Lingua: Inglese
Editore: New York, ICP International Center of Photography / Göttingen, Steidl (2010), 2010
Da: Antiquariat an der Stiftskirche, Bad Waldsee, Germania
EUR 150,00
Quantità: 1 disponibili
Aggiungi al carrello1. ed., 2 vol, 4° (30x25), 160; 431 p., publisher's pictorial softcover, tight and clean, well cared, * * * due to EPR-Restrictions NO SHIPPING to Bulgaria, Danmark, Greece, Luxembourg, Poland, Romania, Sweden, Slovakia and Spain * * *.
EUR 35,94
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Comme neuf. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.
Lingua: Francese
Editore: Musee departemental de l'Arles antique, International center of photography, New York, N.Y.- Actes Sud, Arles 2011, 2011
ISBN 10: 2742797955 ISBN 13: 9782742797950
Da: Books+, Saint Maurice, Francia
EUR 570,00
Quantità: 1 disponibili
Aggiungi al carrello2 volumes In-4, 31 cm, 159-431pp., illustr., nombreuses photos, ensemble sous etui cart. souple de l'editeur, petites marques d'usage sur l'emboitage, Nb-0385, 4 500 negatifs d'images de la guerre civile espagnole, prises entre 1936 et 1939 par Robert Capa , David Seymour dit Chim et Gerda Taro, compagne de Capa, tragiquement disparue en 1937 pendant la bataille de Brunete,
Editore: Regards, 1936
Da: Librairie Sedon, Rochefort, Francia
Rivista / Giornale
EUR 150,00
Quantità: 1 disponibili
Aggiungi al carrelloCouverture souple. Condizione: Bon. Paris, Regards , 1936-37, numéros 104 (janvier 1937), 138, 139, 147, 148, 152, 154, 162, 163, 181, 187, 190 et 217. Agrafés, 27 cm x 37 cm, 24 pages, nombreuses photos noir et blanc ou sépia in et hors-texte. Photos de Chim (David Seymour), Henri Cartier (Cartier-Bresson), Gerda Taro et Robert Capa (signées Capa) consacrées à la guerre d'Espagne; à partir de juillet 1937( mort de Gerda Taro), Capa seul, . Textes de Jean Lurçat, Aragon, Ilya Ehrenbourg, Paul Nizan, Tristan Tzara, Arthur Koestler (son arrestation), J.-E. Pouterman, Bon état.
Editore: ICP / Steidl, 2010
Da: Studio Books, Thornwood, NY, U.S.A.
Prima edizione
Paperback. Condizione: Fine. First Edition, First Printing. New York, ICP International Center of Photography / Göttingen, Steidl, (2010).2 softcover volumes housed in thin paper slipcase. First Edition. Vol 1 with 192 pages. Vol 2 with 400 pages. With essays by David Balsells, Simon Dell, Kristen Lubben, Michel Lefebvre and Bernard Lebrun, Paul Preston, Brian Wallis, and Cynthia Young. Text in English. "In late December 2007, three small cardboard boxes arrived at the International Center of Photography from Mexico City after a long and mysterious journey. These tattered boxes the so-called Mexican Suitcase contained the legendary Spanish Civil War negatives of Robert Capa, Gerda Taro, and David Seymour (known as "Chim"). Rumors had circulated for years of the survival of the negatives, which had disappeared from Capa's Paris studio at the beginning of World War II. Together, these roles of film constitute an inestimable record of photographic innovation and war photography, but also of the great political struggle to determine the course of Spanish history and to turn back the expansion of global fascism. BOOK CONDITION: Fine (the set) in a Near Fine slipcase showing slight splitting at paper corners.
Editore: Barcelona Industries Grafiques Seix I Barral for Edicionnes del Comissariat de Propaganda de Catalunia February, 1937
Da: Shapero Rare Books, London, Regno Unito
Prima edizione
EUR 2.949,00
Quantità: 1 disponibili
Aggiungi al carrelloFirst edition; (299 x 234 mm, 11¾ x 9¼ in); 97 black & white photographs, 3 black & white and colour photomontages, text in Catalan, Spanish, French, and English; side-stitched adhesive-bound photomontage-illustrated wrappers, light wear to edges and extremities, two pieces of ephemera relating to the Spanish Pavilion at the 1937 Exposition Internationale de Paris, an excellent copy; [96]pp. This publication includes photographs by David 'Chim' Seymour, Gerda Taro, and Robert Capa, which document the three-year siege of Madrid, portraying the destruction wrought on the city and its people and the subsequent exodus from Madrid to Catalonia. The final section, comprising photographs of shell damage and human casualties, is entitled 'Barcelona also'. It ends with a large red question mark. The photomontages and layout are by Catalan photographer Josep Sala, known for his modernist advertising photomontages. The Photobook: A History III, p19; Guerra Grafica: Espana 1936-1939 pp210-11.