Richon olivier (47 risultati)

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condizione: Very Good.

Paperback. Condizione: Near Fine. 94 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Remainder mark (one small dot) on bottom fore-edge.

paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condizione: New. The Devouring Eye: Photography and the Mouth is a provocative essay by Swiss photographer and academic Olivier Richon which rethinks the act of looking through the language of appetite, taste, and consumption. Drawn from a series of influential lectures delivered during his twenty-five-year tenure as Head of the Photography programme at the Royal College of Art (1997-2022) - a period during which the course shaped an entire generation of photographers - the book presents a meditation on the camera as both eye and mouth: an apparatus that ingests the world in order to produce images. Framed through a psychoanalytic lens, Richon proposes that photography is less a neutral act of observation than a form of visual incorporation. If looking maintains distance, the mouth abolishes it. The camera becomes a devouring organ, where the object is dissolved, digested, and made into an image. The desire to see becomes entangled with the desire to consume. Through this reading, photography is revealed as an insatiable medium - one that satisfies and frustrates our appetite for representation in equal measure. The Devouring Eye invites us to reconsider how we relate to images, and how deeply they live in us.…

Paperback. Condizione: New.

Condizione: Very Good. Softcover, 88 pages. Illustrated with b&w and color plates. Kitchen Corner, Tenant Farmhouse, Hale County, Alabama shows a painstakingly clean-swept corner in the house of an Alabama sharecropper. Taken in 1936 by Walker Evans as part of his work for the Farm Security Administration, Kitchen Corner was not published until 1960, when it was included in a new edition of Walker Evans and James Agee's classic Let Us Now Praise Famous Men. The 1960 reissue of Evans and Agee's book had an enormous impact on Americans' perceptions of the Depression, creating a memory-image retrospectively through Walker's iconic photographs and Agee's text. In this latest addition to the Afterall One Work series, photographer Olivier Richon examines Kitchen Corner. The photograph is particularly significant, he argues, because it uses a documentary form that privileges detachment, calling attention to overlooked objects and to the architecture of the dispossessed. Record # 372909.…

Condizione: Very Good. Softcover, 88 pages. Illustrated with b&w and color plates. Kitchen Corner, Tenant Farmhouse, Hale County, Alabama shows a painstakingly clean-swept corner in the house of an Alabama sharecropper. Taken in 1936 by Walker Evans as part of his work for the Farm Security Administration, Kitchen Corner was not published until 1960, when it was included in a new edition of Walker Evans and James Agee's classic Let Us Now Praise Famous Men. The 1960 reissue of Evans and Agee's book had an enormous impact on Americans' perceptions of the Depression, creating a memory-image retrospectively through Walker's iconic photographs and Agee's text. In this latest addition to the Afterall One Work series, photographer Olivier Richon examines Kitchen Corner. The photograph is particularly significant, he argues, because it uses a documentary form that privileges detachment, calling attention to overlooked objects and to the architecture of the dispossessed. Record # 372910.…

Paperback. Condizione: New.

Paperback. Condizione: new. Paperback. The Devouring Eye: Photography and the Mouth is a provocative essay by Swiss photographer and academic Olivier Richon which rethinks the act of looking through the language of appetite, taste, and consumption. Drawn from a series of influential lectures delivered during his twenty-five-year tenure as Head of the Photography programme at the Royal College of Art (19972022) a period during which the course shaped an entire generation of photographers the book presents a meditation on the camera as both eye and mouth: an apparatus that ingests the world in order to produce images. Framed through a psychoanalytic lens, Richon proposes that photography is less a neutral act of observation than a form of visual incorporation. If looking maintains distance, the mouth abolishes it. The camera becomes a devouring organ, where the object is dissolved, digested, and made into an image. The desire to see becomes entangled with the desire to consume. Through this reading, photography is revealed as an insatiable medium one that satisfies and frustrates our appetite for representation in equal measure. The Devouring Eye invites us to reconsider how we relate to images, and how deeply they live in us. In this provocative essay, academic Olivier Richon invites a reconsideration of how we relate to images, rethinking the act of looking through the language of appetite, taste, and consumption. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: Very Good. Unread and unmarked. Covers and pages clean with images and text bright. Binding firm. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

Hard Cover. Condizione: Fair. Ex-library with markings/stickers; re-bound as a hardcover (library cloth) with original wrappers bound-in.

Soft cover. Condizione: Good. 1st Edition. A good reading copy in pictorial wraps. Probable 1st printing with no additional printings listed. Some underlining and highlighting to several pages. Covers have general wear and creasing to the bottom front corner edge and the corresponding first pages of the text block. Some light fading to the book spine and the corresponding ~1/2 inch edge of the back cover. Overall, still a good reading copy with tight binding. Extensively illustrated. 4to; Unpaginated.…

Paperback / softback. Condizione: New. New copy - Usually dispatched within 2 working days.

Soft cover. Condizione: Near Fine. Slight rubbing to edges otherwise in excellent condition. Appears unread. Next day dispatch by Royal Mail in sturdy, recyclable packaging. 1000's of satisfied customers! Please contact us with any enquiries.

