reto thuering (101 risultati)

Condizione: New. "Saviors don't arrive without martyrdom at their heels. This is what I've learned lately." - Kara Walker Num Pages: 79 pages, 62 color + b/w illus. BIC Classification: 1KBB; 3JJ; AFF; AGB; AGC; JFSL3. Category: (G) General (US: Trade). Dimension: 318 x 229 x 8. Weight in Grams: 408. "Saviors don't arrive without martyrdom at their heels. This is what I've learned lately." - Kara Walker Num Pages: 79 pages, 62 color + b/w illus. BIC Classification: 1KBB; 3JJ; AFF; AGB; AGC; JFSL3. Category: (G) General (US: Trade). Dimension: 318 x 229 x 8. Weight in Grams: 408. 2017. paperback. . . . . Books ship from the US and Ireland.

Hardcover. Condizione: New. Brand New. MINT. Pictorial illustrated covers with no dust jacket as was issued.

hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

hardcover. Condizione: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condizione: Near Fine. Book has mild rubbing to edges of spine. otherwise book is in excellent condition with a clean cover, bright pages, and a strong binding.

Hardcover. Condizione: New. 1st Edition. Cleveland Museum of Art / Yale University Press, 2014. Hardcover bound in pictorial boards (not issued in a dust jacket.) 112 Pages, 64 color illustrations. Condition: New, with no marks or flaws. Still sealed in publisher's shrink-wrap.

Hardcover. Condizione: Fine. Condizione sovraccoperta: No Dust Jacket. No dust jacket. ; Buff cloth boards. Color illustrations. Due to size, ships within US only and only by media rate mail. ; Small 4to 9" - 11" tall; 159 pp.

kart. Condizione: Sehr gut. 28 cm ; Kunstmagazin, 128 Seiten mit zahlreichen Fotos. Sehr guter Zustand. pww341.

Cloth. Condizione: Gut. 143 S., mostly colored photos; 25 cm, Guter Zustand / good condition. Sprache: Französisch Gewicht in Gramm: 650.

Hardcover. First Edition; First Printing. Linen cloth boards. Fine in fine wraparound band/dust jacket, in mylar cover.

Condizione: New.

Hardback. Condizione: New. Bowling's transition to abstraction, seen against the backdrop of 1960s-'70s debates on abstract art and the Black Arts movement"Modernism belonged to me also." So resolved the British Guiana-born artist Frank Bowling in 1966, when he moved from his temporary home base of London to New York City, keen to make his mark on modern painting. This volume surveys for the first time the transformative years that Bowling spent in the US from 1966 through 1975, a chapter of extraordinary productivity and artistic growth that would greatly shape his thinking and practice.Bowling's relocation to New York brought him into contact with an art scene in flux, with abstract painting on the rise and vigorous debates unfolding around Black cultural identity and artistic practice. Bowling participated in this scene in broad and deep ways, from his unique vantage point as an emigre twice over: exhibiting widely, writing for art magazines, engaging peers in dialogue and, in 1969, organizing 5+1, an exhibition of five leading African American abstract artists plus himself. During these years, his own work explored the tension between representational imagery and fields of color, ultimately moving toward full abstraction.Frank Bowling's Americas assembles more than 30 paintings-many rarely seen-from this critical period, and places them in the context of both Bowling's own artistic trajectory and the New York art scene at a time of aesthetic and racial reckoning. Offering magnificent reproductions of these vibrant, multifaceted works, accompanied by curatorial essays and statements by contemporary artists, this book invites new understanding of an artist whose work has remained always in motion.Born in British Guiana in 1934, Frank Bowling arrived in London in 1953, graduating from the Royal College of Art in 1962. By the early 1960s, he was recognized as an original force in London's art scene. After moving to New York in 1966, Bowling shifted away from figurative imagery. He returned to London in 1975 but continued to spend significant periods in New York. Bowling was awarded a knighthood in 2020. He is the subject of a BBC documentary, Frank Bowling's Abstract World.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condizione: Very Good. Staple-bound paperback in folding wrapper as issued. The bulk of the staple-bound pages except for the front end paper are staples as issued but laid in to the cardboard.

Condizione: As New. Unread book in perfect condition.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Cloth. Condizione: New. Condizione sovraccoperta: Fine Condition. 160 pages with 85 illustrations in color. Still in shrink-wrap. Edited with text by Reto Thüring, Akili Tommasino, and Debra Lennard. Published on the occasion of the exhibition from The Museum of Fine Arts, Boston, MA October 22, 2022-April 9, 2023. Book.

Wrappers. Condizione: New. 79 pages 62 illustrations 50 in color. Still in the publisher's shrink-wrap. Published on the occasion of the exhibition from the Cleveland Museum of Art, Cleveland OH September 10-December 31, 2016. Also of Interest. Book.

