Richard morris design (12 risultati)

Hardcover. Condizione: Like New. Condizione sovraccoperta: Like New. 1st American Edition 1997. 292 pp. Clean, fresh copy and dj with very light shelf wear, crisp pages and clean text. Richard Poulin + Morris (Jacket Design); Susan Alinsangan,Doors/Architechtural/Graphicstock (illustratore).

Hardcover. Condizione: Like New. Condizione sovraccoperta: Like New. 1st Edition. 224 pp. Clean, fresh copy and dj with very light shelf wear, crisp pages and clean text. Stark Design (Jacket Design); Zeke Berman (Jacket Photo); Victoria Hartman (Design) (illustratore).

Hardcover. Condizione: Near Fine. Near Fine dj. First Edition. [minor shelfwear, the faintest bit of soiling to bottom of text block; jacket has a couple of wrinkles in the spine, light rubbing to rear panel]. (B&W photographs) Autobiography of B-movie mogul Samuel Z. Arkoff, co-founder in 1954 of American International Pictures, where "an entire generation of filmmakers and stars got their start.". Illustrated by (dj design) Morris Taub (illustratore).…

Hardcover. Condizione: Very good. Condizione sovraccoperta: Very good. Presumed First Edition, First printing. viii, 286, [8] pages. Appendix. Illustrations (23 photographs and drawings). Notes. Selected Bibliography. Index. Peter Morris (born 1962, Birmingham, England) is an American baseball researcher and author. A lifelong love of baseball led him to membership in the Society for American Baseball Research, where he became an active member of the Biographical Committee, researching the lives of early major league baseball players. Morris is a highly respected baseball researcher, and is often interviewed or cited by major media outlets such as National Public Radio. He has written or co-authored nine books (as of 2014), including the major two-volume work A Game of Inches: The Stories Behind the Innovations that Shaped Baseball in 2006, the first book to ever win both the Society for American Baseball Research's Seymour Medal and the Casey Award. In 2012, he served on the Baseball Hall of Fame's pre-integration committee. Derived from a Kirkus review: In the three decades before the Civil War, baseball was in its infancy. There were no standardized rules for the game, much less a consensus on what to call it. Using first-person recollections, recorded statistics and newspaper clippings, Morris identifies the era as crucial to baseball's emergence as the national sport. Some facts about the early game will likely surprise modern enthusiasts: e.g., the procedures before designated pitchers; players having to actually hit a player with the ball to record an out; and the traditional use of a single ball during the game. Morris puts baseball's far-flung evolution in context, jetting from town to town across the Eastern seaboard and the Midwest to illustrate how other locations began to adopt the game-or resist it via strict laws that prohibited public ball playing. The author emphasizes the game's origins, conveying the ethos of an era when the spirit of baseball was pure fun and social comity. Richard Rossiter (Jacket Design) (illustratore).…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. 1st ed., 1st printing ; xix, 295 p., [8] p. of plates ; 24 cm. ; ISBN: 1555840760; 9781555840761 LCCN: 87-22490 ; LC: N6512; Dewey: 709/.73 ; OCLC: 16683887 ; blue and white cloth with gold lettering, in photographic dustjacket ; Contents: America as paradise -- Geometry, American-style -- Synchromism : a tale of the two Gertrudes -- Photography in America -- Filthy pictures -- Venus envy -- The auction is the action -- Diane Arbus : the American scene as the American nightmare -- Andy Warhol's aluminum foil : the mirror of our time -- Pop in perspective -- Roy Lichtenstein : reproduction as representation -- ABC art -- Color-field painting : the Washington school -- Mondrian boogies in New York -- The late paintings of Georgia O'Keeffe -- Decoys and doubles : Jasper Johns and the modernist mind -- Ellsworth Kelly : an American in Paris -- Painting within the tradition : the career of Helen Frankenthaler -- Seventies painting -- Jackson Pollock and the death of painting -- Sculpture and perception -- Blowup : the problem of scale in sculpture -- Lucas Samaras : the self as icon and environment -- John Chamberlain : painterly sculpture -- On Mark di Suvero : sculpture outside walls -- Richard Serra : the site is specific -- Sculpture in the seventies -- About Eva Hesse -- Art criticism in America -- One-dimensional criticism -- Criticism as propaganda -- The politics of art -- The myth of Pollock and the failure of criticism -- Document of an age -- Protest in art -- Twilight of the superstars -- American painting : the eighties -- Art in discoland. ; small tear at bottom of spine, else VG/VG. Book.…

