renee oconnor (13 risultati)

Unknown. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

First edition (not stated). 84 pages. Hardcover: H 23.5cm x L 21cm. Dust jacket lightly rubbed, slight bumping at spine head. White boards. A fine copy in a near fine dust jacket. With 38 duotone photographs and 16 full-color reproductions. Published to accompany an exhibition held at the Mississippi Museum of Art, Jackson, Mississippi from April 6 to June 30, 2002. {WeltyShelf#1} ISBN 1887422064.

First edition (not stated). 84 pages. Hardcover: H 23.5cm x L 21cm. Dust jacket lightly rubbed. White boards. Interior pages are bright and clean. Binding is firm. A fine copy in a fine dust jacket. With 38 duotone photographs and 16 full-color reproductions. Published to accompany an exhibition held at the Mississippi Museum of Art, Jackson, Mississippi from April 6 to June 30, 2002. Summarized upon the dust jacket: "Photographs by Mississippi icon Eudora Welty (1909-2001) capture in pictures the world this beloved author also described with words. The impact of Welty's images and the clarity of her artistic vision have yet to be examined within the context of American art of the 1930s. PASSIONATE OBSERVER: EUDORA WELTY AMONG ARTISTS OF THE THIRTIES places Welty's photographs from the decade alongside visual artwork by her contemporaries from across the country. Here, Eudora Welty is appreciated not just for her prose or her photographs. Rather, the photographs - like the works by painters and sculptors of the period - are understood as visual interpretations of the artist's world. They offer insight into the way Welty saw life around her, how she felt about what she saw, and what she cared about most. Both a compassionate observer of the world and a passionate image maker, Eudora Welty was a visual artist who used the camera much like she used language when working as a writer." {WeltyShelf#3} ISBN 1887422064.

First edition (not stated). 84 pages. Hardcover: H 23.5cm x L 21cm. Dust jacket lightly rubbed. White boards. Interior pages are bright and clean. Binding is firm. A fine copy in a fine dust jacket. With 38 duotone photographs and 16 full-color reproductions. Published to accompany an exhibition held at the Mississippi Museum of Art, Jackson, Mississippi from April 6 to June 30, 2002. Summarized upon the dust jacket: "Photographs by Mississippi icon Eudora Welty (1909-2001) capture in pictures the world this beloved author also described with words. The impact of Welty's images and the clarity of her artistic vision have yet to be examined within the context of American art of the 1930s. PASSIONATE OBSERVER: EUDORA WELTY AMONG ARTISTS OF THE THIRTIES places Welty's photographs from the decade alongside visual artwork by her contemporaries from across the country. Here, Eudora Welty is appreciated not just for her prose or her photographs. Rather, the photographs - like the works by painters and sculptors of the period - are understood as visual interpretations of the artist's world. They offer insight into the way Welty saw life around her, how she felt about what she saw, and what she cared about most. Both a compassionate observer of the world and a passionate image maker, Eudora Welty was a visual artist who used the camera much like she used language when working as a writer." {WeltyShelf#2} ISBN 1887422064.

Wraps. Condizione: Very Good. 8vo, pp. 232-325. Early appearance by Koch. Wrappers sunned, dustsoiled, bumped at edges and extremities including small chips and tears where edges overhang; interior Fine.

DVD. Condizione: Wie neu. OVP B3968-264 4260157717411 Altersfreigabe FSK ab 16 Jahre Sprache: Deutsch Gewicht in Gramm: 100.

DVD. Condizione: Gut. B3378-178 4040316604383 Sprache: Deutsch Gewicht in Gramm: 140.

Hardcover. Condizione: Very good condition. Condizione sovraccoperta: Very good. xxiii, 298 pp. LCC: 2009939004.