1. Auflage. 94 Seiten. OBr., Oktav, 94 S.; tadellos erhaltenes Exemplar.

164 pp.; 24 x 18.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Padiglione d'arte contemporanea, Milan, June 7 - July 8, 1988. Curated by Gregorio Magnani, Daniela Salvioni, and Giorgio Verzotti. Artists include Dennis Adams, John Baldessari, Bernd and Hilla Becher, Alan Belcher, Jennifer Bolande, Victor Burgin, Clegg and Guttmann, Günther Förg, Gilbert and George, IFP, Alfredo Jaar, Imi Knoebel, Karen Knorr, Joseph Kosuth, Barbara Kruger, Marie-Jo Lafontaine, Bertrand Lavier, Louise Lawler, Sherrie Levine, Ken Lum, Leonel Moura, Peter Nagy, Giulio Paolini, Michelangelo Pistoletto, Richard Prince, Olivier Richon, Christiane Richter, Gerhard Richter, David Robbins, Thomas Ruff, Cindy Sherman, Jeff Wall, and Andy Warhol. Includes biographies of the artists. All text in Italian. Good / Very Good. Rubbing of cover edges and scratching and yellowing of covers. Light yellowing of page edges. Contents clean and unmarked. …

Paperback. Condizione: Near Fine. PAPERBACK. 700 copies. Pages are clean, binding is tight. Text block is clean. Spine is creased. Covers are clean and bright. Rubbing to corners, edges and ends of spine. Pictures available upon request.

hardcover. Condizione: Sehr gut. 176 S., Abb. First edit., SU., gebraucht: sehr guter Zustand. Sprache: Englisch Gewicht in Gramm: 298.

Leinen. Condizione: Sehr gut. 1. ed. 28,5x24,5cm; 208 S. Gewebe (Blauer Leinen). Sprache: Englisch, überw. Ill. Zustand: Sehr Gut, eher ungelesen; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

Soft cover. Condizione: Good - Some Wear. First Edition.

Soft cover. Condizione: Very Good. 96 pages. Illustrated. Robert Stam and Louise Spence "Colonialism, Racism and Representation" / Irene Kotlarz "'The Birth Of A Notion' The Representation of Black People in Animated Vartoons" / Julianne Burton "The Politics Of Aesthetic Distance: The Presentation Of Representation in 'Sao Bernardo'" / Mick Eaton "Another Angle On Anthropological Film" / Teshome H Gabriel "Teaching Third World Cinema" / Janet Hawken and Chaim Litewski "Exploitation For Profit" / Sue Aspinall "A Weekend School On Cuban Cinema"Olivier Richon "Orientation" /George Foster "What Every 16 Year Old Should Know About The Mass Media" (BT#30/1).…

N. PAG. 63 - CARTONATO ILL. - OTTIMO.

Condizione: BUONO USATO. I ED. Da revisionare INGLESE Coperta minimamente imbrunita, con illustrazione a colori al piatto anteriore e con ordinari segni del tempo. Tagli regolari e leggermente imbruniti, pagine ben salde alla costa e con modesta imbrunitura. Libro completamente fruibile, con introduzione di John X Berger e Olivier Richon, presenti illustrazioni a colori e in nero, prima edizione, pagine non numerate; da segnalare: il volume potrebbe contenere timbri, il materiale à stato regolarmente acquisito dalla nostra Libreria.…

Soft cover. Condizione: Near Fine. 1st Edition. NEAR FINE COPY.VARIOUS ARTISTS WORKS AND ESSAY.3.

Condizione: Very Good.

Paperback. Condizione: new. Paperback. The Devouring Eye: Photography and the Mouth is a provocative essay by Swiss photographer and academic Olivier Richon which rethinks the act of looking through the language of appetite, taste, and consumption. Drawn from a series of influential lectures delivered during his twenty-five-year tenure as Head of the Photography programme at the Royal College of Art (19972022) a period during which the course shaped an entire generation of photographers the book presents a meditation on the camera as both eye and mouth: an apparatus that ingests the world in order to produce images. Framed through a psychoanalytic lens, Richon proposes that photography is less a neutral act of observation than a form of visual incorporation. If looking maintains distance, the mouth abolishes it. The camera becomes a devouring organ, where the object is dissolved, digested, and made into an image. The desire to see becomes entangled with the desire to consume. Through this reading, photography is revealed as an insatiable medium one that satisfies and frustrates our appetite for representation in equal measure. The Devouring Eye invites us to reconsider how we relate to images, and how deeply they live in us. In this provocative essay, academic Olivier Richon invites a reconsideration of how we relate to images, rethinking the act of looking through the language of appetite, taste, and consumption. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condizione: new. Paperback. The Devouring Eye: Photography and the Mouth is a provocative essay by Swiss photographer and academic Olivier Richon which rethinks the act of looking through the language of appetite, taste, and consumption. Drawn from a series of influential lectures delivered during his twenty-five-year tenure as Head of the Photography programme at the Royal College of Art (19972022) a period during which the course shaped an entire generation of photographers the book presents a meditation on the camera as both eye and mouth: an apparatus that ingests the world in order to produce images. Framed through a psychoanalytic lens, Richon proposes that photography is less a neutral act of observation than a form of visual incorporation. If looking maintains distance, the mouth abolishes it. The camera becomes a devouring organ, where the object is dissolved, digested, and made into an image. The desire to see becomes entangled with the desire to consume. Through this reading, photography is revealed as an insatiable medium one that satisfies and frustrates our appetite for representation in equal measure. The Devouring Eye invites us to reconsider how we relate to images, and how deeply they live in us. In this provocative essay, academic Olivier Richon invites a reconsideration of how we relate to images, rethinking the act of looking through the language of appetite, taste, and consumption. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Broschiert. Condizione: Sehr gut. 4°. Erste Auflage, Nicht paginiert. Original-Broschur. Sprache: Englisch, Mit zahlreichen Abbildungen. Frisches Exemplar.

Farbig illustriert originl-kartoniert; 4°; 112 unpaginierte Seiten; überwiegend farbig bebildert. Der Text mit farbigen Anstreichungen; sonst gutes Exemplar. Sprache: Englisch 620 gr.