (illustratore). tall slim 4to. illustrated cloth-covered boards, cloth-covered boards clamshell box. (17) leaves. Drawings by Bonnie Sucec. First edition limited to 75 numbered copies signed by the author and the illustrator, of which this is one of the 20 hors commerce copies numbered in Roman Numerials. Fine in fine clamshell box. Printed at the Red Butte Press, University of Utah Marriott Library, under the direction of Everett L. Cooley. Its publication was made possible through the generosity and support of Catherine B. and Claudius Y. Gates. Each of the drawings by Bonnie Sucec was individually painted by her. The book was designed, set by hand and printed by Day Christensen. The type is 16 point Van Dijck and the handmade cotton rag paper is from the Twinrocker Paper Mill. It was printed damp on an 1846 Columbian handpress. The books were bound and boxed by BookLab. illustrated cloth-covered boards, cloth-covered boards clamshell box.

Red Butte Press (illustratore). tall slim 4to. illustrated cloth-covered boards, cloth-covered boards clamshell box. (17) leaves. Drawings by Bonnie Sucec. First edition limited to 75 copies, of which this is one of 55 numbered copies signed by the author and the illustrator. Fine in fine clamshell box. Printed at the Red Butte Press, University of Utah Marriott Library, under the direction of Everett L. Cooley. Its publication was made possible through the generosity and support of Catherine B. and Claudius Y. Gates. Each of the drawings by Bonnie Sucec was individually painted by her. The book was designed, set by hand and printed by Day Christensen. The type is 16 point Van Dijck and the handmade cotton rag paper is from the Twinrocker Paper Mill. It was printed damp on an 1846 Columbian handpress. The books were bound and boxed by BookLab. illustrated cloth-covered boards, cloth-covered boards clamshell box.