Robert a parsons editor (6 risultati)

hardcover. Condizione: Good.

Hardcover. Condizione: Fine. Condizione sovraccoperta: No Dust Jacket As Issued.

Original Printed Wrappers. Condizione: Near Fine. First Edition. San Francisco: Sierra Club, 1954. June,1954 issue [Vol 39, No.6] of the Sierra Club Bulletin. Octavo, perfect-bound printed wrappers. Photographically illustrated, with artful drawings, a map, and even a song as well. Near Fine - very near fine, with a modestly darkened spine (scan) with a small wrinkle at its bottom being the only flaw. See scans. Very high grade example. 108 pp. + 32 unnumbered pages of illustrations, mostly photographic plates. The outstanding photo work is by J. N. LeConte, Philip Hyde, William Menken, Cedric Wright, and Arthur E. Harrison, in several impressive theme-aggregations. The articles - see scan of contents page - are by editor August Frugé, David R. Brower, Robert K. Cutter, Richard M. Emerson, A. Starker Leopold, Loye Miller, Ginny Hill Wood, Aileen R. Jaffa, Father John S. Duryea, Peter Fabrizius, Margaret Thal-Larsen, Arthur E. Harrison, Clifford V. Heimbucher, Charles Wilts, Hervey H. Voge, and Harriet T. Parsons . Also, a variety of regular departments. Please see all scans. l-sc2. J. N. LeConte, Philip Hyde, William Menken, Cedric Wright, Arthur E. Harrison (illustratore).…

Hardcover. Condizione: Brand New. 1st edition. 223 pages. 10.25x7.50x0.75 inches. In Stock.

Original Printed Wrappers. Condizione: Very Good. First Edition. San Francisco: Sierra Club, 1922. First Edition. First published Ansel Adams photographs. Vol XI, No. 3, for 1922. This was published during a several-year time period when the Sierra Club did not stipulate the month of an issue, just the volume, the number, and the year; monthly designations for such an infrequent publication having always been somewhat unnecessary in any case. Original printed wrappers, 9 1/4" x 6 1/4", 113 pp. + numerous unpaginated photographic plates, features and ads - including two very precious shots which are the first published Ansel Adams photographs. Buff stapled wraps, Very Good or better, and internally fine, of course. Circuit binding (yapp binding) was used, in which cover edges were intentionally extended out beyond page edges, but over time the extended part becomes pressed inward somewhat (see third scan for the unusual degree of this is this issue). A handsome copy. See scans. Binding sturdy, contents fine. See scan of contents page for the lineup of impassioned club writers and their always engaging and adventurous topics. In addition to the two early and memorable Ansel Adams shots mentioned above, this issue is chock full of photographic plates by the club's best photographers, as well as others, including Ansel E. Adams, Marion Randall Parsons, Ray J. Baker, C.S. Carlsmith, Walter L. Huber, J.N. LeConte, E.A. Hornuth, C.S. Tappaan, Ansel F. Hall, W.B. Putnam, Chester Versteeg, George J. Young, Harold C. Bradley, Howard C. Tibbitts, and George L. Beam, as well as several uncredited artists. SC2. Ansel E. Adams, Marion Randall Parsons, Ray J. Baker, C.S. Carlsmith, Walter L. Huber, J.N. LeConte, E.A. Hornuth, C.S. Tappaan, Ansel F. Hall, W.B. Putnam, Chester Versteeg, George J. Young, Harold C. Bradley, Howard C. Tibbitts, George L. Beam (illustratore).…

Soft cover. Condizione: Very Good. 1st Edition. New York: The Masses Publishing Company, 1915. The June, 1915 issue (Volume VI, Number 9, whole number 49). Large Folio, illustrated stapled wraps, 27 pp. Very Good by any periodical standard; as the very inexpensively-produced budget-of-the-heart icon The Masses was, this example is certainly better than very good, by its own standard. Light crease the vertical length of cover; small nicks at front cover perimeter; larger chip at rear cover, lower left; modest toning to the remarkably healthy contents. See scans. Certainly one of the most seminal socio-political American publications of the last 200 years, The Masses was a collection of ideological art, opinion and reporting - usually contributed with little or no compensation - which strongly represented socialist / marxist values, but in a larger sense was representative of labor, women's rights, and radical left issues in general as those were at that time. Famous names of the era often contributed work, but the names of the regulars are themselves all now in history books. The now-timeless publication was shut down by the U.S. Government in 1918 on the basis of postal regulations, after two intense and ideologically-charged trials. Eastman and his sister, Crystal, then started The Liberator to carry on; after The Liberator closed its doors in 1926, The New Masses, under the primary leadership of Mike Gold, carried the radical flag. The Masses, as the first, is also the rarest. Text contributors to this issue of June, 1915 included Eastman, Carl Sandburg, Howard Brubaker, Harris Merton Lyon, Louis Untermeyer, Edmond McKenna, Elsie Clews Parsons, Frank Tanenbaum, Robert Carlton Brown, W.J. Robinson, Charles Grey, and Florence Kiper Frank. Art was contributed by Frank Walts, John Sloan, Art Young, Glenn O. Coleman, Stuart Davis, Cornelia Barns, Randall Davey, George Bellows, Maurice Becker, A. Londoner, Elias Goldberg, and Eugene Higgins, with Walts executing the front cover, and Davis the rear cover. Check out all of those names. An extraordinarily rare piece of American publishing and political history. l-lng2. Frank Walts, John Sloan, Art Young, Glenn O. Coleman, Stuart Davis, Cornelia Barns, Randall Davey, George Bellows, Maurice Becker, A. Londoner, Elias Goldberg, Eugene Higgins (illustratore).…