barbara reise (38 risultati)

Paperback. Condizione: Good. Oblong octavo, 34 pages, illustrated. From art dealers library with several labels applied.

Condizione: Good. Paperback, illustrations in colour and b/w, unpaged, oblong (circa 18x25cm).

Softcover, 126 pages, texts in English, good condition; covers are very yellowed and light foxing to outer page edges; no internal marks. Foreign shipping may be extra.

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Soft cover. Condizione: Very Good. 1st Edition. 4to, card covers, unpaginated (46 leaves). First edition. Flipbook catalogue companion to the '72 paintings exhibition. VG-: clean internals save for a small spot touching the lower margin of the last several leaves (very clean otherwise, no turned corners, etc.); quite sound binding (no looseness, no shakiness); covers sunned and soiled but still presentable, especially given the scarcity of the first edition. Please see the images.

Condizione: Good. Original stapled wrappers, illustrations in colour and b/w, 4to.

Softcover, 126 pages, in English, very good condition except covers are very yellowed; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Brand New. 128 pages. German language. 3.94x0.32x7.52 inches. In Stock.

Softcover. oblong, blue-green pictorial wraps w/ white printing. approx 34 unpaginated pgs w/ color plates, bw figures. Includes 8 color plates with three half-page black/white plates; various black/white figures. Includes a lengthy opening essay and biographical and exhibition listings; brief film/video and bibliography. Exhibition held at Scottish Arts Council Gallery, September 18 through October 17 1976. Good+ (edge-wear to wraps. rubbing to spine. corners bumped & rubbed w/ crimp/creasing to pg corners.).

Paperback. Condizione: Brand New. 160 pages. German language. 3.94x0.37x7.52 inches. In Stock.

Paperback. Condizione: Brand New. 160 pages. German language. 3.94x0.37x7.52 inches. In Stock.

Wrappers. Condizione: Good. 174 pages. Paperback. Texts in German. Significant handling wear overall with vertical creasing to the spine, wear along the edges, and soiling to the covers and fore-edge. This copy came from the collection of a working artist who used her books in her studio, so much of the soiling to the covers are small paint smudges. Still, the binding remains solid, with no observable marks to the interior. Bound in printed stiff paper covers and published on the occasion of the exhibition held from September 15-October 14, 1984. Book.

Paperback. Condizione: Brand New. 192 pages. German language. 3.94x0.45x7.52 inches. In Stock.

Condizione: Brand New. 224 pages. German language. 5.28x0.79x8.70 inches. In Stock.

Paperback. Condizione: Brand New. 224 pages. German language. 8.50x6.73x1.02 inches. In Stock.

144 pp.; 30.7 x 24.2 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; letterpress; March 1971 issue of Studio International, edited by Peter Townsend. Contents include: "Project 84," by David Dickson; "Date with fate at the Tate," by Felipe Ehrenberg; "News and Notes;" "Correspondence;" "Haacke, Sonfist and Nature," by Jonathan Benthall; "Christo," by Lawrence Alloway; "Tantric imagery: affinities with twentieth-century abstract art," by Virginia Whiles; "Robert Medley's new paintings," by Bryan Robertson; "Commentary," by John Russell; "Albert Irvin," by Andrew Forge; "Andy Warhol and Ad Reinhardt," by Max Kozloff; "The conditional probability machine: a new work by Eduardo Paolozzi," by Diane Kirkpatrick; "Between spring and ocean," by Klaus Rinke; "Lawrence Weiner," by Anthony Lovell; "Works by Lawrence Weiner" "Supplement: new and recent art books," reviews by Jonathan Benthall, Bernard Denvir, Andrew Forge, Peter Gidal, Andrew Higgens, Timothy Hilton, Colin Moorcraft, John Picton, Barbara Reise, and Frank Whitford. Cover: costume designed by L. Popova for "The Magnanimous Cuckold," 1921. Very Good. 5.6 cm. pencil writing on recto. Yellowing and dusting of covers with light edgewear. Contents clean and unmarked.

