rewald john editor (40 risultati)

Hardcover. Condizione: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condizione: good. Dust jacket is worn. Hardcover.

Hardcover. Condizione: Very Good. Hardcover and dust jacket. Good binding and cover. Shelf wear. Jacket clipped. Pages unmarked. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Hardcover. Condizione: Good. Condizione sovraccoperta: No Dust Jacket. B&W Photographs (illustratore). Later Edition. In grey cloth, 4to, 205pp. (light shelfwear to extremities, sun fading and light tanning to cloth, Size: 4to - over 9¾" - 12" tall. Book.

Paperback. Condizione: Good.

Trade Paperback. Condizione: Very Good. Green, Harry - Designer (illustratore). First Edition. 226 Pages Indexed. The three exhibitions were: London 12 April to August 1988, Paris 20 September to 31 December 1988, and Washington 29 January to 30 April 1989. This exhibition reveals the immense diversity of Cezanne's creative imagination. It also shows us the richness and beauty of the quasi-expressionist technique that characterizes his work prior to the influence of orthodox impressionism and the concomitant emergence of his more characteristic constructive brushstroke in the mid-1870S. For more than a century, Cezanne's early work has been both controversial and perplexing to most viewers. However, in the careful examination of a large number of early works of great quality, the exhibition confirms the artist as a painter and draftsman of remarkable and consistent stature from the very beginning of his career. Contents: Foreword, Lenders to the Exhibition, Acknowledgements, Photographic Acknowledgements, Editorial Note, Introduction, The Early Work of Paul Cezanne, Parisian Writers and the Early Work of Cezanne, Literature Music and Cezanne's Early Subjects, La Lutte d'armour, The Collector's of Cezanne's Early Work, The Catalogue, Chronology, Concordance of Works in the Exhibition, List of Exhibitions including Cezanne's Early Work, and Select Bibliography.

Softcover. Condizione: Very Good. VG softcover. Clean, spine not broken.

Hardcover. Condizione: Very Good-. Condizione sovraccoperta: Very Good Dust Jacket. First Edition. 1st edition/printing, from a personal collection. Very good- hardcover with DJ, from a personal collection (NOT ex-library). Dust jacket has some rubbing, bottom outer corner of boards has a penny-sized spot of discoloration. Ships same or next business day from Dinkytown in Minneapolis, Minnesota. Due to the size/weight of this book extra charges may apply for international shipping.

Hardback. Condizione: Very Good. Condizione sovraccoperta: Very Good. Light wear on dust jacket.

Cloth. Condizione: Near Fine. First Edition. Beautifully illustrated with some tipped in color illustrations. tan natural linen, brown lettering. A crisp, clean copy with slight age toning to the spine. Owner's name on front free end paper. Lacking the dust jacket. 167 pp., 16 color and 130 b&w illustrations. No international shipping due to weight.

Wraps. Condizione: Near Fine. 4to, 226 pp., 85 plates incl. 67 in color. Page edges just a bit tanned.

Hard Cover. Condizione: Used: Very Good. Hard Cover. Very Good/Very Good. Owner inscribed near fine copy.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: No Dust Jacket. First Edition. New York: Pantheon Books, (1943). First Edition (stated). 10.25" x 6.75". 367pp, Index. Maroon cloth, very good plus condition (slight wear), no dj. With 90 illustrations from photographs and other sources. ; 10.25 x 6.75 inches; 367 pages.

Hard Cover. Condizione: Good. Condizione sovraccoperta: Good. Revised. library marks endpapers, otherwise book clean and tight. DJ: slight edge wear, library sticker spine. Due to weight extra may apply to any quoted international postage Size: 8vo - over 7¾" - 9¾" tall. Ex Library.

Hard Cover. Condizione: Very Good. First Edition. ; Bound in burgundy cloth with gilt titles on black plate to spine. Numerous illustrations. ; Tight and clean. Solid binding. A touch of light shelf wear with previous owner's name neatly inked to front endpaper, and some penciled checkmarks in the margins of a few pages, otherwise in Very Good condition. No remainder mark. Not ex-library. ; 9.7 X 6.6 X 1.6 inches; 367 pages.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. Fine/ Near fine, out of print. This reprint edition (stated 1949) contains 160 photogravuer plates made by Les Establishments Jean Malvaux, Brussels, printed by Vandyck Printers, Bristol. The 16 folio sized color plates were made by Cliches Union, Paris and printed by Brown, Bibby & Gregory, Liverpool; tipped in. Red cloth folio size with bronze font on cover and spine, 127 pps which include the reproductions as noted above, bibliography and notes on the plates. Dust wrapper is not clipped (although price is not noted), chips at corners and spine ends. Otherwise book and wrapper are without writing or marks just showing age toning. Very rare in this excellent condition. John Rewald is recognized as being the most respected historian, academic, writer of late 19th century French art.

Trade Paperback. Condizione: Brand New. da capo press edition. 476 pages. 8.25x5.50x1.00 inches. In Stock.

Cloth. Condizione: VG-. Condizione sovraccoperta: G+. xlix pp with a few b/w illustrations + 162 full-page illustrations by Maillol printed on every-other page, a former owner has inked his name on the front free endpaper, the cover corners and edges have light wear and one is lightly bumped, the dust jacket has some edge and corner chipping and light soil, a very usable book.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Third edition. With 52 illustrations. Unprice-clipped jacket. Discreet previous owner's name.

Hardcover. Condizione: Good/NO DUSTJACKET. Woodcuts (illustratore). Later Edition. New York, NY: Pantheon Books. Good/NO DUSTJACKET. 1951. Later Edition. Hardcover. Sm 4to., N.P., Cracked inner hinge; light shelf wear;pages clean and unmarked .

Soft cover. Condizione: Near Fine. Forward by Barbara Stern Shapiro and translated from the French by Lionel Abel. Produced by the Museum of Fine Art, Boston. Edited with assistance of Lucien Pissarro.

Hardcover. Condizione: Very Good. Cloth, 4to., DW, xlx pages + 162 plates. Lightly soiled, very good copy with spine mildly sunned, in a DW with very slight edgewear and two small chips, price clipped, in archival mylar.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. Original large hardcover, about 7 x 10, in jacket, 162 single-color and b + w plates (beautiful) with additional b + w plates and lengthy essay at beginning of book. Very nice, collectible copy. Condition: jacket has some chipping w/tears along edges and at corners, top/bottom spine. Some soiling overall to jacket, with age-toning along spine. Previous owner name on inside front cover, book is quite solid and square with light scuffing at corners and top/bottom spine. Age-toning to the pages, mild reference wear. Very nice.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 4th Edition. Publisher's hardback in better than very good condition: firm and square, strong joints. Complete with original dustjacket, not showing any tears or chips. Contents tight and clean; no pen-marks. Not from a library so no such stamps or labels. Thus a tidy book in very presentable condition.