Reigl (69 risultati)

Soft cover. Condizione: Very Good. 28 page center stapled soft cover exhibition catalog with introductory essay by Jean-Paul Ameline and color illustrations of the work. Exhibit was at Janos Gat Gallery in NYC in the Fall of 2008. List of the artist's exhibits and select bibliography at rear.Unmarked, tight and clean.…

Soft cover. Condizione: Very Good. 1st Edition. about very good condition with a bit of wear.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condizione: New. Beginning in the 1950s, Judit Reigl (b. Kapuvár, Hungary, 1923; d. Marcoussis, France, 2020) builds a singular creative oeuvre between abstraction and figuration, between Surrealism and gestural painting. After studying art in Budapest, Reigl flees Hungary in 1950; arriving in Paris, she is introduced to André Breton, who organizes her first exhibition in 1954. Under the influence of the École de Paris, she branches out into écriture automatique, then shifts toward free expression.Like her contemporaries Jackson Pollock and Helen Frankenthaler in New York, she lays out ever larger unprimed canvases on the floor and works them with a brush, her fingers, or other instruments. After 1966, bodily shapes emerge from her abstractions, and figures reappear in the pictures.On occasion of Reigl's centenary and the gift of three major works, the Neue Nationalgalerie mounts the artist's first solo exhibition at a museum in Germany. The book surveys the oeuvre of one of the most important protagonists of European art in the second half of the twentieth century. …

Softcover, staple-bound, 24 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: as new. Wie neu/Like new.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condizione: New. Beginning in the 1950s, Judit Reigl (b. Kapuvár, Hungary, 1923; d. Marcoussis, France, 2020) builds a singular creative oeuvre between abstraction and figuration, between Surrealism and gestural painting. After studying art in Budapest, Reigl flees Hungary in 1950; arriving in Paris, she is introduced to André Breton, who organizes her first exhibition in 1954. Under the influence of the École de Paris, she branches out into écriture automatique, then shifts toward free expression.Like her contemporaries Jackson Pollock and Helen Frankenthaler in New York, she lays out ever larger unprimed canvases on the floor and works them with a brush, her fingers, or other instruments. After 1966, bodily shapes emerge from her abstractions, and figures reappear in the pictures.On occasion of Reigl's centenary and the gift of three major works, the Neue Nationalgalerie mounts the artist's first solo exhibition at a museum in Germany. The book surveys the oeuvre of one of the most important protagonists of European art in the second half of the twentieth century. …

Condizione: As New. : Este libro infantil, titulado 'Nach der Hochzeit kann man nicht mehr tauschen. Kinder über die Eltern und das Familienleben', ofrece una perspectiva única sobre el matrimonio y la vida familiar a través de los ojos de los niños. Publicado por Europa, Hamburg, este libro de tapa dura explora las percepciones infantiles sobre las relaciones y dinámicas familiares. Con ilustraciones encantadoras y un enfoque en las experiencias de los niños, este libro es una adición valiosa para cualquier colección que busque comprender mejor las relaciones familiares desde una perspectiva infantil. EAN: 9783203851037 Tipo: Libros Categoría: Infantil y Juvenil Título: Nach der Hochzeit kann man nicht mehr tauschen Autor: Elisabeth Reigl Editorial: Europa, Hamburg Idioma: de Páginas: 48 Formato: tapa dura.…

Softcover, 112 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

geh. Condizione: Befriedigend. 1. Aufl. 35 S. ; 18 cm folienkaschiertes exBibliotheksexemplar mit den üblichen Stempeln/Signaturen, Kanten etwas bestossen, Knickchen und Flecken /// Standort Wimregal HOM-41.474 ISBN 3774213305 WITHIN THE EU: shipping only to GERMANY and AUSTRIA due to the new EPR regulations. Sprache: Deutsch Gewicht in Gramm: 92.…

Broschur. Condizione: Gut. 2. Auflage. 35 Seiten Minimal bestossen, gut. /// Standort Wimregal . MIR-3616 ISBN 3774213305 WITHIN THE EU: shipping only to GERMANY and AUSTRIA due to the new EPR regulations. Sprache: Deutsch Gewicht in Gramm: 86.

