Rick j santos (19 risultati)

Condizione: New.

Condizione: New. Idioma/Language: Español. FRANK J. BARBIERE, RICKY MAMMONE Y VICTOR SANTOS NOS PRESENTAN UN NUEVO MUNDO DONDE SE MEZCLAN LA FANTASÍA Y LA CIENCIA FICCIÓN. En un futuro donde la magia ha sido reemplazada por la tecnología, dos facciones se enfrentan en una vasta metrópolis: los druidas, que se aferran al pasado, y las poderosas corporaciones, que explotan unas tecnologías muy avanzadas que podrían acabar con la magia para siempre. Mara, la hija de una líder druida, acaba envuelta en una arriesgada misión cuyo objetivo es recuperar el Elixir, una misteriosa reliquia capaz de reinstaurar la magia y derrotar a las corporaciones de una vez por todas. Pero hay un problema: el Elixir está en manos de su antiguo mentor, un guerrero temible que domina tanto la magia como el arte de la espada, el cual está dispuesto a destruir el Elixir a toda costa por razones personales. Mara se debate entre seguir siendo leal a su familia o tomar una decisión que podría moldear el futuro para siempre, ¿hasta dónde estará dispuesta a llegar para recuperar el Elixir. . . y qué hará con él? En Elixir, se mezclan los elementos mágicos y visuales de Final Fantasy con la crudeza estética de Sin City para ofrecernos una aventura de ciencia ficción y fantasía repleta de acción trepidante, un estilo gráfico elegante y unos personajes inolvidables. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.…

Rústica. Condizione: New. Condizione sovraccoperta: Nuevo. 01. FRANK J. BARBIERE, RICKY MAMMONE Y VICTOR SANTOS NOS PRESENTAN UN NUEVO MUNDO DONDE SE MEZCLAN LA FANTASÍA Y LA CIENCIA FICCIÓN. En un futuro donde la magia ha sido reemplazada por la tecnología, dos facciones se enfrentan en una vasta metrópolis: los druidas, que se aferran al pasado, y las poderosas corporaciones, que explotan unas tecnologías muy avanzadas que podrían acabar con la magia para siempre. Mara, la hija de una líder druida, acaba envuelta en una arriesgada misión cuyo objetivo es recuperar el Elixir, una misteriosa reliquia capaz de reinstaurar la magia y derrotar a las corporaciones de una vez por todas. Pero hay un problema: el Elixir está en manos de su antiguo mentor, un guerrero temible que domina tanto la magia como el arte de la espada, el cual está dispuesto a destruir el Elixir a toda costa por razones personales. Mara se debate entre seguir siendo leal a su familia o tomar una decisión que podría moldear el futuro para siempre, hasta dónde estará dispuesta a llegar para recuperar el Elixir. y qué hará con él? En Elixir, se mezclan los elementos mágicos y visuales de Final Fantasy. LIBRO.…

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: new.

Condizione: New. Editor(s): Kliman, Bernice W.; Santos, Rick J. Num Pages: 347 pages. BIC Classification: DSR. Category: (G) General (US: Trade). Dimension: 245 x 167 x 25. Weight in Grams: 662. . 2005. Hardback. . . . .

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. pp. 347.

Hardcover. Condizione: Brand New. 347 pages. 9.10x6.30x1.10 inches. In Stock.

Condizione: New. Editor(s): Kliman, Bernice W.; Santos, Rick J. Num Pages: 347 pages. BIC Classification: DSR. Category: (G) General (US: Trade). Dimension: 245 x 167 x 25. Weight in Grams: 662. . 2005. Hardback. . . . . Books ship from the US and Ireland.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. pp. 347.

Hardback. Condizione: New. The subjects of the essays in Latin American Shakespeares range from the nineteenth century through the present; from high- to middle- to low-brow stories, plays, films, and poems; from Mexico to Argentina, Chile, Cuba, the U.S. barrio, and diverse sections of Brazil; from artists deservedly famous to artists undeservedly obscure. Shakespeare in Latin America is often implicated in struggles for power - tangentially or directly - and therefore swells the story of world wide political Shakespeare. For Latin American artists, the Shakespearean legacy is available for co-optation not only through parody, adaptation, and both reverent and irreverent (re)creation but also through absorption into unique indigenous genres.Rick J. Santos in his introduction writes of mestizo Shakespeare - mixed as are the native, colonial, and immigrant populations throughout Latin America. In part 1, Jose Roberto O'Shea queries whether the father of Brazilian theatre can be an impresario who performed Shakespeare rather than encouraging native writers. Roberto Ferreira da Rocha explores how a planned political statement against a military dictatorship failed to make its point. Jesus Tronch-Perez discusses the independence of two adaptors of Hamlet who push the view of the inactive prince to its limits. Gregary J. Racz explains how Pablo Neruda acted upon his understanding of Romeo and Juliet as an exemplar of his views about society. Juan J. Zaro explores political exile Leon Felipe's spiritual rather than political approach. Catherine Boyle examines the translation of Lear by Nicanor Parra during the transitional period after the fall of the Pinochet dictatorship. Margarida Gandara Rauen offers a close-up view of Guilherme Schiffer Duraes's transgressive use of Caliban.In part 2, Grace Tiffany explores Borges's oeuvre widely and deeply, confirming the fiction writer's fascination with the poet-playwright. Jose Luiz Passos clarifies the debt of Brazilian realist novelist Joaquim Maria Machado de.…