Soft cover. Condizione: Very Good. Text in english, oblong 4to, soft cover, not paginated, illustrated, very good copy.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. True 1st US Edition, First Printing. October, 2005. Number line: 05 06 07 08 09 PDC/RRD 10 9 8 7 6 5 4 3 2 1. " Who will be president in 2008?" (front flap)282 pp. plus: Notes, Index. Book has very slight wear at spine ends, ow it is as new. Unclipped DJ has corresponding wear. Laid in, as found is ACLJ flyer and 'The Presidential Coalition' information. Author's flat signed signature is found on a " Compliments of The Presidential Coalition" bookplate. Bookseller's inventory # 225696. P.R. Brown (jacket design) (illustratore). By Co-Authors.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 176 pages : color illustrations ; 29 cm ; ISBN: 031227551X; 9780312275518; 9781841881423 LCCN: 2002-281759 ; LC: SB466.G8; Dewey: 712/.6/094241 ; OCLC: 46401271 ; purple cloth in color photographic dustjacket ; Contents: The setting -- The view from the house -- The cottage garden -- Wild flower meadow and woodland garden -- The arboretum and walled garden - Organic gardening at Highgrove. ; "When the marriage of Lady Di and Prince Charles fell apart, rumor had it part of the problem had to do with his gardening obsession. Gossip columns claimed Charles paid more attention to his gardens than his wife. The Garden at Highgrove takes readers on a tour of Charles`s favorite creation--a maze-like garden surrounding the estate where he has primarily lived for the past 20 years. Various styles thrive within the boundaries of the property: wildflower meadows, formal hedgerows, outdoor rooms, carefully plotted tapestries of Queen of Night tulips. If Diana complained of neglect, Highgrove`s landscape looks like it has been lavishly doted on. In one series of photos, we see the transformation of a large plot, viewed from the house, as it has been completely erased and re-created year to year. Who has time to complete and then entirely redo a garden on a regular basis? A prince, of course. Although the landscape glows with a vibrant, almost artificial green, Charles has long been a committed organic gardener. In the introduction he recalls the period when he came around to the cause of environmentalism. While driving through a declining English countryside in the 1960s and 1970s, "I remember longing to heal the countryside, to bind up its wounds and to reclothe it in its rightful form." The Garden at Highgrove will inspire gardeners, even those who don`t live in palaces, who are looking for images of elegance and can`t afford a staff to keep the hedges perfect. --Emily White" ; Candida Rose Lycett Green was a British author who wrote sixteen books including English Cottages, Goodbye London, The Perfect English House, Over the Hills and Far Away and The Dangerous Edge of Things. Her television documentaries included The Englishwoman and the Horse, and The Front Garden. Unwrecked England, based on a regular column of the same name she wrote for The Oldie since 1992, was published in 2009. ; FINE/FINE. Book.…

Soft cover. Condizione: Good. No Jacket. 47 pages : illustrations ; 22 x 27 cm ; ISBN 9780815006831, 0815006837 ; OCLC 1733131 ; LC N6487C64.M376 1973 ; Artists include: Alfred Leslie, Adolph Gottlieb, Sam Francis, Allan Kapnow, Alex Katz, Karel Appel, James Brooks, Albert Burri, Willem de Kooning, Richard Diebenkorn, Jim Dine, Archie Gorky, Marsden Hartley, Hans Hofmann, Paul Jenkins, Lester Johnson, Morris Louis, Joan Mitchell, Jackson Pollock, Marca Relli, William Scoitt, Julian Stanczak, Antoni Tapies, John Chamberlain, Henry Moore, Louise Nevelson, Claes Oldenburg, Gio Pomodoro, Franz Kline, Christo Javacheff, John Mann, Marino Manni, Marcia Millares, Robert Motherwell, Mark Tobey; [Exhibition organized by] the University of Maryland Dept. of Art, University of Maryland Art Gallery, June 22 through September 30, 1973, the Finch College Museum of Art, October 16 through November 25, 1973, Albright Knox Art Gallery, January 8 through February 10, 1974 ; ex-library, marks, stamps, labels ; G. Book. …