Hardback. Condizione: New. Bowling's transition to abstraction, seen against the backdrop of 1960s-'70s debates on abstract art and the Black Arts movement"Modernism belonged to me also." So resolved the British Guiana-born artist Frank Bowling in 1966, when he moved from his temporary home base of London to New York City, keen to make his mark on modern painting. This volume surveys for the first time the transformative years that Bowling spent in the US from 1966 through 1975, a chapter of extraordinary productivity and artistic growth that would greatly shape his thinking and practice.Bowling's relocation to New York brought him into contact with an art scene in flux, with abstract painting on the rise and vigorous debates unfolding around Black cultural identity and artistic practice. Bowling participated in this scene in broad and deep ways, from his unique vantage point as an emigre twice over: exhibiting widely, writing for art magazines, engaging peers in dialogue and, in 1969, organizing 5+1, an exhibition of five leading African American abstract artists plus himself. During these years, his own work explored the tension between representational imagery and fields of color, ultimately moving toward full abstraction.Frank Bowling's Americas assembles more than 30 paintings-many rarely seen-from this critical period, and places them in the context of both Bowling's own artistic trajectory and the New York art scene at a time of aesthetic and racial reckoning. Offering magnificent reproductions of these vibrant, multifaceted works, accompanied by curatorial essays and statements by contemporary artists, this book invites new understanding of an artist whose work has remained always in motion.Born in British Guiana in 1934, Frank Bowling arrived in London in 1953, graduating from the Royal College of Art in 1962. By the early 1960s, he was recognized as an original force in London's art scene. After moving to New York in 1966, Bowling shifted away from figurative imagery. He returned to London in 1975 but continued to spend significant periods in New York. Bowling was awarded a knighthood in 2020. He is the subject of a BBC documentary, Frank Bowling's Abstract World.

hardcover. Condizione: New. **1st Edition** **HARDBACK** MFA 2022.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. In.

Hardcover. Condizione: new. Hardcover. Bowling's transition to abstraction, seen against the backdrop of 1960s70s debates on abstract art and the Black Arts movementModernism belonged to me also. So resolved the British Guianaborn artist Frank Bowling in 1966, when he moved from his temporary home base of London to New York City, keen to make his mark on modern painting. This volume surveys for the first time the transformative years that Bowling spent in the US from 1966 through 1975, a chapter of extraordinary productivity and artistic growth that would greatly shape his thinking and practice.Bowlings relocation to New York brought him into contact with an art scene in flux, with abstract painting on the rise and vigorous debates unfolding around Black cultural identity and artistic practice. Bowling participated in this scene in broad and deep ways, from his unique vantage point as an emigre twice over: exhibiting widely, writing for art magazines, engaging peers in dialogue and, in 1969, organizing 5+1, an exhibition of five leading African American abstract artists plus himself. During these years, his own work explored the tension between representational imagery and fields of color, ultimately moving toward full abstraction.Frank Bowlings Americas assembles more than 30 paintingsmany rarely seenfrom this critical period, and places them in the context of both Bowlings own artistic trajectory and the New York art scene at a time of aesthetic and racial reckoning. Offering magnificent reproductions of these vibrant, multifaceted works, accompanied by curatorial essays and statements by contemporary artists, this book invites new understanding of an artist whose work has remained always in motion.Born in British Guiana in 1934, Frank Bowling arrived in London in 1953, graduating from the Royal College of Art in 1962. By the early 1960s, he was recognized as an original force in Londons art scene. After moving to New York in 1966, Bowling shifted away from figurative imagery. He returned to London in 1975 but continued to spend significant periods in New York. Bowling was awarded a knighthood in 2020. He is the subject of a BBC documentary, Frank Bowling's Abstract World. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: Used.

Condizione: New.

Condizione: New.

Hardcover. Condizione: new. Hardcover. Commissioned by American arts patron Scott Mueller, Rowdy Meadow is an innovative sculpture park in Hunting Valley, east of Cleveland, Ohio the very landscape that surrounds Mueller s visionary Czech Cubism-inspired house. Set in a 150-acre property of former apple orchards, steep woodlands, meadows, and ravines, Rowdy Meadow is an exemplary sculpture park, born from Mueller s love of art and nature.The extensive network of trails through forest and meadows unveils an extraordinary assortment of contemporary sculpture currently more than sixty outdoor works by forty-five artists made possible by Mueller s prominent collection, Reed Hilderbrand s landscape architecture, and site-specific commissions. The park boasts a variety of works from major artists such as Elmgreen & Dragset, Andy Goldsworthy, Michael Heizer, Anish Kapoor, Sol LeWitt, Richard Serra, James Turrell, and Ai Weiwei, as well as an underground bunker for an installation by Jonah Freeman and Justin Lowe.This publication, the first on the sculpture park, captures the stunning and extensive sculpture-focused collection that makes up Rowdy Meadow, and how the art communicates with and enhances the natural land. An exclusive invitation to explore an extraordinary private sculpture park Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.