richard scott larson (26 risultati)

paperback. Condizione: Fair.

paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Soft cover. Condizione: Near Fine. Softcover Paperback with only minor shelf-wear; book is clean, unmarked. In stock. Ships from MN, USA.

Softcover. Volume 68, Number 1 (March 2000). Softcover. Very good condition; on covers, some creasing and soiling, as well as indentation in paper surface.

Paperback. Condizione: Very Good. Bishakh Som (illustratore). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: New. Growing up queer, closeted, and afraid, Richard Scott Larson found expression for his interior life in horror films, especially John Carpenter's 1978 classic, Halloween. He developed an intense childhood identification with Michael Myers, Carpenter's inscrutable masked villain, as well as Michael's potential victims. In The Long Hallway, Larson scrutinizes this identification, meditating on horror as a metaphor for the torments of the closet. Larson was only nine years old when he recognized something of his own experience in how Michael Myers hid his true face from the world. This spark of recognition ignited his imagination while he searched for clues to what the future might hold for boys like him, all the while being made to understand his nascent sexuality as deviant and punishable. Like in the movies, his superficially safe suburban childhood was in fact filled with threat: a classmate's murder, his father's alcoholism and death, and his own sexual assault by a much older man. The figurative mask Larson learned to wear could not contain his yearning to be seen and desired. In the aftermath of this violence, his boyhood self came to believe that fear and desire would be forever intertwined. This lyrical memoir expresses a boy's search for identity while navigating the darkness and isolation of a deeply private inner world. With introspection and tenderness, Larson reflects on how little we understand in the moment about the experiences that mark us forever.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. PublicAffairs. xxii, 540 pp. LCC: 2001048469 Very good condition; black ink mark on bottom edges of papers; previous owner's name on inside of front cover.

Paperback. Condizione: new. Paperback. Growing up queer, closeted, and afraid, Richard Scott Larson found expression for his interior life in horror films, especially John Carpenters 1978 classic, Halloween. He developed an intense childhood identification with Michael Myers, Carpenters inscrutable masked villain, as well as Michaels potential victims. In The Long Hallway, Larson scrutinizes this identification, meditating on horror as a metaphor for the torments of the closet. Larson was only nine years old when he recognized something of his own experience in how Michael Myers hid his true face from the world. This spark of recognition ignited his imagination while he searched for clues to what the future might hold for boys like him, all the while being made to understand his nascent sexuality as deviant and punishable. Like in the movies, his superficially safe suburban childhood was in fact filled with threat: a classmates murder, his fathers alcoholism and death, and his own sexual assault by a much older man. The figurative mask Larson learned to wear could not contain his yearning to be seen and desired. In the aftermath of this violence, his boyhood self came to believe that fear and desire would be forever intertwined. This lyrical memoir expresses a boys search for identity while navigating the darkness and isolation of a deeply private inner world. With introspection and tenderness, Larson reflects on how little we understand in the moment about the experiences that mark us forever. A lyrical memoir that expresses a boys search for identity while navigating the darkness and isolation of a deeply private inner world. With introspection and tenderness, Larson reflects on how little we understand in the moment about the experiences that mark us forever. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

paperback. Condizione: New. Bishakh Som (illustratore).

paperback. Condizione: New. Bishakh Som (illustratore).

Condizione: new.

Paperback. Condizione: Brand New. 192 pages. 9.01x6.01x0.60 inches. In Stock.

paperback. Condizione: New. Bishakh Som (illustratore).

Condizione: New.

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: Brand New. 298 pages. 8.50x6.00x1.00 inches. In Stock.

Paperback. Condizione: Brand New. 298 pages. 8.50x6.00x1.00 inches. In Stock.

Paperback. Condizione: Brand New. 298 pages. 8.50x6.00x1.00 inches. In Stock.

Condizione: New.

Paperback. Condizione: Brand New. 298 pages. 8.50x6.00x1.00 inches. In Stock.