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. A second printing of the first edition - reprinted with corrections in 1976. The book was first published in 1976. ***Very good in black cloth-covered boards, with gilt titles to the spine. The gilt is still beautifully bright, having been protected by the dustwrapper. The boards are clean and unmarked. Head and tail of spine just slightly creased. No bumps or tears to the cloth. Corners sharp. The page block edges don't have the usual foxing, but there is a small area of light staining to the bottom of the fore-edge - not affecting the interior pages. Internally the book is near fine with no inscriptions or other annotations. Pages clean. No creases or tears. There is a very slight reading lean to the binding. Spine tight. ***In a very good dustwrapper, with the fabulous wraparound surrealistic illustration taken from the painting 'The Expectant Valley' by Desmond Morris. The dustwrapper has been neatly square price-clipped, but is otherwise complete, with some creasing and rubbing at the edges, particularly at the top of the spine, which also has a couple of small areas of loss to the surface colour (please see scans). No chips or tears, and there is hardly any of the usual fading to the colour on the spine. Dustwrapper bright and clean. ***224 pages including a Bibliography, Index and Key to bibliography at the back of the book. 222mm x 140mm. ***'Richard Dawkins first came to prominence with his 1976 book "The Selfish Gene", which popularised the gene-centred view of evolution and introduced the term meme. With his book "The Extended Phenotype" (1982), he introduced into evolutionary biology the influential concept that the phenotypic effects of a gene are not necessarily limited to an organism's body, but can stretch far into the environment. In 2006, he founded the Richard Dawkins Foundation for Reason and Science. "The Selfish Gene" is a 1976 book on evolution by the ethologist Richard Dawkins, in which the author builds upon the principal theory of George C. Williams's "Adaptation and Natural Selection" (1966). Dawkins uses the term "selfish gene" as a way of expressing the gene-centred view of evolution (as opposed to the views focused on the organism and the group), popularising ideas developed during the 1960s by W. D. Hamilton and others. From the gene-centred view, it follows that the more two individuals are genetically related, the more sense (at the level of the genes) it makes for them to behave cooperatively with each other.' (Wiki) ***'Four thousand million years ago molecules with the power to make copies of themselves first appeared in the sea. What was the fate of these ancient replicators? They did not die out: they are masters of the survival arts. But do not look for them floating loose in the sea; they gave up that cavalier freedom long ago. Now they swarm in huge colonies, safe inside gigantic lumbering robots, manipulating the outside world by remote control. They are in all of us; they created us, body and mind; and their preservation is the sole reason for our existence. They have come a long way, those replicators. Now they go by the name of genes, and we are their survival machines.' (Quote taken from the front flap of the dustwrapper) ***A second printing of Richard Dawkins' first published book, published with corrections - probably the most famous work of genetic science - in very nice condition. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. Desmond Morris (Jacket design) (illustratore).…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First Edition. A third printing of the first edition - reprinted with corrections in 1977. The book was first published in 1976, and reprinted with corrections the same year, and in this printing in 1977. ***A near fine copy in black cloth-covered boards, with gilt titles to the spine. The gilt is still beautifully bright, having been protected by the dustwrapper. The boards are clean and unmarked. No bumps or tears to the cloth. No creasing. Corners sharp. The page block edges don't have the usual foxing, just a few small spots to the bottom edge. There is also no reading lean to the binding. Spine tight. Internally the book is also near fine with no inscriptions or other annotations. Pages clean. No creases or tears. ***In an unusually near fine dustwrapper, with the fabulous wraparound surrealistic illustration taken from the painting 'The Expectant Valley' by Desmond Morris. The dustwrapper has not been price-clipped, retaining the original publisher's printed price of £2.95 net. The dustwrapper is complete, with virtually no rubbing or creasing at the edges, even on the spine - just a tiny loss of surface colour on the fore-edge of the front foldover edge. No chips or tears. Very unusually also, there is virtually none of the usual fading to the colour on the spine. The white inner flaps are slightly browned at the edges, otherwise the dustwrapper is bright and clean. ***224 pages including a Bibliography, Index and Key to bibliography at the back of the book. 222mm x 140mm. ***'Richard Dawkins first came to prominence with his 1976 book "The Selfish Gene", which popularised the gene-centred view of evolution and introduced the term meme. With his book "The Extended Phenotype" (1982), he introduced into evolutionary biology the influential concept that the phenotypic effects of a gene are not necessarily limited to an organism's body, but can stretch far into the environment. In 2006, he founded the Richard Dawkins