Richard t jameson (75 risultati)

Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condizione: Very Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Paperback. Condizione: Very Good.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: VeryGood. The cover shows only light wear. Pages may contain light underlining or highlights.

Trade Paperback. Condizione: Very Good. Single reader crease; some wrinkling to first two pages; 5.75 X 1 X 8.5 inches; 380 pages.

Paperback. Condizione: As New. Sturdy paperback copy RH.

Softcover. Condizione: Very Good. Solid VG/near fine softcover.

Trade Paperback. Condizione: Very Good. None. Warren Beatty photo cover fmc2%262D.

Trade Paperback. Condizione: Very Good. None. Shirley MacLaine cover. fmc2%262D.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Periodical. Condizione: Very Good+. (Vol. 28, No. 2). [light edgewear to covers; see Notes about special appeal page, bound in]. (B&W photographs) Included in this issue: an interview with French director Bertrand Tavernier, focusing on his appreciation for the classic American cinema; a special section, "The World in His Arms," saluting that year's AFI Life Achievement Award recipient, Gregory Peck; an analysis of the Australian film PROOF, directed by Joceyn Moorhouse; a history and appreciation of the contributions of Industrial Light and Magic to cinema special effects (but also including a list of "Ten Great Effects Films Since STAR WARS Not by ILM"); several pieces about Jon Jost and his then-current film ALL THE VERMEERS IN NEW YORK; an article by Scott Eyman about the early years in Hollywood of the deMille/DeMille brothers (William and Cecil); an interview with writer-director Paul Schrader; an examination of some recent Canadian films; an obituary of critic Stuart Byron; a spirited exchange of letters to the editor on the topic of alleged racism in Kevin Costner's DANCES WITH WOLVES. [NOTE that bound into the magazine in the front is a special appeal from the editor, addressed to former readers/subscribers of the recently-discontinued American Film magazine, to give Film Comment a try.] ***NOTE ALSO that we have many more issues of this title (and other film magazines) in stock, and welcome your inquiries.…

Condizione: Fine. - Small quarto [10-3/4 inches high by 8-1/4 inches wide], softcover bound in pictorial wraps. 88 pages. Black-and-white & color illustrations. Near fine. Among the contents of this issue are interviews with Francesco Rosi and Robert Benton and articles on Takeshi Kitano, Nelson Pereira Dos Santos and new Indian cinema.…

Condizione: Fine. - Small quarto [10-3/4 inches high by 8-1/4 inches wide], softcover bound in pictorial wraps. 88 pages. Black-and-white & color illustrations. Near fine. Among the contents of this issue are a tribute to Shirley Maclaine, an interview with John Berry and articles on Peter Jackson, Lon Chaney, Peter Chelsom, Robert Hamer and Ingmar Bergman. …

Condizione: Very good. - Small quarto [10-3/4 inches high by 8-1/4 inches wide], softcover bound in pictorial wraps. There are some light stains to the front wrap. 88 pages. Black-and-white & color illustrations. Very good. Among the contents of this issue are interviews with Oliver Stone and Tommy Lee Jones and articles on Orson Welles, Alex Cox, Roman Polanski, Kinuyo Tanaka and "Chinese Outlaw Cinema".…

Condizione: Very good. - Small quarto [10-3/4 inches high by 8-1/4 inches wide], softcover bound in pictorial wraps. There is a crease to the bottom corner of the rear wrap. 87 & [1] pages with the Index to Volume 28 1992 laid in. Black-and-white & color illustrations. Near fine. Among the contents of this issue are an interview with Susan Sarandon and articles on Jack Lemmon, Sadie Benning, Humphrey Jennings, Gillian Armstrong, Harold Lloyd and Iranian cinema.…

Condizione: Fine. - Small quarto [10-3/4 inches high by 8-1/4 inches wide], softcover bound in pictorial wraps. 88 pages. Black-and-white illustrations. Near fine. Among the contents of this issue are a tribute to Robert Altman with articles by Kathleen Murphy and Alan Rudolph and an interview with Ken Loach by Gavin Smith.…

