Perfeziona la tua ricerca

  • Libri (3)

a

Fascia di prezzo personalizzata (EUR)

a

Rhonda saad (3 risultati)

  • Lingua: Inglese

    Editore: Tufts University art Gallery, 2009

    1880593076 / 9781880593073

    • Brossura

    Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore

    Venditore con 5 stelle
    Contatta il venditore

    Condizione: Usato - Buono

    EUR 11,13

    EUR 5,35 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibile

    Paperback. Condizione: Good. some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Standard-sized.

  • Editore: Tufts University Art Gallery, 2009

    • Brossura

    Da: ANARTIST, New York, NY, U.S.A.ANARTIST

    Venditore con 5 stelle
    Contatta il venditore

    Condizione: Usato

    EUR 13,77

    EUR 4,46 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibile

    Aggiungi al carrello

    Softcover, 72 pages; as new condition; clean and crisp; no internal marks.

  • Lingua: Inglese

    Editore: D. A. P. /Distributed Art Publishers (Distribution), 2009

    1880593076 / 9781880593073

    • Brossura

    Da: BWS BKS, Ferndale, NY, U.S.A.BWS BKS

    Venditore con 2 stelle
    Contatta il venditore

    Condizione: Nuovo

    EUR 1813,64

    EUR 2,67 spedizione 
    Spedito in U.S.A.

    Quantità: 1 disponibile

    Paperback. Condizione: New. Conceived as a tribute to the influential post-colonial theorist Edward Said (1935-2003) on the thirtieth anniversary of the publication of his watershed book Orientalism (1978), Empire and Its Discontents applies Said's groundbreaking theories to contemporary art. This volume examines the work of 10 contemporary artists--Kamrooz Aram, Andisheh Avini, Lara Baladi, Zoulikha Bouabdellah, Farhad Moshiri & Shirin Aliabadi, Kenneth Tin-Kin Hung, Marjane Satrapi, Seher Shah, Mark Shetabi and Saira Wasim--through the lens of Said's concept of Orientalism. In various ways, the artists reflect on the ethical dimension of representation in a contemporary global context, integrating the rigid binary oppositions introduced by Said three decades ago--Self/Other, East/West, Orient/Occident--into a complex field of visual and cultural representation greatly impacted by digital technology, mass media and popular culture. This critical look at the burgeoning contemporary Arab art scene is published concurrently with an exhibition at the Tufts University Art Gallery.…