regel hannah (67 risultati)

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condizione: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: like_new. This book is in Like New condition. It is unused, but has a remainder mark on the edge of the pages. Otherwise it is a new book.

paperback. Condizione: New.

Soft cover. Condizione: Fine. close to as new pages are clean, no marks or folds. cover is fine/as new, with no signs of use or wear.

Paperback. Condizione: Fine.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: As New. Unread book in perfect condition.

Trade Paperback. Condizione: As New.

Condizione: New.

Paperback. Condizione: New. Nicola Long is a few years out of a fine arts degree, listless and unenthusiastically employed in London. She begins to spend her hours at a small underfunded archive dedicated to women's art. There she discovers one side of a correspondence beginning in 1976 and spanning a dozen years, written from one woman - a ceramics graduate, uncannily like Nicola - to a friend living a contrasting and conventionally moored life. As Nicola reads on, an acute sense of affinity turns into obsession.She abandons one job after another to make time for the archive. The litany of coincidences in the letters becomes uncanny, and Nicola's feeling of ownership begets a growing dread: should she be afraid of where these letters are leading?

Paperback. Condizione: New. Nicola Long is a few years out of a fine arts degree, listless and unenthusiastically employed in London. She begins to spend her hours at a small underfunded archive dedicated to women's art. There she discovers one side of a correspondence beginning in 1976 and spanning a dozen years, written from one woman - a ceramics graduate, uncannily like Nicola - to a friend living a contrasting and conventionally moored life. As Nicola reads on, an acute sense of affinity turns into obsession.She abandons one job after another to make time for the archive. The litany of coincidences in the letters becomes uncanny, and Nicola's feeling of ownership begets a growing dread: should she be afraid of where these letters are leading?

Paperback. Condizione: new. Paperback. I want to read about women who can't make things.'Nicola is a few years out of a fine arts degree, listless and unenthusiastically employed in London. She begins to spend her hours at a university archive dedicated to women's art, because she 'wants to read about women who can't make things'. There she discovers one side of a correspondence beginning in 1976 and spanning a dozen years, written from one woman a ceramics graduate, uncannily like Nicola to her friend, who is living a contrasting and conventionally moored life. As she reads on, an acute sense of affinement turns to obsession, and she abandons one job after another to make time for the archive. The litany of coincidences in the letters start to chime uncomfortably, and Nicola's feeling of ownership begets a growing dread: what if she doesn't like what the letters lead to? A beguiling debut novel about friendship and failure. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: NEW.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. In Hannah Regel's brilliant collection, Oliver Reed, the figure of the horse becomes an object for language's brutality and the all too familiar subjugation of women's voices, bodies, and labour. An impressive hyperbolic pastiche of pleasurable misbehavior guides a girl named Sorry through her own undoing while naming new tools for calculated resistance. 'Kill the language. Kill it. Get the shovel. We're making a belt.' I would gladly do whatever she tells me to do and wouldn't think of doing otherwise. Regel creates a new order for the ecstatic wreckage of obedience.- Cassandra Troyan, author of Blacken Me Blacken Me, GrowledRegel doesn't really sound like anyone. Oliver Reed introduces a poetic sensibility that seems as at odds with convention as it is equal to the moment: fully formed, virtuosic, kind of lethal. These are pitiless, discomforting poems that explore our own creatureliness with a deadly curiosity. Each is a transformation: the actor becomes a strange muse and guiding presence, to 'smoulder a mobile furnace'; the horse, another of the book's recurring figures, becomes more than an emblem of eros, labour and suffering; the young girl's bratty insolence turns defiant and stricken. The voice wills these changes into being even as she 'wills herself barren'. As much as they trouble and seduce, the poems are also watchful, vigilant - they seem to offer a means of protection. Oliver Reed is an astonishing, masterful first book.- Sam Riviere, author of 81 AusteritiesThe second edition of Oliver Reed, published February 2024, includes a newly commissioned introduction by Olivia Kan-Sperling.In Oliver Reed, growing-up happens naturally, clip clip clop, at the same time as it requires someone or something-line break or literal incision-to break you in. Oliver Reed is about how a pony body gets trained and a pony mind gets educated, over and over and over again. Time, in this book, loops more than it progresses: "Sorry attends her Birth" after "Sorry is a Girl, Grown Up." I wish I'd read Oliver Reed at fourteen or eighteen; then again, I sort of feel like I did. This we already know: if looking at young girls never gets old, writing about them doesn't, either.- Olivia Kan-Sperling, editor at The Paris Review and author of Island Time.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condizione: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Condizione: New. In Hannah Regelâs brilliant collection, Oliver Reed, the figure of the horse becomes an object for languageâs brutality and the all too familiar subjugation of womenâs voices, bodies, and labour. An impressive hyperbolic pastiche of pleasurable misbehavior guides a girl named Sorry through her own undoing while naming new tools for calculated resistance. âKill the language. Kill it. Get the shovel. Weâre making a belt.â I would gladly do whatever she tells me to do and wouldnât think of doing otherwise. Regel creates a new order for the ecstatic wreckage of obedience.â" Cassandra Troyan, author of Blacken Me Blacken Me, GrowledRegel doesnât really sound like anyone. Oliver Reed introduces a poetic sensibility that seems as at odds with convention as it is equal to the moment: fully formed, virtuosic, kind of lethal. These are pitiless, discomforting poems that explore our own creatureliness with a deadly curiosity. Each is a transformation: the actor becomes a strange muse and guiding presence, to âsmoulder a mobile furnaceâ; the horse, another of the bookâs recurring figures, becomes more than an emblem of eros, labour and suffering; the young girlâs bratty insolence turns defiant and stricken. The voice wills these changes into being even as she âwills herself barrenâ. As much as they trouble and seduce, the poems are also watchful, vigilant â" they seem to offer a means of protection. Oliver Reed is an astonishing, masterful first book.â" Sam Riviere, author of 81 AusteritiesThe second edition of Oliver Reed, published February 2024, includes a newly commissioned introduction by Olivia Kan-Sperling.In Oliver Reed, growing-up happens naturally, clip clip clop, at the same time as it requires someone or somethingâ"line break or literal incisionâ"to break you in. Oliver Reed is about how a pony body gets trained and a pony mind gets educated, over and over and over again. Time, in this book, loops more than it progresses: âSorry attends her Birthâ after âSorry is a Girl, Grown Up.â I wish Iâd read Oliver Reed at fourteen or eighteen; then again, I sort of feel like I did. This we already know: if looking at young girls never gets old, writing about them doesnât, either.â" Olivia Kan-Sperling, editor at The Paris Review and author of Island TimeHannah Regel has two published collections of poetry, When I Was Alive and Oliver Reed (both Montez Press, 2017 and 2020). Her debut novel, The Last Sane Woman, will be published in July 2024 by Verso. She lives in London and works as an editor at Book Works.

