reise barbara (33 risultati)

Paperback. Condizione: Good. Oblong octavo, 34 pages, illustrated. From art dealers library with several labels applied.

Condizione: Good. Paperback, illustrations in colour and b/w, unpaged, oblong (circa 18x25cm).

Softcover, 126 pages, texts in English, good condition; covers are very yellowed and light foxing to outer page edges; no internal marks. Foreign shipping may be extra.

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Soft cover. Condizione: Very Good. 1st Edition. 4to, card covers, unpaginated (46 leaves). First edition. Flipbook catalogue companion to the '72 paintings exhibition. VG-: clean internals save for a small spot touching the lower margin of the last several leaves (very clean otherwise, no turned corners, etc.); quite sound binding (no looseness, no shakiness); covers sunned and soiled but still presentable, especially given the scarcity of the first edition. Please see the images.

Condizione: Good. Original stapled wrappers, illustrations in colour and b/w, 4to.

Softcover, 126 pages, in English, very good condition except covers are very yellowed; no internal marks. Foreign shipping may be extra.

Softcover. oblong, blue-green pictorial wraps w/ white printing. approx 34 unpaginated pgs w/ color plates, bw figures. Includes 8 color plates with three half-page black/white plates; various black/white figures. Includes a lengthy opening essay and biographical and exhibition listings; brief film/video and bibliography. Exhibition held at Scottish Arts Council Gallery, September 18 through October 17 1976. Good+ (edge-wear to wraps. rubbing to spine. corners bumped & rubbed w/ crimp/creasing to pg corners.).

Condizione: Brand New. 224 pages. German language. 5.28x0.79x8.70 inches. In Stock.

Condizione: Brand New. 224 pages. German language. 6.97x0.87x8.78 inches. In Stock.

144 pp.; 30.7 x 24.2 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; letterpress; March 1971 issue of Studio International, edited by Peter Townsend. Contents include: "Project 84," by David Dickson; "Date with fate at the Tate," by Felipe Ehrenberg; "News and Notes;" "Correspondence;" "Haacke, Sonfist and Nature," by Jonathan Benthall; "Christo," by Lawrence Alloway; "Tantric imagery: affinities with twentieth-century abstract art," by Virginia Whiles; "Robert Medley's new paintings," by Bryan Robertson; "Commentary," by John Russell; "Albert Irvin," by Andrew Forge; "Andy Warhol and Ad Reinhardt," by Max Kozloff; "The conditional probability machine: a new work by Eduardo Paolozzi," by Diane Kirkpatrick; "Between spring and ocean," by Klaus Rinke; "Lawrence Weiner," by Anthony Lovell; "Works by Lawrence Weiner" "Supplement: new and recent art books," reviews by Jonathan Benthall, Bernard Denvir, Andrew Forge, Peter Gidal, Andrew Higgens, Timothy Hilton, Colin Moorcraft, John Picton, Barbara Reise, and Frank Whitford. Cover: costume designed by L. Popova for "The Magnanimous Cuckold," 1921. Very Good. 5.6 cm. pencil writing on recto. Yellowing and dusting of covers with light edgewear. Contents clean and unmarked.

156 pp.; 30.7 x 24 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; March 1974 issue of Studio International with cover specially designed for this issue by Roger Hilton. Edited by Peter Townsend. Contents include: "XII Bienal de São Paulo: a prototype for vaudeville," by Regina Cornwell; "L'Exposition des Impressionnistes," by Louis Leroy; "Correspondence;" "No isms in Hungary," by Anik Cs. Asztalos; "Experience in reality: the art of A.R. Penck," by Dieter Koepplin; "Every Artist is a con-man," a discussion between Roger Hilton and Alan Green; "A Letter from Roger Hilton;" "Robert Ryman: unfinished II (Procedures)," by Barbara Reise; "Review" and "Supplement Spring 1974: new and recent art books," reviews by Rosetta Brooks, Ben Creme, Toni del Renzio, John Elderfield, Eva Figes, Graham Howard, Christopher Neve, Barbara Reise, Peter Smith, Michael Spens, William Tucker, and John Walker. Good. Light curling of spine edge, rubbing of cover edges, dusting of covers, and 6.4 cm. of writing in pencil on verso, and additional rubbing and yellowing of covers. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Soft cover. Condizione: Very Good. Text in english, oblong 4to, soft cover, not paginated, illustrated, very good copy.

Paperback. Condizione: Brand New. 224 pages. German language. 6.69x0.83x8.27 inches. In Stock.

perfect. Condizione: Brand New. 288 pages. German language. 5.08x0.96x8.78 inches. In Stock.