Softcover. Condizione: Very Good. 7" x 8-1/2" Wraps; 52pp; Minor staining & edgewear to covers, pages clean & tight, VG condition. Publication of the Seattle Film Society. This issue: Wim Wenders Interview; Hawks, Chandler & The Big Sleep by Peter Hogue; New York CA 90028: Martin Scorsese's detour to fantasyland by James Monaco; Year's Best Films; much more. Illustrated.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Stapled wraps. Condizione: Near Fine. (No. 35). [beautiful copy, the teensiest bit of handling wear]. (B&W photographs) In this issue: long reviews/analyses of THE TAMARIND SEED (Blake Edwards), INTIMATE CONFESSIONS OF A CHINESE COURTESAN (Chu Yuan), and THE EMIGRANTS and THE NEW LAND (Jan Troell). Also: "Quickie" reviews of BREEZY (Clint Eastwood), LOVE AND ANARCHY (Lina Wertmuller), DEATH WISH (Michael Winner), UPTOWN SATURDAY NIGHT (Sidney Poitier), DETECTIVE STORY (William Wyler), THE LONGEST YARD (Robert Aldrich), THE ABDICATION (Anthony Harvey), MACON COUNTY LINE (Richard Compton), ANDY WARHOL'S FRANKENSTEIN (Paul Morrissey), L'INVITATION (Claude Goretta), DIRTY MARY CRAZY LARRY (John Hough), THE INTERNECINE PROJECT (Ken Hughes), and THE TERMINAL MAN (Mike Hodges). ***NOTE that we have many more issues of this title (and other film magazines) in stock, and we welcome your inquiries. …

Stapled wraps. Condizione: Near Fine. (No. 34). [nice clean copy with no discernible wear, just a touch of browning along the spine]. (B&W photographs) In this issue: long reviews/analyses of SYLVIA SCARLETT (George Cukor), two Italian films (Bernardo Bertolucci's PARTNER and Marco Bellocchio's IN THE NAME OF THE FATHER), and THE PARALLAX VIEW (Alan J. Pakula). Also: an article by Alan Williams about the tribulations of writing for French film journals; a lengthy review of Joan Mellen's book "Women and Their Sexuality in the New Film"; a short review of STATE OF SIEGE (Costa-Gavras). And "Quickie" reviews of THE TERMINAL MAN (Mike Hodges), THAT'S ENTERTAINMENT (Jack Haley Jr.), S*P*Y*S (Irvin Kershner), 99 AND 44/100% DEAD (John Frankenheimer), ANDY WARHOL'S FRANKENSTEIN (Paul Morrissey), CHINATOWN (Roman Polanski; two reviews), and ZANDY'S BRIDE (Jan Troell). ***NOTE that we have many more issues of this title (and other film magazines) in stock, and we welcome your inquiries.…

Stapled wraps. Condizione: Fine. [nice clean copy with no discernible wear]. (B&W photographs) Features include: a report on the 1974 San Francisco International Film Festival; an assessment of DRACULA HAS RISEN FROM THE GRAVE (Freddie Francis); an article on Cuban cinema; analysis of MOROCCO (Josef von Sternberg); reviews of HARRY AND TONTO (Paul Mazursky), PHASE IV (Saul Bass; depicted on the cover), THE ODESSA FILE (Ronald Neame), THE JACKAL OF NAHUELTORO (Miguel Littin), WEDDING IN BLOOD (Claude Chabrol), LAW AND DISORDER (Ivan Passer), others. ***NOTE that we have many more issues of this title (and other film magazines) in stock, and we welcome your inquiries.…

Stapled wraps. Condizione: Near Fine. (No. 38). [minor soiling to rear cover, very slight bump/bend at upper right, faint stain from removed price sticker on front cover]. (B&W photographs) Features include: the regular contributors' always-provocative "Best Lists"for 1974; the editors' wonderful "Moments out of Time" feature for the previous year ("Scenes, shots, sensations, and ineffable slippings-away, remembered"); review/analysis of THE CEREMONY (Nagisa Oshima); an interview with Canadian author Mordecai Richler, specifically focusing on the film adaptation of his novel THE APPRENTICESHIP OF DUDDY KRAVITZ; reviews of THE SEDUCTION OF MIMI (Lina Wertmuller), JUGGERNAUT (Richard Lester), THE GAMBLER (Karel Reisz, written by James Toback), DON'T LOOK NOW (Nicolas Roeg), THE NIGHT PORTER (Liliana Cavani), others. ***NOTE that we have many more issues of this title (and other film magazines) in stock, and we welcome your inquiries.…