Condizione: NEW.

Paperback. Condizione: new. Paperback. In Hannah Regels brilliant collection, Oliver Reed, the figure of the horse becomes an object for languages brutality and the all too familiar subjugation of womens voices, bodies, and labour. An impressive hyperbolic pastiche of pleasurable misbehavior guides a girl named Sorry through her own undoing while naming new tools for calculated resistance. Kill the language. Kill it. Get the shovel. Were making a belt. I would gladly do whatever she tells me to do and wouldnt think of doing otherwise. Regel creates a new order for the ecstatic wreckage of obedience. Cassandra Troyan, author of Blacken Me Blacken Me, GrowledRegel doesnt really sound like anyone. Oliver Reed introduces a poetic sensibility that seems as at odds with convention as it is equal to the moment: fully formed, virtuosic, kind of lethal. These are pitiless, discomforting poems that explore our own creatureliness with a deadly curiosity. Each is a transformation: the actor becomes a strange muse and guiding presence, to smoulder a mobile furnace; the horse, another of the books recurring figures, becomes more than an emblem of eros, labour and suffering; the young girls bratty insolence turns defiant and stricken. The voice wills these changes into being even as she wills herself barren. As much as they trouble and seduce, the poems are also watchful, vigilant they seem to offer a means of protection. Oliver Reed is an astonishing, masterful first book. Sam Riviere, author of 81 AusteritiesThe second edition of Oliver Reed, published February 2024, includes a newly commissioned introduction by Olivia Kan-Sperling.In Oliver Reed, growing-up happens naturally, clip clip clop, at the same time as it requires someone or somethingline break or literal incisionto break you in. Oliver Reed is about how a pony body gets trained and a pony mind gets educated, over and over and over again. Time, in this book, loops more than it progresses: Sorry attends her Birth after Sorry is a Girl, Grown Up. I wish Id read Oliver Reed at fourteen or eighteen; then again, I sort of feel like I did. This we already know: if looking at young girls never gets old, writing about them doesnt, either. Olivia Kan-Sperling, editor at The Paris Review and author of Island Time Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Condizione: New.

Paperback. Condizione: New. New from the publisher.

Paperback. Condizione: Brand New. 240 pages. 8.00x5.50x0.50 inches. In Stock.