London (The Tate Gallery) 1980; 126 pp.; exhibition catalogue of the first retrospective exhibition with texts by Michael Compton, Barbara Reise and others and numerous illustrations of which some in colour; softcover; 24,5 x 18 cm FINE COPY [Art / international artist [Buitenlandse Kunstenaars] Exhibition ].

perfect. Condizione: Brand New. 320 pages. German language. 5.08x1.04x8.78 inches. In Stock.

Hardcover. Condizione: Brand New. German language. 10.47x7.80x1.30 inches. In Stock.

S : 64 pp., numerous b/w illustrations - Catalogue published in conjunction with an exhibition held at The Gemeentemuseum Den Haag, July 25 - August 30, 1970. Includes installation views, reproductions of preliminary drawings, various writings by the artist, an inventory of projects, plans, and proposals, as well as writings by artists, critics, and contemporaries such as Carl Andre, Dan Flavin, and Lucy R. Lippard.

First Edition. First Edition. Published in conjunction with an exhibition at Kunsthalle Bern between March 7 and April 5, 1981. Text in German. Near Fine in side stapled card wrappers. Light soiling and toning at the spine.

Hardcover. Condizione: Brand New. 256 pages. German language. 8.82x1.12x10.51 inches. In Stock.

80 pp.; 30.7 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; February 1974 issue of Studio International with cover specially designed for this issue by Robert Natkin. Edited by Peter Townsend. Contents include: "The Situation of the artist in Yugoslavia since 1945," by Cyril Barrett; "'Art-Language' at the Lisson Gallery," by Paul Wood; "Ivan Karp on Marcel Duchamp," an interview with Moira Roth; "Definition and theory of the current avant garde: materialist/structural film," by Peter Gidal; "Correspondence;" "Edvard Munch: scene, symbol and allegory," by Frank Whitford; "Profile," by Hans Haacke; "The Shape of Colour," by Patrick Heron; "Robert Ryman: unfinished 1 (materials)," by Barbara Reise "Review." Good. Bumping of bottom left corner of periodical and top right corner of periodical with light curling of spine edge. Rubbing of cover edges, dusting of covers, and 6.4 cm. of writing in pencil on verso. 8 mm. of rubbing to verso. Bumping of top right corner of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Softcover exhibition catalog, 24 pages, 6 color illustrations; very good condition; clean and crisp; no internal marks.

Softcover. Condizione: Gut. 1. Auflage. W : 173 Seiten, 22 x 32 cm, zahlreiche farbige Abbildungen -.

56 pp.; 30.7 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; July / August 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "What is Reality? The Theme of Documenta 5," by Georg Jappe; "This Spring in West Germany," by Robert Kudielka; "Science in Art," by Marcello Salvadori; "Correspondence;" "News and Notes;" "Experimental Art: Stubbs to Sonfist," by Jonathan Benthall; "Sydney: Art in the Universities," by Donald Brook; "'True Patriot Love': Joyce Wieland at the National Gallery of Canada;" "Bridget Riley," by David Thompson; "Three Shows at the Hayward: Hodler and Böcklin," by Frank Whitford and "Henri Laurens," by William Tucker; "Letter from Bucharest," by Radu Varia; "A Tail of Two Exhibitions," by Barbara Reise; "Background to the Foreground: The Haacke Exhibition History," by Edward Fry and Thomas M. Messer; "Which is in Fact What Happened," Thomas M. Messer in an interview with Barbara Reise; "The Limits of Collecting," by Sir Norman Reid; "Three Early African Sculptures;" "Supplement: New and Recent Art Books" "Reviews," by Marth Haworth-Booth, Jonathan Benthall, Alan Bowness, Timothy Clark, Richard Cork, Peter Gidal, Andrew Higgens, Timothy Hilton, and Frank Whitford. Cover: Sketch for "Zing" 1970 by Bridget Riley. Very Good. Light rubbing and bumping of cover edges. 8 cm. vertical creasing to verso with 6 cm. of pencil writing on verso edge. Contents clean and unmarked.

222 pp.; 31 x 24 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Peter Townsend. Essays "Art and Politics in the Russian Revolution - Part I," by Andrew Higgens; "Coldstream 1970," by Norbert Lynton; " Technology and Art 19: Kinetics at the Hayward," by Jonathan Benthall; "The Art Workers' Coalition: Not a History," by Lucy R. Lippard; "Carl Andre: Artworker," Carl Andre interviewed by Jeanne Siegel; "Dissenting Ideologies and the German Revolution," by John Elderfield; "Gene Davis and the Issue of Complexity," by Donald Wall; "Paintings by John Hubbard," by Bryan Robertson; "'A Very Abstract Context,'" by Charles Harrison; "U.S. Commentary," by Dore Ashton; "inn7o," by APG "Supplement: New and Recent Art Books," reviews by Alan Bowness, Andrew Forge, Andrew Higgins, Timothy Hilton, Edward Lucie-Smith, Jeremy Maas, Joseph Masheck, Barbara Reise, Deborah Stott, William Townsend. Cover: Photograph by Jan van Raay of members of the Art Workers' Coalition, including Jon Hendricks and Jean Toche, protesting in front of Picasso's 'Guernica' in New York. Includes a Dwan Gallery half page ad for Robert Smithson's 16mm film on the "Spiral Jetty." Very Good / Fine. Light rubbing of cover edges and small soft fold to lower right corner of front cover. Contents clean and unmarked and pages are tight to the spine.