Stapled wraps. Condizione: Very Good. (No. 47). [minor rubbing to covers, small stain at top of front cover, a couple of totally unnecessary pen scribbles near bottom of front cover, apparently executed by some idiot trying to figure out if his pen still worked]. (B&W photographs) Features include: a reassessment of Orson Welles' TOUCH OF EVIL, occasioned by the resurfacing of a longer print (this was before "restoration" was being done on every other movie in the vaults); analysis of LANCELOT DU LAC (Robert Bresson); contributing writers' "Ten Best" lists for 1975, and the editors' annual "Moments out of Time" feature, an evocative review of "scenes, shots, stances, sensations onscreen in '75"; brief reviews of DOG DAY AFTERNOON (Sidney Lumet), THE NICKEL RIDE (Robert Mulligan), THE ADVENTURE OF SHERLOCK HOLMES' SMARTER BROTHER (Gene Wilder), others. …

Stapled wraps. Condizione: Near Fine. [nice clean copy, no significant wear, slight raggedness to right edge of front cover (possibly intentional); an unmarked, non-subscription copy]. (B&W photographs) Features include: a "fresh approach to a much-maligned film," Bernardo Bertolucci's LUNA; a survey of the film year 1979, with ten-best lists and the editor's "Moments out of Time" feature; an appreciation of film critic David Thomson; a reappraisal of Tony Richardson's THE LOVED ONE; short reviews of 10 (Blake Edwards), AMERICAN GIGOLO (Paul Schrader), ALIEN ( Ridley Scott), many others.…

Stapled wraps. Condizione: Near Fine. (No. 53). [minor edgewear to covers, light handling wear; an unmarked, non-subscription copy]. (B&W photographs) Features include: a review of the film year 1976, "Which Will Be Charitably Forgotten by the Year 2000," including contributing writers' ten-best lists and the editor's "Moments out of Time" feature; reviews/ analyses of THE SHOOTIST (Don Siegel) and OBSESSION (Brian de Palma); a report on the 20th San Francisco Film Festival; short reviews of CARRIE ( de Palma), KING KONG (John Guillermin), THE OUTLAW JOSEY WALES (Clint Eastwood), SILENT MOVIE (Mel Brooks), others. (++).…

Stapled wraps. Condizione: Near Fine. (No. 58-59). [light external wear; subscriber's name/address printed on rear cover]. (B&W photographs) Features include: an appreciation of Robert Altman's 3 WOMEN; a discussion of Max Ophuls's use of "domestic spaces" in THE RECKLESS MOMENT; an article about the "changing surrealist vision" in several films by Luis Bunuel; a joint interview with Claude Goretta and Isabelle Huppert; an analysis of Steven Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND; "quickie" reviews of almost two dozen films, including THE BUDDY HOLLY STORY (Steve Rash), AN UNMARRIED WOMAN (Paul Mazursky), CELINE AND JULIE GO BOATING (Jacques Rivette), THE DRIVER (Walter Hill), SATURDAY NIGHT FEVER (John Badham), THE SIN OF HAROLD DIDDLEBOCK (Harold Lloyd's 1946 comedy, aka MAD WEDNESDAY), ERASERHEAD (David Lynch), HIGH ANXIETY (Mel Brooks), CONVOY (Sam Peckinpah), and more! I wouldn't have thought it was possible to be nostalgic for 1978.…

Stapled wraps. Condizione: Very Good+. (No. 56). [light handling wear, slight bumping to corners, faint soiling to rear cover; subscriber's name/address printed on rear cover]. (B&W photographs) Features include: an article on film noir comedies of the 1940's; an examination of Werner Herzog's AGUIRRE, THE WRATH OF GOD as a "remake" of his SIGNS OF LIFE; erratum to previous issue's interview with Robert Altman; long discussion of SCARAMOUCHE (George Sidney, 1952); article, " The Devil's Parties," a discussion of "recent dabblings in cinematic diabolism," including the two EXORCIST films; short reviews of EQUUS ( Sidney Lumet), NEW YORK, NEW YORK (Martin Scorsese), others.…