Rimer cardillo (13 risultati)

Paperback. Condizione: Very Good. Binding sound, text clean, light shelf wear. 60 pages. 4to (oversize) paperback. Book.

Paperback. Condizione: Very Good+. Binding sound, text clean, very slight shelf wear. Folio (oversize) paperback. 60 pages. Book.

Softcover, 60 pages; as new condition; light rubbing to covers; no internal marks.

Paperback. Condizione: Very good. Original exhibition catalogue. 36pp. Slim quarto [28 cm] With a brief inscription on the title page. The text is in English and Spanish. With a list at the rear of Rimer Cardillo's awards, one person shows, group shows, and museum and public collections.

12p., 8.5x9 inches, exhibition catalogue of the art works, very good booklet in stapled black pictorial wraps with mild rubbing. Uruguayan American artist's archaeological work.

Condizione: Very Good. *FREE DOMESTIC SHIPPING until Monday, Oct. 19* 12 pp., Paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Softcover staple-bound exhibition catalog, 36 pages; in English and Spanish; very good condition; light rubbing to covers; no internal marks.

Soft cover. Condizione: Near Fine. Incluye crítica de: Clever Lara, Angel Kalenberg, Lucy R. Lippard. Texto en inglés, italiano y español. Ilustrado en b/n y color. [Libro en Español / Book in Spanish].

Softcover, 62 pages; in English, Spanish and Italian; very good condition; light rubbing to covers; no internal marks.

Soft cover. Condizione: Fine. Not Indicated. Rimer Cardillo (born 17 August 1944) is a Uruguayan visual artist and engraver of extensive international experience who has lived in the United States since 1979. Cardillo has developed a varied series of works that include engravings, sculptures, and installations, where the study of nature and the preservation of his imprint has always been present. His sculptures and installations evoke archaeological sites that revalue the pre-Hispanic imaginary of Uruguayan territory with aesthetic representations - symbols of funerary mounds that allow recreating the collective memory, as well as the artist's metaphorical return to his native land. His fascination with the primitive is also reflected in much of his graphic work, as well as an archeology of natural life in the transfer of forms of animals and plants that resemble fossils made of metal, ceramic, or paper, which reinforce the idea of permanence of culture beyond life and point to the intense trace of the ancestral and the recovery of the past.[9] His work is held by numerous public and private collections, including the Art Institute of Chicago, Bibliothèque nationale de France, Cincinnati Art Museum, Instituto Nacional de Bellas Artes y Literatura of Mexico, Museo de Bellas Artes and Museum of Contemporary Art in Caracas, New York Museum of Modern Art, Art Museum of the Americas in Washington, Allen Memorial Art Museum at Oberlin College in Ohio, and the National Museum of Visual Arts of Montevideo, the garden of which became home to his 1991 sculpture Barca de la crucifixión in 2005. Color & b/w Photos (illustratore).…

Condizione: Very Good. No Jacket. Paperback,NO highlighting or notes, has normal slight wear to edges and faintly curled corners; otherwise, a tight, clean copy. Penciled price erasure on endpaper. INV#file.

Paperback. Condizione: Very Good. Profusely illustrated in color and b&w. Text in english and spanish. [Libro en Español / Book in Spanish].

Paperback. Condizione: Like New. Appears as new and unread. 228 pages : illustrations (chiefly color) ; 28 cm. Parallel texts in Spanish and English. Due to weight, no foreign orders or domestic priority shipments accepted without prior arrangement as to shipping costs, which will exceed our usual rates. Catalogue of the exhibition of Uruguayan artist (b. 1944, Montevideo). The exhibition "assembles a body of work made up of different series created in the last fifty years, which share one essential concern: our relationship with nature and the responsibilities that emerge from this relationship. With adeep awareness of our American continent, its biodiversity and its native peoples, Cardillo's prints, photography, drawing, sculpture and installations to bring our attention to a story many stories, which need to be told as only the visual arts can tell them. And it is there that the political dimension of the art made by the artist coexists with the know-how and an impeccable technical resolution, together with unwavering ethics"--Page 4.…