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Aggiungi al carrelloPaperback. Condizione: new. Paperback. Iran's performance traditions were vibrant and deeply rooted long before the Qajar monarchs travelled to Europe. Yet during their journeys, Naser al-Din Shah and Mozaffar al-Din Shah attended opera houses, theatres, concerts, and musical spectacles that became part of a complex cultural encounter whose full scope has remained largely unexplored. The published royal diaries offer only brief references to these experiences. The broader record, however, lay scattered across European cities and archives. For the first time, Duman Riyazi meticulously reconstructs and documents the Shahs' European itineraries step by step, travelling city by city, following their routes, and uncovering forgotten documents that reconstruct what they truly witnessed. Through extensive archival research across Europe, this book brings to light a hidden dimension of Iran's theatrical modernization, revealing a layered dialogue between traditions rather than a simple process of importing or adopting European models. The Uninvited Guest is both a historical investigation and a rediscovery.Dr. Duman Riyazi is a theatre scholar, director, and translator. He completed his PhD in Theatre at the University of Florence, Italy, and pursued his postdoctoral research at the University of Toronto, Canada. He is the first Iranian scholar to complete a postdoctoral position in Theatre, and his work focuses on re-examining the modernization of Iranian performance, particularly during the Qajar period, through archival research and historical reconstruction. In The Uninvited Guest, he undertakes an exceptional scholarly journey. Rather than relying solely on published royal diaries, he meticulously reconstructs and documents the European itineraries of Naser al-Din Shah and Mozaffar al-Din Shah step by step. Travelling city by city across Europe, he examined theatre archives, opera house records, concert programs, and municipal documents in order to reconstruct the performances witnessed by the Qajar monarchs, many of which had never been systematically documented or analyzed in Iranian theatre studies. This research required years of cross-border archival investigation and comparative analysis. By assembling scattered materials from multiple European cultural institutions, Dr. Riyazi reveals a previously overlooked dimension of Iran's encounter with modern stage practices. Rather than portraying modernization as a simple act of copying or importing European theatre, he demonstrates that it was the result of a layered and dynamic cultural exchange between traditions. He specializes in Commedia dell'Arte and has translated several major theatrical works into Persian. Over the course of his career, he has worked closely with distinguished European masters of the tradition. As both a practitioner and historian, he bridges performance and scholarship, contributing to a deeper understanding of the intercultural forces that shaped modern Iranian theatre. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Da: CitiRetail, Stevenage, Regno Unito
EUR 28,60
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. Iran's performance traditions were vibrant and deeply rooted long before the Qajar monarchs travelled to Europe. Yet during their journeys, Naser al-Din Shah and Mozaffar al-Din Shah attended opera houses, theatres, concerts, and musical spectacles that became part of a complex cultural encounter whose full scope has remained largely unexplored. The published royal diaries offer only brief references to these experiences. The broader record, however, lay scattered across European cities and archives. For the first time, Duman Riyazi meticulously reconstructs and documents the Shahs' European itineraries step by step, travelling city by city, following their routes, and uncovering forgotten documents that reconstruct what they truly witnessed. Through extensive archival research across Europe, this book brings to light a hidden dimension of Iran's theatrical modernization, revealing a layered dialogue between traditions rather than a simple process of importing or adopting European models. The Uninvited Guest is both a historical investigation and a rediscovery.Dr. Duman Riyazi is a theatre scholar, director, and translator. He completed his PhD in Theatre at the University of Florence, Italy, and pursued his postdoctoral research at the University of Toronto, Canada. He is the first Iranian scholar to complete a postdoctoral position in Theatre, and his work focuses on re-examining the modernization of Iranian performance, particularly during the Qajar period, through archival research and historical reconstruction. In The Uninvited Guest, he undertakes an exceptional scholarly journey. Rather than relying solely on published royal diaries, he meticulously reconstructs and documents the European itineraries of Naser al-Din Shah and Mozaffar al-Din Shah step by step. Travelling city by city across Europe, he examined theatre archives, opera house records, concert programs, and municipal documents in order to reconstruct the performances witnessed by the Qajar monarchs, many of which had never been systematically documented or analyzed in Iranian theatre studies. This research required years of cross-border archival investigation and comparative analysis. By assembling scattered materials from multiple European cultural institutions, Dr. Riyazi reveals a previously overlooked dimension of Iran's encounter with modern stage practices. Rather than portraying modernization as a simple act of copying or importing European theatre, he demonstrates that it was the result of a layered and dynamic cultural exchange between traditions. He specializes in Commedia dell'Arte and has translated several major theatrical works into Persian. Over the course of his career, he has worked closely with distinguished European masters of the tradition. As both a practitioner and historian, he bridges performance and scholarship, contributing to a deeper understanding of the intercultural forces that shaped modern Iranian theatre. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 35,98
