Robert a jones art editor (6 risultati)

Soft cover. Condizione: Very Good. 1st Edition. 48 pages. John Callow "Lifting the Velvet Pall - The Vindication of Julius Fucik" / Grant Poole "Marxism, Art & Engagement: Francis D Klingender" / Ann Brett-Jones "Ralph Fox: A Man in his Time" (SL#125/12).

Soft cover. Condizione: Very Good. 44 pages. Art Spiegelman "A Sunday in the Park.A Season in Heck" - 2 pages, in colour / Adam Shatz "One Big Murder Mystery" / Robert VanderMolen 2 poems "Toucans" and "Whispering" / Patrick Cockburn "Helping Bush Win Re-Election" / Stephen Sedley "Everything and Nothing" / R W Johnson "Really Very Exhilarating" / Rosemary Hill "Agog" / Susan Eilenberg "Adulation or Eggs" / Thomas Jones "Intimate Strangers" / Alison Jplly "Flat Feet, Clever Hands" / Andreas Huyssen "Degeneration Gap".…

Single. Condizione: Good. First Edition. Dayton / New York: McCall Corporation 1948 First Edition Vintage Pulp magazine. Oversize [about 8.25" x 11.25"] pictorial wrappers, 144 pages, illustrated. With Stories by James Edward Grant, Hubert Coryell, Robert Moore Williams, George Armin Shaftel, Arch Whitehouse, Owen Cameron, Norman A. Fox, Joel Reeve, H. Bedford-Jones, Wilbur S. Peacock, Bertram Atkey, which Include "The Blind Spot" by James Edward Grant, "The Bog" by Hubert Coryell, "The Turtles of Ponce de Leon" by Robert Moore Williams, "Scanal in Eden" by George Armin Shaftel, "Only the Dead Ride Proudly by Norman A. Fox, "Captain Ezra Carries a Secret WEapon" by H. Bedford-Jones, "Aground on Devil's Bank" by Richard Howells Watskins, "The First Bowmen" by Bertram Atkey, etc. A Good copy with chipping to the spine heel, cover creasing, fore-edge tear to the rear cover, lower corner creasing to the last several page and lower corner off the last interior leaf with the loss of one word of a story, text paper tanned. See Photos Mgabx 8. Cover art by Herbert Morton Stoops (illustratore).…

Paperback. Condizione: Very Good. 2009 Whitechapel Gallery paperback edition. Light reading wear else very good condition. Contents: THE REVIVAL OF BEAUTY Dave Hickey Enter the Dragon: On the Vernacular of Beauty Kathleen Marie Higgins Whatever Happened to Beauty? A Response to Danto Elaine Scarry On Beauty and Being Just Wendy Steiner Venus in Exile: The Rejection of Beauty in Twentieth-Century Art Suzanne Perling Hudson Beauty and the Status of Contemporary Criticism Saul Ostrow The Eternal Problem of Beauty's Return Arthur C. Danto The Aesthetics of Brillo Boxes Alexander Alberro Beauty Knows No Pain Diarmuid Costello, Arthur C. Danto, Anna Dezeuze, Martin Donougho, Thierry de Duve, James Elkins, David Raskin, Dominic Willsdon, Richard Woodfield The Art Seminar CONCEPTS AND CONTEXTS Theodor Adorno On the Concept of the Beautiful Jacques Derrida The Sans of the Pure Cut Griselda Pollock Woman as Sign: Psychoanalytic Readings Jay Bernstein Beauty and the Labour of Mourning Fredric Jameson Transformations of the Image in Postmodernity Thierry de Duve Kant after Duchamp Jason Gaiger Incidental and Integral Beauty: Duchamp, Danto and the Intractable Avant-Garde T.J. Clark Vulgarity Caroline A. Jones The Discourse of the Studio Meets the Technological Sublime John Roberts Replicants and Cartesians Mark Cousins The Ugly Mark Hutchinson Nausea: Encounters with Ugliness Simon O'Sullivan Art and the Political: Minor Literature, War Machines and the Production of Subjectivity POSITIONS Rosalind Krauss The Photographic Conditions of Surrealism Benjamin H.D. Buchloh Robert Morris's Paradoxes Robert Smithson An Aesthetics of Disappointment Andy Warhol On Beauty Rasheed Araeen Cultural Imperialism: Observations on Cultural Situation in the Third World Gerhard Richter Notes Paul Wood Truth and Beauty: The Ruined Abstraction of Gerhard Richter Leon Golub and Nancy Spero Interview with Adrian Searle Agnes Martin Interview with Irving Sandler Alex Katz Interview with David Sylvester John Currin Interview with Robert Rosenblum Wendy Steiner On Marlene Dumas Art & Language On Painting Rudolf Sagmeister Endangered Beauty: On Gary Hume Christoph Grunenberg Attraction-Repulsion Machines: The Art of Jake and Dinos Chapman Vito Acconci Interview with Bryant Rousseau Leo Fitzmaurice Beauty (a list of possibilities).…

Hardcover. Condizione: Good. No Jacket. Full title: GRAPHIC METHODS and COLOUR PRINTING - a companion to Printing in School, 1955. According to the succinct foreword by John Ryder, the purpose of this book is 'a light-hearted account of the techniques of the Art Room.' Focuses on various printing and graphic arts methods - chapter titles include the following: Primitive Methods, Texture, Colour, Wood, Metal etc. (See image of Contents page). Condition (external): both boards with striking illustrations and colouring display obvious tanning of their undecorated/unprinted sections. Also, some edgewear. Black plastic ring-binding is intact. Condition (internal): very sound generally - the only real condition-related element also being the mild to moderate tanning throughout. The many colour and b/w engravings remain largely unaffected by this phenomenon. Dedicated to members of the Art Society Press 1951 - 1961. pp.93. 4to (landscape). More images/information on request. Please note that, depending on destination, we may request a payment to cover any extra shipping & postage charges. Proceeds to Amnesty International. Abe2625. (This item is being sold under the Retail Gift Aid scheme to support Amnesty International UK Section Charitable Trust. Gift Aid enables us to increase the value of donations by 25%. Amnesty International UK Section is acting as an agent selling this item on behalf of one of our Gift Aid Donors). Robert Holloway ARCA (Director of Art) (illustratore).…

Pasta dura en plena piel de la. Condizione: Pobre. Volck, Morris R. (Jr., editor-in-Chief). Edwin M. White (Assitant to the Editor ?in ?Chief. Lewis Ames (Business manager); Thomas V. Douglass; Robert A. Jones (Art Editor); Robert R. La Branche (Advertising Manager). J. Hampton Hoult and Harry T. Newcomb, 2nd (Asociate Editors). The Dial Board. The Dial. Published by te Class of 1930. The Hill School Pottstown, PA. Estados Unidos, Press of E. A.Wrighy Company, 1930. Características: Pasta dura en plena piel de la época. Dañado. Presenta fatiga general en las orillas del libro y le falta el lomo. 255 págs. (23 x 17 cms.). Peso: 970 grs. …