Reed arden (114 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

paperback. Condizione: Good. minor wear and creasing.

Soft cover. Condizione: Near Fine. 1st Edition. Trade paperback in Near-Fine condition, 8vo, 327 pages. Tan glossy wrappers with black-and-white illustration and titles in black, bibliography, index. Very faint spotting to top of block, appears unread. Bookseller accession no.: UI001.

Paperback. Condizione: As New. Softcover. Good binding and cover. Clean, unmarked pages.

Trade Paperback. Condizione: Fine. light staining outer edge.

Soft cover. Condizione: As New. Condizione sovraccoperta: Softcover Wraps. First Softcover Edition. Softcover is a clean tight copy.

Cloth. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. First printing.

Trade Paperback. Condizione: Good - Cash. General reader wear to the corners, edges, and cover. The covers/corners have some creasing. The pages show some general reader wear as well. The book is in good condition with some normal reader wear. Some light water rippling to the page edges Stock photos may not look exactly like the book.…

Hardcover. Condizione: VG-. used hardcover copy in illustrated boards, no jacket, as issued. light shelfwear, surfaces scuffed, corners slightly bumped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

Hardcover. Condizione: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condizione: NF. Hardback in Near Fine condition with Near Fine dust jacket. . 10.5 X 9.0 X 1.1 inches. 191 pages. Inscribed by Constance DeJong on title page. . * Quick Shipping * All Books Mailed in Boxes * Free Tracking Provided *.

Hard cover. Condizione: Very good. No jacket. Back jacket is lightly stained, but readability is not affected. Upper jacket edges are tanned. Spine is tight. Cover edges are shelf worn. Text block and inside edges are tanned, but legibility is not impacted. Pages are unmarked.

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condizione: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Hardcover with dustjacket, 180 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

No Binding. Condizione: VG. None. This is an original vintage print trade ad that measures approximately 8 1/2 x 11 and is in VG or better condition. Ideal for framing, this ad comes protected in a plastic sleeve and backer and is shipped first class mail in a cardboard mailer. We combine shipping with multiple ads shipping at no additional charge. Paper.…

Hardback. Condizione: Good. Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries-hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past-including photography, painting, sculpture, "living pictures," film, video, digital and performance art-even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory-it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.…

Soft Cover. Fine. 327 pages.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. First Printing. Book is a clean tight unmarked copy.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. 1st Edition. Near Fine purple cloth lightly bumped at top front corner in a Fine dust jacket. Bright, snug & unmarked first printing.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft Cover. Condizione: Fine. Condizione sovraccoperta: None Issued. First Edition. 327 pages. Book appears to have hardly been read and is in Fine condition throughout. Language Is A Pivotal Topic In The Romantic Period, And Romantic Writers Repeatedly Display Alertness To The Linquistic Status Of Their Works.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Hard cover edition. Signed by Artist Condition: Like new with very light wear to dustjacket and no marks to text.; 4to 11" - 13" tall; 179 pages; Signed by Artist.

Soft cover. Condizione: Near Fine. 327pp w bibliography and index. Illustrated wrapper is clean and without wear. Binding square and sound, not creased. Octavo.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Paperback. Condizione: New. Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries-hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past-including photography, painting, sculpture, "living pictures," film, video, digital and performance art-even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory-it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.…