Couverture souple. Condizione: Très bon. IN-8 broché, 160 pages. Sommaire : Jean Grosjean: La Gloire, Pages 385-398 --- Flannery O'Connor: La fête des azalées, Pages 399-428 --- Marc Soriano: Le Petit Chaperon rouge, Pages 429-443 --- Jean Clair: Brève défense de l'art français (1945-1968), Pages 444-463 --- Shelby Foote: La liberté à coups de pied, Pages 464-469 --- Shirley Ann Grau: Le retour, Pages 470-479 --- Reynolds Price: Le sommeil, l'éveil, Pages 480-483 --- Fred Chappell: Héritage, Pages 484-493 --- Jacques Réda: Jean Tardieu, Pages 494-501 --- Marc Petit: Lecture de Marcuse, Pages 502-506 --- Robert Abirached: Le théâtre en question, Pages 507-513 --- Claude Esteban: Vuillard, Pages 514-519 --- Claude Michel Cluny: Amen, par Jacques Réda (Gallimard), Pages 520-521 --- Claude Michel Cluny: Le Mai sombre, par Jacques Réda (Origine), Pages 520-521 --- Michèle Pirazzoli-t'Serstevens: Briques et Tuiles, par Victor Segalen (Fata Morgana), Pages 521-522 --- Jean Duvignaud: L'Homme et l'Enfant, par Arthur Adamov (Gallimard), Pages 522-524 --- Guy Rohou: Le carnet à lucarnes, par Clarisse Francillon (Denoël), Pages 525-525 --- Guy Rohou: La Fabulation, par Jacques-Gérard Linze (Gallimard), Pages 526-526 --- Jacques-Pierre Amette: & moi, par Jean-Michel Gardair (Éditions de Minuit), Pages 527-527 --- Florence Delay: Poésies d'Alvaro de Campos, par Fernando Pessoa (Gallimard), Pages 527-530 --- Jean-Claude Schneider: Fin de mission, par Heinrich Böll (Le Seuil), Pages 530-531 --- Renée Boullier: Arts mayas du Guatemala, Pages 531-533 --- Claude Michel Cluny: Boom, de Joseph Losey, Pages 533-534 --- Alain Bosquet: Poèmes, de Romain Weingarten (Christian Bourgois), Pages 534-535 --- Jacques-Pierre Amette: Choix de lettres, de Malcolm Lowry (Denoël), Pages 535-536 --- Robert Abirached: Le piéton de mai, par Jean-Claude Kerbourc'h (Julliard), Pages 536-536 --- Willy de Spens: Les années courtes, par Félicien Marceau (Gallimard), Pages 536-537 --- Claude Michel Cluny: L'inconnu de Shandigor, de Jean-Louis Roy, Pages 537-537 --- Anonymes: Revue, Pages 538-544.

Couverture souple. Condizione: Très bon. IN-8 broché, 128 pages. Sommaire : Pierre Emmanuel: Hymne à la déesse (Fragments), Pages 1-8 --- Pierre Gascar: L'unité d'un destin, Pages 9-18 --- Adolf Rudnicki: Nuit blanche, Pages 19-35 --- Roger Judrin: Un taureau banal, Pages 36-47 --- Flannery O'Connor: A la mémoire de Mary Ann, Pages 48-60 --- Michel Gresset: L'audace de Flannery O'Connor, Pages 61-71 --- Béatrice Didier: Sade dramaturge de ses carceri, Pages 72-80 --- Michèle Pirazzoli-t'Serstevens: Contes et nouvelles en Chine au XVIIe siècle, Pages 81-83 --- Robert Abirached: Le mois théâtral, Pages 84-87 --- François-Bernard Mâche: Disque nouveaux de musique contemporaine, Pages 88-91 --- Dominique Noguez: Le cinéma qui grouille (du Satiricon à Woodstock), Pages 92-97 --- Émilie Noulet: Cet âge qu'on dit grand, par Franz Hellens (Jacques Antoine), Pages 98-100 --- Claude Esteban: Depuis toujours déjà, par André Frénaud (Gallimard), Pages 100-102 --- Roger Judrin: Racine, par Jacques et Pierre de Lacretelle (Perrin), Pages 102-103 --- Roger Judrin: Mérimée, 1870-1970, Pages 103-104 --- Sylvie Técoutoff: Récits, chroniques et polémiques, de Dostoïevski (Gallimard), Pages 104-106 --- Guy Rohou: Entretiens de Francis Ponge avec Philippe Sollers (Gallimard/Le Seuil), Pages 106-107 --- Anne Fabre-Luce: Le troisième corps, par Hélène Cixous (Grasset), Pages 107-108 --- Anne Fabre-Luce: Les commencements, par Hélène Cixous (Grasset), Pages 107-108 --- Naïm Kattan: Kamouraska, par Anne Hébert (Le Seuil), Pages 108-109 --- Jean-Paul Blois: La Souille, par Paul Werrie (Mercure de France), Pages 109-109 --- Lionel Mirisch: D'exil en exil, par Michel Breitman (Denoël), Pages 110-110 --- Renée Boullier: Goya portraitiste (Musée de l'Orangerie), Pages 110-113 --- Jean-Jacques Lévêque: André Beaudin (Galeries nationales du Grand Palais), Pages 113-114 --- Jean Grosjean: Poèmes, de Louise de Vilmorin (Gallimard), Pages 114-114 --- Lionel Mirisch: L'amour des autres, par Henry Bonnier (Albin Michel), Pages 115-115 --- Lionel Mirisch: Un chemin douteux, par Madeleine Alleins (Gallimard), Pages 115-115 --- Roger Judrin: Les Effigies, par Georges Thinès (Gallimard), Pages 116-116 --- Lionel Mirisch: Le petit colonel, par Jacques Floran (La Table Ronde), Pages 116-117 --- Lionel Mirisch: La fête encerclée, par Jean Maxime (Gallimard), Pages 117-117.

