Regina hong (12 risultati)

Condizione: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condizione: New.

Condizione: New.

Condizione: New.

Hardcover. Condizione: Fair. No Jacket. English text, with introductions and captions also in Chinese.; Hardcover (cloth without dust jacket - as issued).; Part I - Sotheby's Hong Kong sale HK0371, held on the 7th April 2011, comprising 77 lots, 24 x 30.5 cm, 1.9 kg, 304 pages, with colour illustrations.; Used with signs of wear on the exterior and interior. The exterior shows water stains from the mid to the bottom of the front cover, spine and back cover, which also affected the interior. Wear mark also at the top of the spine. Interior with several wear signs, mostly due the water exposure. All pages show water stains at the bottom of the pages and also signs of have been glued to each other, which resulted in most of the pages showing signs of have been unglued, with a few pages showing also small tears and chips. All images are visible and the text readable. Good readable/working copy.; "The collector of the Meiyintang porcelains actively sought pieces with history. The illustrious provenances recorded in this catalogue read like a 'Who is Who' of 20th-century connoisseurship in Chinese ceramics: Sir Percival David, Charles Oswald Liddell, Charles E Russell, Alfred Clark, Sir Harry Garner, Harry J. Oppenheim, H M. Knight. R.H.R. Palmer, Montague Meyer, Ww Winkworth, Vivian Bulkeley-Johnson, Edward T. Chow, TY Chao, J.M. Hu, Frederick. J. Van Slyke are only some of the famous names we encounter, we come across items that have featured in seminal exhibitions, such as London 1935 and Venice 1954, or have become reference pieces in the classic literature on the subject. Through the collector's eyes we see Chinese ceramics in a particular light and that gives every piece in the collection an added dimension. It presents this art form under a specific angle, as it highlights the quiet, refined and sophisticated aspect rather than the bold and garish side, it presents the unsurpassed craftsmanship, feeling for proportions, attention to detail, the elegance, beauty and understatement of the works from the Jingdezhen imperial kilns, and it celebrates the potters' inventiveness. The Meiyintang collection was formed with a vision, and that is what makes a collection iconic. Collectors of this calibre, who always ranked quality, beauty, rarity or just some alluring feature of an object higher than mere commercial value, have become a notable exception. The collector's personal approach assured that the Meiyintang collection is not a plain chronicle of the history of China's ceramics, but a lucid interpretation of what makes these works of art great." by Regina Krahl.…

Hardcover. Condizione: New.

Hardcover. Condizione: Very Good. No Jacket. English text, with introductions and captions also in Chinese.; Hardcover (cloth without dust jacket - as issued).; PART IV - Sotheby's Hong Kong sale HK0437, held on the 9th October 2012, comprising 51 lots, 24 x 30.5 cm, 1.5 kg, 212 pages, with colour illustrations.; Used with signs of wear on the exterior and interior. The exterior shows minor wear marks, edge wear, scuffs and scratches on the front cover, spine and back cover. Small bumps at the bottom right side of the front cover and at the bottom left side of the spine, and at the bottom right side of the back cover. Interior with minor signs of wear. INCLUDES LOOSE PRICE LIST.; "The collector of the Meiyintang porcelains actively sought pieces with history. The illustrious provenances recorded in this catalogue read like a 'Who is Who' of 20th-century connoisseurship in Chinese ceramics: Sir Percival David, Charles Oswald Liddell, Charles E Russell, Alfred Clark, Sir Harry Garner, Harry J. Oppenheim, H M. Knight. R.H.R. Palmer, Montague Meyer, Ww Winkworth, Vivian Bulkeley-Johnson, Edward T. Chow, TY Chao, J.M. Hu, Frederick. J. Van Slyke are only some of the famous names we encounter, we come across items that have featured in seminal exhibitions, such as London 1935 and Venice 1954, or have become reference pieces in the classic literature on the subject. Through the collector's eyes we see Chinese ceramics in a particular light and that gives every piece in the collection an added dimension. It presents this art form under a specific angle, as it highlights the quiet, refined and sophisticated aspect rather than the bold and garish side, it presents the unsurpassed craftsmanship, feeling for proportions, attention to detail, the elegance, beauty and understatement of the works from the Jingdezhen imperial kilns, and it celebrates the potters' inventiveness. The Meiyintang collection was formed with a vision, and that is what makes a collection iconic. Collectors of this calibre, who always ranked quality, beauty, rarity or just some alluring feature of an object higher than mere commercial value, have become a notable exception. The collector's personal approach assured that the Meiyintang collection is not a plain chronicle of the history of China's ceramics, but a lucid interpretation of what makes these works of art great." by Regina Krahl.…

