robbins james michael (33 risultati)

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

paperback. Condizione: Good. Paperback book is in good shape overall with some signs of wear on cover, corners, and/or spine. Pages are clean; few pages towards the front contain light pencil annotations. An entirely readable and usable copy.

Paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Very Good. Scratch and dent. Cover may have wear, dings, tears, other damage, or be missing dust jacket. Buy multiples from our store to save on shipping.

Paperback. Condizione: New. New with remainder mark. Buy multiples from our store to save on shipping.

Trade Paperback. Condizione: Fine. No Jacket. First Edition. 8vo - over 7¾" - 9¾" Clean, tight copy. Thin pamphlet. White wraps. Stapled, unmarked spine.

Soft cover. Condizione: Fine. 1st Edition. First trade paper edition, first printing of this collection of short stories. SIGNED by Rick Mofina on the title page. This novel is edited by Michael Connelly only. In fine unread condition. Signed by Author.

Fine and bright wraps all around. Featuring the art work of Richard Neidhardt, plus the poetry of Mark Terrill, Robert Wynne, Raymond Queneau and many others.

Soft cover. Condizione: Fine. 1st Edition. First trade paper edition, first printing of this collection of short stories. SIGNED by Connelly. Edited by Connelly only. In fine unread condition. Signed by Author.

paperback. Condizione: Very Good. Unread. Some shelf wear. Remainder mark. Binding is tight and square. Text is clean and bright.

Minor edge wear with black mark, never read book.

Soft Binding. Condizione: Good Used Condition. First Edition 1st Edition.

Presumed first printing thus. Contains an Introduction, as well as information on the Immune System, Hematopoietic System: Animal Models for the Bone Marrow; Gastrointestinal Tract; Lung; Kidney; Other Factors Affecting Experimental Outcome; Conclusions; Acknowledgments, and References. Since their inception, the eight centers for Medical Countermeasures against Radiation (CMCRs), under the purview of the National Institute of Allergy and Infectious Diseases, with National Cancer Institute involvement, has been identifying and developing mitigating agents that can be used to treat the civilian population after a radiological event. Given the necessity for a consensus on appropriate animal model use across the network to allow for comparative studies, investigators from each of the Centers of Medical Countermeasures against Radiation organized and met for an Animal Models Workshop. This report provides the workshop findings. fair (some highlighting and ink underlining and notations to text). Staplebound (1 staple at top left corner of cover; that corner is bent).

Stapled at upper left corner. Condizione: Good. Contemporary Xerox type copy of reprint. Reprint from Radiation Research Volume 173, pages 557-578. Some highlighting to several text pages. Topics covered include the Immune System, the Hematopoietic System; Animal Models for the Bone Marrow; Gastrointestinal Track; Lung; Kidney, Skin; Other Factors affecting Experimental Outcome; Conclusions; Acknowledgments; and References. Table 1 (Description of Radiation Pathology in Lung), Table 2 (Mammalian Animal Models Grouped by Pulmonary Subtype), Table 3 (summary of Strain-Dependent Differences in Mouse Lung); Other Factors Affecting Experimental Outcome; Conclusions; Acknowledgments; and References. Since the inception of the eight Centers for Medical Countermeasures Against Radiation, under the purview of the National Institute of Allergy and Infectious Diseases with National Cancer Institute involvement. Since a focus of these Centers is to develop agents for prophylaxis, mitigation, and treatment of radiation injury, the testing of such countermeasures inevitably requires the use of animal model systems.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover, no dust jacket. Ex-library. Boards are slightly edge worn. 202 pp.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Condizione: good. The cover shows wear with possible indentations, creases, and small tears. The pages show wear that may include evidence of handling, smudges, and edge discoloration markings stains . The book may or may not have mild corner dings. The imagery is a stock photo of the item.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Condizione: good. This is a withdrawn library or rental book. It is stamped or stickered.

Soft cover. Condizione: Very Good+. Softcover. Clean and unmarked. 180 pages. Papers given at the June 1983 symposium, held at Utah State University: - Introduction (Brock K. Kilbourne). - Identifying Coercion and Deception in Social Systems (Susan Anderson). - What's Wrong with the Study of New Religions an dWhat We Can Do About It (Robert W. Balch). - Using Psychiatry to Fight ''Cults'': Three Cases (Lee Coleman). What is ''Brainwashing'' and Who Says So? (Joel Fort). - New Religious Movements and Large-Group Psychology (Marc Galanter). - Standardized Procedures, Psychological Norms, and New Religious Affiliation (Michael D. Langon and John G. Clark, Jr.). - Religious Cults: A Social-Psychiatric Analysis (Edward Levine). - Neglected Issues in the Study of Conversion (Richard Machalek and David A. Snow). - Methodological Considerations in the Study of New Religions (James T. Richardson). - Are Conflicting Images of ''Cults'' Susceptible to Empirical Resolution (Thomas Robbins). - Viewing the Cults: Differences of Opinion (Lita Linzer Schwartz). - The Pied Piper Phenomenon: Family Systems and Vulnerability to Cults (Marjorie Fisher Zerin). - [Summary] Researching the Researcher (Thomas Ungerleider).

Bon état. Traces de stockage et d'usage. Avec son CD. Édition révisée. XXIII + 326 pp.

Paperback. Condizione: Brand New. paperback/cd-rom re edition. 326 pages. 9.25x7.00x1.00 inches. In Stock.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.