Paperback. Condizione: new. Paperback. Growing up queer, closeted, and afraid, Richard Scott Larson found expression for his interior life in horror films, especially John Carpenters 1978 classic, Halloween. He developed an intense childhood identification with Michael Myers, Carpenters inscrutable masked villain, as well as Michaels potential victims. In The Long Hallway, Larson scrutinizes this identification, meditating on horror as a metaphor for the torments of the closet. Larson was only nine years old when he recognized something of his own experience in how Michael Myers hid his true face from the world. This spark of recognition ignited his imagination while he searched for clues to what the future might hold for boys like him, all the while being made to understand his nascent sexuality as deviant and punishable. Like in the movies, his superficially safe suburban childhood was in fact filled with threat: a classmates murder, his fathers alcoholism and death, and his own sexual assault by a much older man. The figurative mask Larson learned to wear could not contain his yearning to be seen and desired. In the aftermath of this violence, his boyhood self came to believe that fear and desire would be forever intertwined. This lyrical memoir expresses a boys search for identity while navigating the darkness and isolation of a deeply private inner world. With introspection and tenderness, Larson reflects on how little we understand in the moment about the experiences that mark us forever. A lyrical memoir that expresses a boys search for identity while navigating the darkness and isolation of a deeply private inner world. With introspection and tenderness, Larson reflects on how little we understand in the moment about the experiences that mark us forever. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: New. Growing up queer, closeted, and afraid, Richard Scott Larson found expression for his interior life in horror films, especially John Carpenter's 1978 classic, Halloween. He developed an intense childhood identification with Michael Myers, Carpenter's inscrutable masked villain, as well as Michael's potential victims. In The Long Hallway, Larson scrutinizes this identification, meditating on horror as a metaphor for the torments of the closet. Larson was only nine years old when he recognized something of his own experience in how Michael Myers hid his true face from the world. This spark of recognition ignited his imagination while he searched for clues to what the future might hold for boys like him, all the while being made to understand his nascent sexuality as deviant and punishable. Like in the movies, his superficially safe suburban childhood was in fact filled with threat: a classmate's murder, his father's alcoholism and death, and his own sexual assault by a much older man. The figurative mask Larson learned to wear could not contain his yearning to be seen and desired. In the aftermath of this violence, his boyhood self came to believe that fear and desire would be forever intertwined. This lyrical memoir expresses a boy's search for identity while navigating the darkness and isolation of a deeply private inner world. With introspection and tenderness, Larson reflects on how little we understand in the moment about the experiences that mark us forever.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Issue edited by Ingrid Sischy. Essays "Chasing Dreams: Victor Hitchcock and Alfred Burgin," by Jean Fisher; "Obsessive Pictures or Opposition to the Norm: Noteworthy Aspects of the Engaged Imagination in the New German Art," by Annelie Pohlen; "A Progression by Chuck Close: Who's Afraid of Photography?" by Chuck Close; "The Death of Semiotics (In Late Modern Architecture); The Corruption of Metaphor (In Post-Modernism); The Birth of the 'Punctum' (In Neomania)," by Douglas Davis; "Romare Bearden Sees in a Memory," by Myron Schwartzman; "Books: For Georges Remi/Hergé," by Frederic Tuten; "Free Speech," by Greil Marcus; "Forum," by Max Kozloff, Kay Larson, and Donald Kuspit. Reviews by Jean Fisher, Donald Kuspit, Annelie Pohlen, Charles Hagen, Thomas McEvilley, Lisa Liebmann, John Howell, Glenn O'Brien, Thomas Lawson, Kate Linker, Patricia Phillips, Richard Armstrong, Ronny Cohen, Jeanne Silverthorne, Scott MacDonald, Judith Russi Kirshner, Ed Hill, Suzanne Bloom, Susan C. Larsen, Suzaan Boettger, Richard Cork, Paul Groot, Max Wechsler, and Pier Luigi Tazzi. Cover: Chuck Close.