Hardcover. Condizione: Good. No Jacket. English text, with introductions and captions also in Chinese.; Hardcover (cloth without dust jacket - as issued).; Part I - Sotheby's Hong Kong sale HK0371, held on the 7th April 2011, comprising 77 lots, 24 x 30.5 cm, 1.9 kg, 304 pages, with colour illustrations.; Used with signs of wear on the exterior and interior. The exterior shows wear marks, edge wear, scuffs and scratches on the front cover, spine and back cover. The front cover shows wear marks, namely a tiny red blurr and two other tiny stains, there are also some tiny stains on the rear cover. Interior with a stamp stating received and dated on title page. Remaining interior with minor signs of wear. INCLUDES LOOSE PRICE LIST.; "The collector of the Meiyintang porcelains actively sought pieces with history. The illustrious provenances recorded in this catalogue read like a 'Who is Who' of 20th-century connoisseurship in Chinese ceramics: Sir Percival David, Charles Oswald Liddell, Charles E Russell, Alfred Clark, Sir Harry Garner, Harry J. Oppenheim, H M. Knight. R.H.R. Palmer, Montague Meyer, Ww Winkworth, Vivian Bulkeley-Johnson, Edward T. Chow, TY Chao, J.M. Hu, Frederick. J. Van Slyke are only some of the famous names we encounter, we come across items that have featured in seminal exhibitions, such as London 1935 and Venice 1954, or have become reference pieces in the classic literature on the subject. Through the collector's eyes we see Chinese ceramics in a particular light and that gives every piece in the collection an added dimension. It presents this art form under a specific angle, as it highlights the quiet, refined and sophisticated aspect rather than the bold and garish side, it presents the unsurpassed craftsmanship, feeling for proportions, attention to detail, the elegance, beauty and understatement of the works from the Jingdezhen imperial kilns, and it celebrates the potters' inventiveness. The Meiyintang collection was formed with a vision, and that is what makes a collection iconic. Collectors of this calibre, who always ranked quality, beauty, rarity or just some alluring feature of an object higher than mere commercial value, have become a notable exception. The collector's personal approach assured that the Meiyintang collection is not a plain chronicle of the history of China's ceramics, but a lucid interpretation of what makes these works of art great." by Regina Krahl.…

Hardcover. Condizione: Very Good. No Jacket. English, Chinese and Japanese introductory texts, with captions in English and Chinese.; Hardcover (cloth without dust jacket - as issued).; PORCELAIN, sale HK0559 "BAIHUATING", held on 8 October 2014 at Sotheby's Hong Kong, comprising 8 lots (lots 3501-3509), 24 x 30.5 cm, 0.7 kg, 92 pages with colour illustrations.; Signs of wear on the exterior and interior. Small bumps at all edges which are turning inwards. The exterior shows minor signs of wear, scuffs and scratches on the front cover, spine and back cover. The lettering on spine is worn. Some pages are bent are a tiny part at the top eges on the first few pages most likely due to the bump. Remaining interior in very good condition.; "A thousand false notes" is an exaggerated exercise in humility but what rings true is that Sakamoto Goro in his career as an antiques dealer, collector and connoisseur spanning almost seventy years has achieved true mekiki, the expert's capacity to judge authenticity that goes far beyond simply having a good eye for art. A rigorously self-critical man he has learned from his mistakes. "One's failures are the foundation of success" has been a guiding principle of his life. His autobiography, first serialized in the Nikkei newspaper in December of 1996, is more a catalogue of his early failures than his considerable successes in his Tokyo shop, Fugendo, the Tokyo Bijutsu Club and auction rooms in London, New York and Paris. With dogged determination, daring, constant study and what he calls his "fighting spirit" he has bought and sold some of the finest works of Chinese, Japanese, Korean and ancient Middle Eastern art." excerpt from the introductory text by Jeffrey Hantover.…

