Risk laura (32 risultati)

paperback. Condizione: Fine.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 280 pages. 6.00x0.64x9.00 inches. In Stock.

Condizione: New.

Paperback. Condizione: Brand New. 276 pages. 9.50x6.50x0.75 inches. In Stock.

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Condizione: New. 2026. paperback. . . . . .

Condizione: New.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Couverture souple. Condizione: Comme neuf. Edition originale. Paris 2024. 1 Volume/1. -- Comme Neuf -- Broché cousu 21 x 21 cm ( 504 gr ). ------ 213 pages. Illustrations. ******************* """ Une approche historiciste des genres musicaux. Tandis que des discours médiatiques annoncent « la fin des genres musicaux », le sens commun perçoit le genre comme une catégorisation imposée, restreignant la liberté des artistes et des auditeur·ices. À l'encontre de cette idée préconçue, ce numéro de Volume ! propose d'emprunter une approche historiciste des genres musicaux. Précédés d'une traduction en français de l'introduction de Categorizing Sound (Brackett, 2016), les 6 articles ici réunis abordent la formation et le développement de genres comme le disco et la dance, la musique traditionnelle, le metal, le dungeon synth, les musiques urbaines, l'indie et le rock progressif. Dans son ensemble, le numéro souligne comment le concept de genre musical se révèle un puissant outil pour analyser les relations étroites du son et des significations sociales que porte la musique. Volume ! La revue des musiques populaires est une revue semestrielle à comité de lecture, fondée en 2002 par Samuel Etienne, Gérôme Guibert et Marie-Pierre Bonniol. La revue offre un espace autonome aux chercheurs souhaitant développer des recherches spécifiques consacrées à l'étude pluridisciplinaire des musiques populaires, en croisant les apports méthodologiques et théoriques français (musicologie, ethnomusicologie, sociologie de la culture, histoire culturelle etc.) avec ceux des « cultural » et « popular music studies ». La revue a été publiée sous le titre Copyright Volume ! de 2001 à 2008. Volume ! est publié par les éditions Mélanie Seteun, une structure associative montée en 1998 par Samuel Etienne et Gérôme Guibert, alors deux doctorants désireux de publier des « réflexions sérieuses sur les musiques populaires », généralement peu investies par la recherche universitaire, ou du moins avec l'attention habituellement accordée à d'autres produits de la culture considérés comme plus légitimes. Equipe de rédaction : Catherine Guesde, Gérôme Guibert, Emmanuel Parent, Dario Rudy, Matthieu Saladin, Jedediah Sklower. "" ************************ ref fav-02-06.…

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: Brand New. 280 pages. 5.98x0.79x9.02 inches. In Stock.

Condizione: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Condizione: New. 2026. hardcover. . . . . .

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The story of a cultural touchstone and its impact Fiddlers, step dancers, storytellers, traditional singers, and folklorists staged Montreal's first veillée in 1919. All that was missing, announced one of the organizers, was a magic carpet to transport the audience into the countryside and a kiss of forgetfulness to erase the woes of modern life. Laura Risk tells the story of the veillées and explores how these commercial performances of idealized rural life became part of Quebec's cultural heritage. Her in-depth examinations of key performances and recordings follow traditional music and dance from the stage onto radio, records and other audio media, and television. Throughout, Risk documents how veillÉes redefined folklore in twentieth-century Quebec and illuminates how their distinctive framing of traditional musicians and repertoire impacts the performance and reception of the music to the present day. Astute and evocative, Music and the Staged Veillée in Quebec reveals the music, dancing, call-and-response songs, and extramusical associations winding through century-long conversations about nation, culture, and identity in Quebec. 280 pp. Englisch.…

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The story of a cultural touchstone and its impact Fiddlers, step dancers, storytellers, traditional singers, and folklorists staged Montreal's first veillée in 1919. All that was missing, announced one of the organizers, was a magic carpet to transport the audience into the countryside and a kiss of forgetfulness to erase the woes of modern life. Laura Risk tells the story of the veillées and explores how these commercial performances of idealized rural life became part of Quebec's cultural heritage. Her in-depth examinations of key performances and recordings follow traditional music and dance from the stage onto radio, records and other audio media, and television. Throughout, Risk documents how veillÉes redefined folklore in twentieth-century Quebec and illuminates how their distinctive framing of traditional musicians and repertoire impacts the performance and reception of the music to the present day. Astute and evocative, Music and the Staged Veillée in Quebec reveals the music, dancing, call-and-response songs, and extramusical associations winding through century-long conversations about nation, culture, and identity in Quebec.…