Reyland n (4 risultati)
- Rilegato
- Prima edizione
Da: ISD LLC, Bristol, CT, U.S.A.ISD LLC
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 106,18
Spedizione gratuitaSpedito in U.S.A.Quantità: 8 disponibili
hardcover. Condizione: New. 1st.
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 152,65
EUR 9,50 spedizioneSpedito da Irlanda a U.S.A.Quantità: 2 disponibili
Condizione: New. 2018. Hardcover. . . . . .
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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 191,75
EUR 9,10 spedizioneSpedito in U.S.A.Quantità: 2 disponibili
Condizione: New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.
- Altre immagini
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Da: Joseph Burridge Books, Dagenham, Regno UnitoJoseph Burridge Books
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 240,75
EUR 26,88 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: New. XVIII-347 p. How do our embodied experiences of music shape our analysis, theorizing, and interpretation of musical texts, and our engagement with practices including composing, improvising, listening, and performing? Music, Analysis, and the Body: Experiments, Explorations, and Embodiments is a pione…ering and timely essay collection uniting major and emerging scholars to consider how theory and analysis address music's literal and figurative bodies. The essayists offer critical overviews of different theoretical approaches to music analysis and embodiment, then test and demonstrate their ideas in specific repertoires. The range of musics analysed is diverse: Western art music sits alongside non-Western repertoires, folk songs, jazz, sound art, audio-visual improvisations, soundtracks, sing-alongs, live events, popular songs, and the musical analysis of non-musical experiences. Topics examined include affect, agency, energetics, feel, gesture, metaphor, mimesis, rehearsal, subjectivity, and the objects of music analysis as well as acoustic ecology, alterity, class, distraction, excess, political authority, sensoriality, technology, and transcendence.