Hardcover. Condizione: Very Good. No Jacket. English, Chinese and Japanese introductory texts, with captions in English and Chinese.; Hardcover (without dust jacket - as issued).; THE CLARK DING, sale HK0542 "DING", held on 8 April 2014 at Sotheby's Hong Kong, comprising 1 lots (lot 11), 24 x 30.5 cm, 0.6 kg, 72 pages with colour illustrations.; Used with signs of wear on the exterior and interior. All edges bumped which are turning inwards. The exterior shows minor signs of wear, scuffs and scratches on the front cover, spine and back cover. The lettering on spine is worn. Wear signs at the top right side of the pages (which are bent) likely due to the bump on the top right side of the front cover (the first 30 pages show a small wear mark and the remaining pages a tiny wear mark). Remaining interior with minor signs of wear.; "A thousand false notes" is an exaggerated exercise in humility but what rings true is that Sakamoto Goro in his career as an antiques dealer, collector and connoisseur spanning almost seventy years has achieved true mekiki, the expert's capacity to judge authenticity that goes far beyond simply having a good eye for art. A rigorously self-critical man he has learned from his mistakes. "One's failures are the foundation of success" has been a guiding principle of his life. His autobiography, first serialized in the Nikkei newspaper in December of 1996, is more a catalogue of his early failures than his considerable successes in his Tokyo shop, Fugendo, the Tokyo Bijutsu Club and auction rooms in London, New York and Paris. With dogged determination, daring, constant study and what he calls his "fighting spirit" he has bought and sold some of the finest works of Chinese, Japanese, Korean and ancient Middle Eastern art." excerpt from the introductory text by Jeffrey Hantover.…

Hardcover. Condizione: Good. No Jacket. English text, with introductions and captions also in Chinese.; Hardcover (cloth without dust jacket - as issued).; PART III - Sotheby's Hong Kong sale HK0406, held on the 4th April 2012, comprising 52 lots, 24 x 30.5 cm, 1.6 kg, 225 pages, with colour illustrations.; Used with signs of wear on the exterior and interior. The exterior shows wear marks, edge wear, scuffs and scratches on the front cover, spine and back cover. Bumped edges, which are slightly turning inwards. Two tiny stains at the top of the spine. Tiny chip on the top right side of the back cover, the back cover also shows a tiny scratch. Interior with signs of wear, namely at the bottom of a few pages due to a bump, a few showing only tiny signs like they have been bent but others showing small signs like they have been bent. Remaining interior in very good condition with minor signs of wear.; "The collector of the Meiyintang porcelains actively sought pieces with history. The illustrious provenances recorded in this catalogue read like a 'Who is Who' of 20th-century connoisseurship in Chinese ceramics: Sir Percival David, Charles Oswald Liddell, Charles E Russell, Alfred Clark, Sir Harry Garner, Harry J. Oppenheim, H M. Knight. R.H.R. Palmer, Montague Meyer, Ww Winkworth, Vivian Bulkeley-Johnson, Edward T. Chow, TY Chao, J.M. Hu, Frederick. J. Van Slyke are only some of the famous names we encounter, we come across items that have featured in seminal exhibitions, such as London 1935 and Venice 1954, or have become reference pieces in the classic literature on the subject. Through the collector's eyes we see Chinese ceramics in a particular light and that gives every piece in the collection an added dimension. It presents this art form under a specific angle, as it highlights the quiet, refined and sophisticated aspect rather than the bold and garish side, it presents the unsurpassed craftsmanship, feeling for proportions, attention to detail, the elegance, beauty and understatement of the works from the Jingdezhen imperial kilns, and it celebrates the potters' inventiveness. The Meiyintang collection was formed with a vision, and that is what makes a collection iconic. Collectors of this calibre, who always ranked quality, beauty, rarity or just some alluring feature of an object higher than mere commercial value, have become a notable exception. The collector's personal approach assured that the Meiyintang collection is not a plain chronicle of the history of China's ceramics, but a lucid interpretation of what makes these works of art great." by Regina Krahl.…