Condizione: New. &Uumlber den AutorBernice W. Kliman is professor emeritus at Nassau Community College, State University of New York. Rick J. Santos is assistant professor of English at Nassau Community College, State University of New York.

Hardback. Condizione: New. The subjects of the essays in Latin American Shakespeares range from the nineteenth century through the present; from high- to middle- to low-brow stories, plays, films, and poems; from Mexico to Argentina, Chile, Cuba, the U.S. barrio, and diverse sections of Brazil; from artists deservedly famous to artists undeservedly obscure. Shakespeare in Latin America is often implicated in struggles for power - tangentially or directly - and therefore swells the story of world wide political Shakespeare. For Latin American artists, the Shakespearean legacy is available for co-optation not only through parody, adaptation, and both reverent and irreverent (re)creation but also through absorption into unique indigenous genres.Rick J. Santos in his introduction writes of mestizo Shakespeare - mixed as are the native, colonial, and immigrant populations throughout Latin America. In part 1, Jose Roberto O'Shea queries whether the father of Brazilian theatre can be an impresario who performed Shakespeare rather than encouraging native writers. Roberto Ferreira da Rocha explores how a planned political statement against a military dictatorship failed to make its point. Jesus Tronch-Perez discusses the independence of two adaptors of Hamlet who push the view of the inactive prince to its limits. Gregary J. Racz explains how Pablo Neruda acted upon his understanding of Romeo and Juliet as an exemplar of his views about society. Juan J. Zaro explores political exile Leon Felipe's spiritual rather than political approach. Catherine Boyle examines the translation of Lear by Nicanor Parra during the transitional period after the fall of the Pinochet dictatorship. Margarida Gandara Rauen offers a close-up view of Guilherme Schiffer Duraes's transgressive use of Caliban.In part 2, Grace Tiffany explores Borges's oeuvre widely and deeply, confirming the fiction writer's fascination with the poet-playwright. Jose Luiz Passos clarifies the debt of Brazilian realist novelist Joaquim Maria Machado de.…

Buch. Condizione: Neu. Neuware - The subjects of the essays in Latin American Shakespeares range from the nineteenth century through the present; from high- to middle- to low-brow stories, plays, films, and poems; from Mexico to Argentina, Chile, Cuba, the U.S. barrio, and diverse sections of Brazil; from artists deservedly famous to artists undeservedly obscure. Shakespeare in Latin America is often implicated in struggles for power - tangentially or directly - and therefore swells the story of world wide political Shakespeare. For Latin American artists, the Shakespearean legacy is available for co-optation not only through parody, adaptation, and both reverent and irreverent (re)creation but also through absorption into unique indigenous genres.Rick J. Santos in his introduction writes of mestizo Shakespeare - mixed as are the native, colonial, and immigrant populations throughout Latin America. In part 1, Jose Roberto O'Shea queries whether the father of Brazilian theatre can be an impresario who performed Shakespeare rather than encouraging native writers. Roberto Ferreira da Rocha explores how a planned political statement against a military dictatorship failed to make its point. Jesus Tronch-Perez discusses the independence of two adaptors of Hamlet who push the view of the inactive prince to its limits. Gregary J. Racz explains how Pablo Neruda acted upon his understanding of Romeo and Juliet as an exemplar of his views about society. Juan J. Zaro explores political exile Leon Felipe's spiritual rather than political approach. Catherine Boyle examines the translation of Lear by Nicanor Parra during the transitional period after the fall of the Pinochet dictatorship. Margarida Gandara Rauen offers a close-up view of Guilherme Schiffer Duraes's transgressive use of Caliban.In part 2, Grace Tiffany explores Borges's oeuvre widely and deeply, confirming the fiction writer's fascination with the poet-playwright. Jose Luiz Passos clarifies the debt of Brazilian realist novelist Joaquim Maria Machado de.…

Condizione: Good. Usado.