Ribalta jorge ed (3 risultati)
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Da: KALAMO BOOKS, Burriana, CS, SpagnaKALAMO BOOKS
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EUR 10,79
EUR 19,86 spedizioneSpedito da Spagna a U.S.A.Quantità: 1 disponibili
Rústica. Condizione: Nuevo.
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Da: Hilando Libros, Madrid, M, SpagnaHilando Libros
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EUR 10,38
EUR 70,00 spedizioneSpedito da Spagna a U.S.A.Quantità: 4 disponibili
Rústica. Condizione: NUEVO. 360 pages/páginas.
Altre immaginiLingua: Inglese
Editore: Museo Nacional Centro De Arte Reina Sofia, Madrid, 2011
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Da: Blind-Horse-Books (ABAA), DeLand, FL, U.S.A.Blind-Horse-Books (ABAA)
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EUR 683,14
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Condizione: New. Condizione sovraccoperta: No Dust Jacket As Issued. First Edition, First Printing. A landmark photohistory of the interwar avant-garde and the definitive English-language reference on the Worker Photography Movement. This comprehensive volume repositions socially engaged photography from the American Photo Leagu…e, Weimar Germany, and the Stalinist USSR as a pivotal force in twentieth-century visual culture. Produced for the Museo Reina Sofia's 2011 PhotoEspaña exhibition, it remains a scarce and vital scholarly resource. KEY FEATURES +++ Physical: Pictorial softcover; stiff wraps. 250 black-and-white illustrations including a significant two-page photo spread. Specs: 12-442 pages; text in English. First Edition, First Printing. +++ Content: Extensive collection of critical essays and primary documents tracing political and aesthetic networks of the interwar period. CONDITION: The binding is tight and square with no vertical creasing to the spine. The internal pages are clean, bright, and free of any markings or previous owner inscriptions. The pictorial wraps show no flaws or blemishes, appearing as new and of gift quality. HISTORICAL SIGNIFICANCE - The Worker Photography Movement emerged between 1926 and 1939 as a radical attempt to democratize the camera, moving it from the hands of the bourgeoisie into the hands of the proletariat. This volume, edited by Erica Witschey, serves as the primary English-language documentation of how these amateur and professional collectives utilized photography as a tool for class struggle and social reportage. This specific edition was published as part of the 2011 PhotoEspaña festival at the Museo Reina Sofia. It is significant for restoring visibility to a body of work that was often suppressed or ignored in traditional art historical narratives due to its overt political nature and association with labor movements across Europe and the Americas. SCHOLARLY FEATURES +++ Scholarship: Repositions the worker-photography movement as a central, rather than marginalized, moment in the history of photography. +++ Historical Impact: Documents the global reach of the movement, spanning the American Photo League, the Farm Security Administration, and early Soviet collectives. +++ Design: Conceptually directed by Jorge Ribalta to serve as a comprehensive visual and intellectual record of interwar social realism. Historical & Technical Concepts: +++ Interwar Avant-Garde: Identifies the volume as a landmark photohistory of the interwar period. +++ Class Consciousness: Specifically targets the movement's goal of seizing the means of visual production to shape perception. +++ New Objectivity (Neue Sachlichkeit): Useful for collectors interested in the specific stylistic vein of interwar German photography. +++ Photomontage: A primary technique used by the movement to illustrate class warfare and revolutionary propaganda. +++ Proletarian Visual Culture: Highlights the repositioning of the movement as a pivotal force in 20th-century history. The Organizations & Networks: +++ American Photo League: Traces the aesthetic and political networks of this critical U.S. collective. +++ Farm Security Administration (FSA): Captures the liberal and social-democrat response to the emergence of the working class as a subject. +++ AIZ Magazine (Arbeiter-Illustrierte-Zeitung): The central illustrated press that provided a platform for worker-photographer photo-essays. +++ VdAFD (Association of German Worker-Photographers): The summer 1926 formation that organized chapters in Berlin, Dresden, and Leipzig. SUBJECTS: Worker Photography Movement, Interwar Europe, Social Realism, Labor Movements, Avant-Garde Art, Weimar Germany, Soviet Photography, PhotoEspaña, Documentary Photography, Modernism, Exhibition Catalogue, Photographic History, Art History. BIBLIOGRAPHIC REFERENCE: Kouwenhoven, Aperture Winter 2011; Museo Nacional.