156 pp.; 30.7 x 24 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; March 1974 issue of Studio International with cover specially designed for this issue by Roger Hilton. Edited by Peter Townsend. Contents include: "XII Bienal de São Paulo: a prototype for vaudeville," by Regina Cornwell; "L'Exposition des Impressionnistes," by Louis Leroy; "Correspondence;" "No isms in Hungary," by Anik Cs. Asztalos; "Experience in reality: the art of A.R. Penck," by Dieter Koepplin; "Every Artist is a con-man," a discussion between Roger Hilton and Alan Green; "A Letter from Roger Hilton;" "Robert Ryman: unfinished II (Procedures)," by Barbara Reise; "Review" and "Supplement Spring 1974: new and recent art books," reviews by Rosetta Brooks, Ben Creme, Toni del Renzio, John Elderfield, Eva Figes, Graham Howard, Christopher Neve, Barbara Reise, Peter Smith, Michael Spens, William Tucker, and John Walker. Good. Light curling of spine edge, rubbing of cover edges, dusting of covers, and 6.4 cm. of writing in pencil on verso, and additional rubbing and yellowing of covers. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Paperback. Condizione: Brand New. 224 pages. German language. 6.69x0.83x8.27 inches. In Stock.

Condizione: Brand New. 224 pages. German language. 6.97x0.87x8.78 inches. In Stock.

perfect. Condizione: Brand New. 288 pages. German language. 5.08x0.96x8.78 inches. In Stock.

Soft cover. Condizione: Very Good. Text in english, oblong 4to, soft cover, not paginated, illustrated, very good copy.

perfect. Condizione: Brand New. 320 pages. German language. 5.08x1.04x8.78 inches. In Stock.

London (The Tate Gallery) 1980; 126 pp.; exhibition catalogue of the first retrospective exhibition with texts by Michael Compton, Barbara Reise and others and numerous illustrations of which some in colour; softcover; 24,5 x 18 cm FINE COPY [Art / international artist [Buitenlandse Kunstenaars] Exhibition ].

S : 64 pp., numerous b/w illustrations - Catalogue published in conjunction with an exhibition held at The Gemeentemuseum Den Haag, July 25 - August 30, 1970. Includes installation views, reproductions of preliminary drawings, various writings by the artist, an inventory of projects, plans, and proposals, as well as writings by artists, critics, and contemporaries such as Carl Andre, Dan Flavin, and Lucy R. Lippard.

First Edition. First Edition. Published in conjunction with an exhibition at Kunsthalle Bern between March 7 and April 5, 1981. Text in German. Near Fine in side stapled card wrappers. Light soiling and toning at the spine.

Hardcover. Condizione: Brand New. 256 pages. German language. 7.91x1.34x10.47 inches. In Stock.

Hardcover. Condizione: Brand New. 256 pages. German language. 8.82x1.12x10.51 inches. In Stock.

Hardcover. Condizione: Brand New. German language. 10.43x7.99x1.26 inches. In Stock.

80 pp.; 30.7 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; February 1974 issue of Studio International with cover specially designed for this issue by Robert Natkin. Edited by Peter Townsend. Contents include: "The Situation of the artist in Yugoslavia since 1945," by Cyril Barrett; "'Art-Language' at the Lisson Gallery," by Paul Wood; "Ivan Karp on Marcel Duchamp," an interview with Moira Roth; "Definition and theory of the current avant garde: materialist/structural film," by Peter Gidal; "Correspondence;" "Edvard Munch: scene, symbol and allegory," by Frank Whitford; "Profile," by Hans Haacke; "The Shape of Colour," by Patrick Heron; "Robert Ryman: unfinished 1 (materials)," by Barbara Reise "Review." Good. Bumping of bottom left corner of periodical and top right corner of periodical with light curling of spine edge. Rubbing of cover edges, dusting of covers, and 6.4 cm. of writing in pencil on verso. 8 mm. of rubbing to verso. Bumping of top right corner of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Softcover exhibition catalog, 24 pages, 6 color illustrations; very good condition; clean and crisp; no internal marks.