Foundation for Reason and Science. "The Selfish Gene" is a 1976 book on evolution by the ethologist Richard Dawkins, in which the author builds upon the principal theory of George C. Williams's "Adaptation and Natural Selection" (1966). Dawkins uses the term "selfish gene" as a way of expressing the gene-centred view of evolution (as opposed to the views focused on the organism and the group), popularising ideas developed during the 1960s by W. D. Hamilton and others. From the gene-centred view, it follows that the more two individuals are genetically related, the more sense (at the level of the genes) it makes for them to behave cooperatively with each other.' (Wiki) ***'Four thousand million years ago molecules with the power to make copies of themselves first appeared in the sea. What was the fate of these ancient replicators? They did not die out: they are masters of the survival arts. But do not look for them floating loose in the sea; they gave up that cavalier freedom long ago. Now they swarm in huge colonies, safe inside gigantic lumbering robots, manipulating the outside world by remote control. They are in all of us; they created us, body and mind; and their preservation is the sole reason for our existence. They have come a long way, those replicators. Now they go by the name of genes, and we are their survival machines.' (Quote taken from the front flap of the dustwrapper) ***A third printing of Richard Dawkins' first published book, published with corrections - probably the most famous work of genetic science - in really beautiful collector's condition. All three printings from 1976-77 are rarely found in this near fine condition. The book is prone to a reading lean, and the jacket is nearly always either torn, chipped or spine-faded. This is a wonderful copy. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. Desmond Morris (Jacket design) (illustratore).…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First Edition. A second printing of the first edition - reprinted with corrections in 1976. The book was first published earlier in the same year. One of the best examples of this book that we have had. ***Near fine in black cloth-covered boards, with gilt titles to the spine. The gilt is still beautifully bright, having been protected by the dustwrapper. The boards are clean and unmarked. Head and tail of spine uncreased. No bumps or tears to the cloth. Corners sharp. The page block edges are very clean, without the usual foxing. No reading lean to the binding. Spine tight. Internally the book is also near fine with no inscriptions or other annotations - just a very small 'Ex-Libris R. I. Tricker' label affixed to the front pastedown, hidden by the front flap of the dustwrapper. Pages clean. No creases or tears. ***In a near fine dustwrapper, with the fabulous wraparound surrealistic illustration taken from the painting 'The Expectant Valley' by Desmond Morris. The dustwrapper is complete, and has not been price-clipped, retaining the original publisher's printed price of £2.95 net, with a spare price sticker label. The extremities are only slightly rubbed and creased. No chips or tears. Slight fading to the colours on the spine as is often found with this title. Dustwrapper bright and clean. Very uncommon in this condition. ***224 pages including a Bibliography, Index and Key to bibliography at the back of the book. 222mm x 140mm. ***'Richard Dawkins first came to prominence with his 1976 book "The Selfish Gene", which popularised the gene-centred view of evolution and introduced the term meme. With his book "The Extended Phenotype" (1982), he introduced into evolutionary biology the influential concept that the phenotypic effects of a gene are not necessarily limited to an organism's body, but can stretch far into the environment. In 2006, he founded the Richard Dawkins Foundation for Reason and Science. "The Selfish Gene" is a 1976 book on evolution by the ethologist Richard Dawkins, in which the author builds upon the principal theory of George C. Williams's "Adaptation and Natural Selection" (1966). Dawkins uses the term "selfish gene" as a way of expressing the gene-centred view of evolution (as opposed to the views focused on the organism and the group), popularising ideas developed during the 1960s by W. D. Hamilton and others. From the gene-centred view, it follows that the more two individuals are genetically related, the more sense (at the level of the genes) it makes for them to behave cooperatively with each other.' (Wiki) ***'Four thousand million years ago molecules with the power to make copies of themselves first appeared in the sea. What was the fate of these ancient replicators? They did not die out: they are masters of the survival arts. But do not look for them floating loose in the sea; they gave up that cavalier freedom long ago. Now they swarm in huge colonies, safe inside gigantic lumbering robots, manipulating the outside world by remote control. They are in all of us; they created us, body and mind; and their preservation is the sole reason for our existence. They have come a long way, those replicators. Now they go by the name of genes, and we are their survival machines.' (Quote taken from the front flap of the dustwrapper) ***A second printing of Richard Dawkins' first published book, published with corrections - probably the most famous work of genetic science - in beautiful collectable condition. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. Desmond Morris (Jacket design) (illustratore).…