Hardcover. Condizione: Good. No Jacket. English, Chinese and Japanese introductory texts, with captions in English and Chinese.; Hardcover (nine cloth catalogues without dust jacket - as issued) and one paperback (Asian Lacquer).; All catalogues with colour illustrations.; SCULPTURE, sale HK0490 "FAITO" held on 8 October 2013 at Sotheby's Hong Kong, comprising 28 lots (111-139), 24 x 30.5 cm, 1 kg, 160 pages.; LACQUER, sale HK0490 "FAITO" held on 8 October 2013 at Sotheby's Hong Kong, comprising 33 lots (140-173), 24 x 30.5 cm, 1 kg, 152 pages.; A BRONZE OWL HU, sale N09124 "XIAO", held on 18 March 2014 at Sotheby's New York, comprising 1 lots (lot 18), 24 x 30.5 cm, 0.6 kg, 64 pages.; THE CLARK DING, sale HK0542 "DING", held on 8 April 2014 at Sotheby's Hong Kong, comprising 1 lots (lot 11), 24 x 30.5 cm, 0.6 kg, 72 pages.; ASIAN LACQUER, sale HK0520 "LACQUER", held on 27 May 2014 at Sotheby's Hong Kong, comprising 49 lots (lots 901-950), 21 x 27 cm, 0.5 kg, 120 pages.; SONG CERAMICS, sale N09189 "VORTEX" held on 16 September 2014 at Sotheby's New York, comprising 8 lots (lots 1-8), 24 x 30.5 cm, 0.7 kg, 76 pages.; PORCELAIN, sale HK0559 "BAIHUATING", held on 8 October 2014 at Sotheby's Hong Kong, comprising 8 lots (lots 3501-3509), 24 x 30.5 cm, 0.7 kg, 92 pages.; CERAMICS, sale N09336 "PEONY", held on 17 March 2015 at Sotheby's New York, comprising 45 lots (lots 1-45), 24 x 30.5 cm, 0.8 kg, 112 pages.; EARLY CHINESE ART, sale N09584 "EWER", held on 13 September 2016 at Sotheby's New York, comprising 16 lots (lots 1-16), 24 x 30.5 cm, 0.7 kg, 80 pages.; EARLY BUDDHIST BRONZES, sale HK0679 "PADMAPANI", held on 5 October 2016 at Sotheby's Hong Kong, comprising 21 lots (lots 3201-3222), 24 x 30.5 cm, 1 kg, 132 pages.; CONDITION: SCULPTURE - minor signs of wear on the exterior and interior.; LACQUER - minor signs of wear on the exterior and interior. The exterior edges are slightly bumped and turning inwards.; A BRONZE OWL HU - signs of wear on the exterior, namely small bumps at the edges, which are slightly turning inwards.; THE CLARK DING - minor bumps at the exterior edges, which are slightly turning inwards. Minor yellowing on the outside text block.; ASIAN LACQUER - signs of wear on the exterior and interior. Small bump/chip at the bottom of the spine, and another small bump/chip at the top right corner which affected the edge of the interior pages.; SONG CERAMICS -minor signs of wear. The exterior edges are slightly bumped and turning inwards.; PORCELAIN - minor signs of wear. The exterior edges are slightly bumped and turning inwards.; CERAMICS - minor signs of wear on the exterior and interior. The exterior edges are slightly bumped and turning inwards.; EARLY CHINESE ART - minor signs of wear on the exterior and interior. Small bump at bottom of the front cover, which affect slightly the bottom right side of all pages.; EARLY BUDDHIST BRONZES - minor signs of wear. Small bumps at all edges which are turning inwards. Tiny wear signs of all bottom pages likely due to bump.; "A thousand false notes" is an exaggerated exercise in humility but what rings true is that Sakamoto Goro in his career as an antiques dealer, collector and connoisseur spanning almost seventy years has achieved true mekiki, the expert's capacity to judge authenticity that goes far beyond simply having a good eye for art. A rigorously self-critical man he has learned from his mistakes. "One's failures are the foundation of success" has been a guiding principle of his life. His autobiography, first serialized in the Nikkei newspaper in December of 1996, is more a catalogue of his early failures than his considerable successes in his Tokyo shop, Fugendo, the Tokyo Bijutsu Club and auction rooms in London, New York and Paris. With dogged determination, daring, constant study and what he calls his "fighting spirit" he has bought and sold some of the finest works of Chinese, Japanese, Korean and ancient Middle Eastern art." excerpt from the introductory text by Jeffrey Hantover.…