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Iran's performance traditions were vibrant and deeply rooted long before the Qajar monarchs travelled to Europe. Yet during their journeys, Naser al-Din Shah and Mozaffar al-Din Shah attended opera houses, theatres, concerts, and musical spectacles that became part of a complex cultural encounter whose full scope has remained largely unexplored. The published royal diaries offer only brief references to these experiences. The broader record, however, lay scattered across European cities and archives. For the first time, Duman Riyazi meticulously reconstructs and documents the Shahs' European itineraries step by step, travelling city by city, following their routes, and uncovering forgotten documents that reconstruct what they truly witnessed. Through extensive archival research across Europe, this book brings to light a hidden dimension of Iran's theatrical modernization, revealing a layered dialogue between traditions rather than a simple process of importing or adopting European models. The Uninvited Guest is both a historical investigation and a rediscovery.Dr. Duman Riyazi is a theatre scholar, director, and translator. He completed his PhD in Theatre at the University of Florence, Italy, and pursued his postdoctoral research at the University of Toronto, Canada. He is the first Iranian scholar to complete a postdoctoral position in Theatre, and his work focuses on re-examining the modernization of Iranian performance, particularly during the Qajar period, through archival research and historical reconstruction. In The Uninvited Guest, he undertakes an exceptional scholarly journey. Rather than relying solely on published royal diaries, he meticulously reconstructs and documents the European itineraries of Naser al-Din Shah and Mozaffar al-Din Shah step by step. Travelling city by city across Europe, he examined theatre archives, opera house records, concert programs, and municipal documents in order to reconstruct the performances witnessed by the Qajar monarchs, many of which had never been systematically documented or analyzed in Iranian theatre studies. This research required years of cross-border archival investigation and comparative analysis. By assembling scattered materials from multiple European cultural institutions, Dr. Riyazi reveals a previously overlooked dimension of Iran's encounter with modern stage practices. Rather than portraying modernization as a simple act of copying or importing European theatre, he demonstrates that it was the result of a layered and dynamic cultural exchange between traditions. He specializes in Commedia dell'Arte and has translated several major theatrical works into Persian. Over the course of his career, he has worked closely with distinguished European masters of the tradition. As both a practitioner and historian, he bridges performance and scholarship, contributing to a deeper understanding of the intercultural forces that shaped modern Iranian theatre.
Da: preigu, Osnabrück, Germania
EUR 31,60
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. The Uninvited Guest | Histories of Persian Theatre in the Qajar Period | Duman Riyazi | Taschenbuch | Englisch | 2026 | Asemana Books | EAN 9781997503354 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
Da: CitiRetail, Stevenage, Regno Unito
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. This book, structured in two distinct yet interconnected parts, offers a comparative study of two significant realms in the history of theatre: first, Iranian drama within the socio-cultural context of the Qajar era, and second, commedia dell'arte as one of the influential movements in classical European theatre. In the first part, with a focus on the Qajar period, the author attempts to analyze the historical, social, and aesthetic conditions that gave rise to Iranian drama in this era, and examines the gradual transition from traditional performances to more modern and structured theatrical forms. This section, with an emphasis on the modernization of Iranian theatre, seeks to reexamine the formal and thematic capacities of indigenous performances in the face of modern transformations. The second part is dedicated to analyzing the roots, structure, and performative functions of commedia dell'arte. This theatrical form, which originated in 16th-century Italy, played a key role in shaping the European theatrical tradition through its unique performance methods, character types, and reliance on improvisation. In this section, the author explores the aesthetic, corporeal, and social dimensions of the form through an analytical lens and considers its relationship to contemporary trends in acting and directing. Taken together, the book is an effort to reconsider the historical and performative relationship between Iranian and European theatre, with the aim of highlighting the potential for intercultural dialogue within the performing arts. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 30,48
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book, structured in two distinct yet interconnected parts, offers a comparative study of two significant realms in the history of theatre: first, Iranian drama within the socio-cultural context of the Qajar era, and second, commedia dell'arte as one of the influential movements in classical European theatre. In the first part, with a focus on the Qajar period, the author attempts to analyze the historical, social, and aesthetic conditions that gave rise to Iranian drama in this era, and examines the gradual transition from traditional performances to more modern and structured theatrical forms. This section, with an emphasis on the modernization of Iranian theatre, seeks to reexamine the formal and thematic capacities of indigenous performances in the face of modern transformations. The second part is dedicated to analyzing the roots, structure, and performative functions of commedia dell'arte. This theatrical form, which originated in 16th-century Italy, played a key role in shaping the European theatrical tradition through its unique performance methods, character types, and reliance on improvisation. In this section, the author explores the aesthetic, corporeal, and social dimensions of the form through an analytical lens and considers its relationship to contemporary trends in acting and directing. Taken together, the book is an effort to reconsider the historical and performative relationship between Iranian and European theatre, with the aim of highlighting the potential for intercultural dialogue within the performing arts.
Da: preigu, Osnabrück, Germania
EUR 25,50
Quantità: 5 disponibili
Aggiungi al carrelloTaschenbuch. Condizione: Neu. Theatre in Travel | Duman Riyazi | Taschenbuch | Persisch | 2025 | Asemana Books | EAN 9781997503125 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.