Condizione: Gut. München 1992: Gräfe und Unzer, 2. Auflage, 35 Seiten, Broschur.- Kanten gering berieben, kleiner Kleberückstand von entferntem Preisschild auf hinterem Deckel.-[ Standort Wimregal . HAA-3892 ISBN 3774213305 WITHIN THE EU: shipping only to GERMANY and AUSTRIA due to the new EPR regulations. Sprache: Deutsch Gewicht in Gramm: 86.…

Softcover. Condizione: Fine. Leichte Gebrauchsspuren; Leichte Verschmutzung / Farbtonveränderung.

Gebundene Ausgabe. Condizione: Sehr gut. Europa - 1. Auf. 2003 : Sybille Ekrut - gb . Gr.16.5x16.7cm. 73-65J7-POMW Sprache: Deutsch Gewicht in Gramm: 200.

Paperback. Condizione: Like New. 2021 softcover. 107 pages, illustrated (some in color.) Transcript of an interview which reads much like a memoir. Published in France; text is in English. No marks or flas. Condition: like new. Ships from Ohio, USA.

Softcover, 130 pages; in English, French and Hungarian; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Gebundene Ausgabe, Hardcover. Condizione: Wie neu. Lizenzausgabe. 383 S. : zahlr. Ill. ; 28 cm. Seitenwerk wie neu, lediglich leicht randgedunkelt. Einband leicht berieben. ISBN: 9783811221451 Der Versand ins Ausland ist gegen Zahlung der Portokosten möglich. Bitte nehmen Sie Kontakt mit uns auf. Sprache: Deutsch Gewicht in Gramm: 1550. …

Condizione: as new. Livraison rapide, bien emballé, service client soigné.Pour tout renseignement complémentaire, n'hésitez pas à nous contacter. Reigl, Judith (illustratore).

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. Delivered three times between 1898 and 1902 and subsequently revised with an eye towards publication, Alois Riegl's lectures on the origins of Baroque art in Rome broke new ground in its field. This English translation brings Riegl's compelling vision of the Baroque to life and amply illustrates his celebrated magnetism as a lecturer. Num Pages: 292 pages, 47 b&w illustrations. BIC Classification: 1DST; ACQB. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 251 x 179 x 19. Weight in Grams: 884. . 2010. 0th Edition. Paperback. . . . .…

Hardback. Condizione: New. Delivered three times between 1898 and 1902 and subsequently revised with an eye towards publication, Alois Riegl's lectures on the origins of Baroque art in Rome broke new ground in its field. This first English translation brings Riegl's compelling vision of the Baroque to life and amply illustrates his celebrated magnetism as a lecturer. His text is full of perceptive observations on the most important artists of the period from Michelangelo to Caravaggio. By taking the spectator into consideration, Riegl identifies a crucial defining change between Renaissance and Baroque art and provides invaluable inspiration for present-day students and readers. Baroque was born in Italy, and later adopted in France, Germany, Netherlands, and Spain. The world 'baroque' was first applied to the art of the period from the late 1500s to the late 1700s, by critics in the late nineteenth century.…

Fester Einband. Opbd., 295 S. gebunden. Scheint ungebraucht, sauber u. frisch. wie neu 535 gr.

Condizione: very good. Photo non contractuelle. Envoi rapide et soigné.

Condizione: New. Delivered three times between 1898 and 1902 and subsequently revised with an eye towards publication, Alois Riegl's lectures on the origins of Baroque art in Rome broke new ground in its field. This English translation brings Riegl's compelling vision of the Baroque to life and amply illustrates his celebrated magnetism as a lecturer. Num Pages: 292 pages, 47 b&w illustrations. BIC Classification: 1DST; ACQB. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 251 x 179 x 19. Weight in Grams: 884. . 2010. 0th Edition. Paperback. . . . . Books ship from the US and Ireland.…

Hardcover without dustjacket as issued, 56 pages, as new condition, no internal marks, clean and crisp. DVD in unopened pouch on inside front cover. (Spine is black no writing) Foreign shipping may be extra.