Softbound. White wraps, black titles. Approx. 80 pp. Large photo-image plates, in black and white, forming sequence of descending the stairs. Text in German with captions in English. Published in conjunction with the 1972 Kunstmuseum Luzern exhibition entitled "The Paintings", this includes the photographic sequence "Oh, the Grand old Duke of York" by British conceptualists Gilbert & George. Progressive photos show the pair descending a stone staircase with the contstant caption "No UP, no DOWN." VG-, light soiling to covers, and on front cover: small label at top with typed note: "Bind in cover", and 2 spots with small areas of top layer removed, as though pulled away with tape.

Printed Wrappers. Condizione: Good -. First Edition. np (84pp), profusely illustrated in b&w. Text in German. In a protective clear acetate dustwrapper. Published in conjunction with the 1972 Kunstmuseum Luzern exhibition entitled "The Paintings", this is the original appearance of the photographic sequence "Oh, the Grand old Duke of York" by British conceptualists Gilbert & George. Capturing the pair descending an imposing stone staircase accompanied by the repeating phrase "No UP, no DOWN", these same images were reconfigured in the form of a small 1996 flip book published Oktagon Verlag. An internally most handsome example of the exceedingly uncommon 1972 first edition whose white wrappers show age-toning, soiling and spotting along with noticeable insect damage along the top and bottom edges of the front cover. It has been priced accordingly. Artist's Book.

64 pp.; 26 x 26 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held July 25 - August 30, 1970. Includes writing on LeWitt's work by Carl Andre, Terry Atkinson, Mel Bochner, John N. Chandler, Enoo Develing, Dan Flavin, Dan Graham, Coosje Kapteyn-van Bruggen, Eva Hesse, Michael Kirby, Rosalind Krauss, Ira Licht, Lucy R. Lippard, Dick van der Net, Barbara M. Reise, Hans Strelow and Lawrence Weiner. Also includes list of projects, plans and proposals, biography, bibliography and exhibition history. The exhibition was dedicated to Eva Hesse, who passed away a few months before the opening of the exhibition. Catalogue design by LeWitt. Text in English. Poor. THIS COPY SIGNED BY DAN GRAHAM in pen on page 24. Significant wear to covers including rubbing, bumping and creasing. 5 mm. tear to recto, 2.5 cm. tear to right side edge of recto with 5 mm. of loss. Corners of covers and pages are rounded from wear. Paper over spine edge is missing and has been haphazardly repaired with clear tape which has yellowed and is torn and missing in places. Handling wear to pages and 5.8 cm. of water damage to bottom right corner of pages with additional rippling from moisture damage to bottom edge.

142 pp.; 28 x 20.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed The report from the Art Workers Coalition hearing on April 10, 1969, printed in order to bring each artist's opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. Includes contributions in the form of statements by Carl Andre, Architects Resistance, Robert Barry, Gregory Battcock, Jon Bauch, Ernst Benkert, Don Bernshouse, Gloria Greenberg Bressler, Selma Brody, Bruce Brown, Bob Carter, Fredrick Castle, Rosemarie Castoro, Michael Chapman, Iris Crump, John Denmark, Joseph Di Donato, Mark Di Suvero, George Dworzan, Farman, Hollis Frampton, Dan Graham, Chuck Ginnever, Bill Gordy, Alex Gross, Hans Haacke, Clarence Hagin, Harvey, Gerry Herman, Frank Hewitt, D. Holmes, Robert Huot, Ken Jacobs, Joseph Kosuth, David Lee, Naomi Levine, Sol LeWitt, Lucy Lippard, Tom Lloyd, Lee Lozano, Len Lye, James McDonald, Edwin Mieczkowski, Vernita Nemec, Barnett Newman, John Perreault, Stephen Phillips, Lil Picard, Peter Pinchbeck, Joanna Pousette-Dart, Barbara Reise, Faith Ringold, Steve Rosenthal, Theresa Schwarz, Seth Siegelaub, Gary Smith, Michael Snow, Anita Steckel, Carl Strueckland, Gene Swenson, Julius Tobias, Jean Toche, Ruth Vollimer, Iain Whitecross, Jay Wholly, Ann Wilson, and Wilbur Woods. Reference : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 72. Fine. First printing, clean and unmarked as issued.