Couverture souple. Condizione: Très bon. IN-8 broché, 192 pages. Sommaire : Cioran: Paléontologie, Pages 577-590 --- Marcel Schneider: Le Péril de l'Abbaye, Pages 591-599 --- Eugène Guillevic: Paliers, Pages 600-605 --- Yves Véquaud: Le voyage en écriture, Pages 606-625 --- Flannery O'Connor: Le Jour du Jugement, Pages 626-647 --- Michel Gresset: C'est à William Blackburn, le maître de Styron - comme de Price et de Chappell., Pages 648-648 --- William Styron: Poussière paisible, Pages 648-662 --- Jean Grenier: La Nuit de Thiel, Pages 663-667 --- Philippe Jaccottet: Notes en relisant Claudel, Pages 668-672 --- Jacques Chessex: À la mémoire de Paul Gadenne, Pages 673-677 --- Jean Grenier: L'utopie du Mal, Pages 678-688 --- Robert Abirached: Le théâtre et la littérature, Pages 689-693 --- Jean-Louis Curtis: Les glossies, Pages 694-698 --- Claude Michel Cluny: Louis Brauquier, par Gabriel Audisio (Seghers), Pages 699-701 --- Pierre Chappuis: Brèche, par Jacques Garelli (Mercure de France), Pages 701-702 --- Martine de Rougemont: Voltaire ou La royauté de l'esprit, par Jean Orieux (Flammarion), Pages 703-705 --- Guy Rohou: Images, images., par Roger Caillois (José Corti), Pages 705-709 --- Willy de Spens: Moralités littéraires, par Roger Judrin (Gallimard), Pages 709-710 --- Alain Clerval: La Déchirure, par Henry Bauchau (Gallimard), Pages 710-711 --- Jacques Chessex: Un jeune homme de Venise, par Claude Michel Cluny (Denoël), Pages 711-713 --- Alain Clerval: Personne ne répond, par Léonie Bruel (Éditions de Minuit), Pages 713-714 --- Claude Michel Cluny: Le Réservoir des sens, par Belen (La Jeune Parque), Pages 714-714 --- Guy Rohou: La Flaque du mendiant, par Miguel Angel Asturias (Albin Michel), Pages 715-717 --- Guy Rohou: Claireveillée de printemps, par Miguel Angel Asturias (Gallimard), Pages 715-717 --- Henri Ronse: August Strindberg ou La scène de la folie, Pages 717-720 --- Jean-Claude Schneider: Loin de la troupe, par Heinrich Böll (Le Seuil), Pages 720-721 --- Renée Boullier: L'art nègre, Pages 722-723 --- François Imhoff: Pougny (Orangerie des Tuileries), Pages 723-724 --- Jean Clair: Pignon (Musée national d'Art moderne), Pages 724-726 --- François Imhoff: Cremonini (Galerie du Dragon), Pages 726-727 --- Denis Périer: Les Incertains, par Georges-Emmanuel Clancier (Seghers), Pages 727-728 --- Denis Périer: Le Miroir brisé, par Marius Favre (Gallimard), Pages 728-728 --- Denis Périer: Le Repas chez Marguerite, par Hubert Juin (Calmann-Lévy), Pages 728-729 --- Denis Périer: La vie de Seurat, par Henri Perruchot (Hachette), Pages 729-729 --- Guillaume Apollinaire: Deux lettres à Paul Léautaud, Pages 730-732 --- Michel Gresset: Paroles et chants noirs, Pages 733-738 --- Jean-Pierre Attal: Strophes spéculatives, Pages 739-743 --- Roger Judrin: Le secret du Japon, Pages 744-746 --- Denis Périer: Du comte d'Artois à Ionesco, Pages 747-749 --- Anonymes: Revue, Pages 750-754 --- Achim von Arnim: Madame de Saverne, Pages 755-768.

Condizione: Very Good. F. Small 4to. softcover. 350pp. index. + colour plates. b/w illus. very good+, minor bump and very slight curling on cover corners.

SOFTCOVER. Condizione: Fine. 1st Edition. Large landscape 4to. in colour printed stiff glossy card covers, 38pp on stiff paper, colour plates, etc . [CONDITION: A well preserved almost AS NEW unmarked copy (minute speck of shelf rub to bottom cover corner tips) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.