robert douglas director (44 risultati)

Vintage studio still photograph from the 1952 film, showing actors Blanche Yurka, Cornel Wilde, Alan Hale Jr., and Dan O'Herlihy. Loosely based on Alexandre Dumas' 1844 novel, following the adventures of the children of the original Three Musketeers. Set in France. 10 x 8 inches. Near Fine.

Vintage studio still photograph from the 1967 film. Based on the A.B. Guthrie Jr's Pulitzer Prize winning novel of the same name. Based on the 1949 novel by A.B. Guthrie, Jr., about a former senator who leads a wagon train along the Oregon Trail. William Tadlock (Douglas) leads settles to Oregon, but his leadership gets the best of him, and his followers dissent. Shot on location in Arizona and Oregon. 8 x 10 inches. Near Fine.

Four vintage studio still photographs from the 1979 film. A Western comedy about a crooked outlaw hired to rob the lovely "Charming Jones" (Ann-Margret) and her companion, "Handsome Stranger" (Schwarzenegger). The duo is accosted by the outlaw, and Jones turns her romantic sights from the indifferent Handsome Stranger to the bad-boy con man. Shot on location in Arizona and Utah. 8 x 10 inches. Near Fine.

Two vintage full-color studio still photographs from the 1976 film. Robert Culp plays a man with a perfect life until his wife and children are kidnapped by terrorists. James Coburn plays the ex-husband who hires professional hang gliders to help rescue the wife and kids from the terrorist's mountaintop lair. 8 x 10 inches. Light creases to the extremities, else Near Fine.

Collection of 3 vintage full-color British front-of-house card from the 1962 UK film. A gang of crooks decide to plan a robbery, and find themselves using a fire engine as a getaway vehicle. 8 x 10 inches. Very Good plus, with faint dampstains overall, and light creases.

Paperback. Condizione: New.

Vintage borderless satin-finish publicity photograph from the 1946 film noir, showing Van Heflin. A drifter returns to his childhood home, stirring up buried secrets and forgotten passions in the process. Nominated for the Palme d'Or. 8 x 10 inches. Fine. Grant US. Selby US Canon. Silver and Ward US. Spicer US.

Vintage studio still photograph of actor and pop icon Elvis Presley from the 1960 film. Presley's first film after returning home from active duty. Song highlights include "Wooden Heart," "Blue Suede Shoes," and the title number. The spectacular box-office performance proved that Elvis' popularity had not only survived his Army tenure, but had actually increased. A soldier stationed in Germany manages to produce a large stage show for his fellow troops. He also bets than he can nab the "ice princess" entertainer. Set in Germany, and shot there on location. 8 x 10 inches. Very Good plus, with pinholes at the corners. Hirschhorn, p. 371.

Final Draft script for Season 2 Episode 14 of the 1972-1977 television series. Based on characters that originally appeared in Carolyn Weston's 1972 detective novel "Poor, Poor Ophelia," the series followed two homicide detectives in San Francisco. In this episode, a young woman who has just given birth is told that her child was stillborn, but suspects that the baby has been stolen as part of a black-market adoption ring. Originally aired on ABC on December 20, 1973. Green pictorial titled wrappers, dated May 25, 1973, and noted as Final Draft on the front wrapper, noted as production No. 5003. Title page present, dated May 25, 1973, and noted as Final Draft on the front wrapper, noted as production No. 5003, with credit for screenwriter Jerome Coopersmith.

Three vintage studio still photographs from the set of the 1963 film. Based on Philip MacDonald's 1959 novel. A star-studded film about a former intelligence officer who receives a list of eleven names, all people who have died under mysterious circumstances. Set in London, shot on location in Ireland and England. 8 x 10 inches. Near Fine.

Five vintage full-color still photographs from the 1961 UK release of the 1961 US film. Based on Howard Rigsby's novel, "Sundown at Crazy Horse," about a cowboy who, on the lam from the law, travels to visit an old flame in Mexico, only to find her married to a drunk. Screenwriter Dalton Trumbo was also at work writing the script for Otto Preminger's "Exodus" while he wrote for this film. A story set and shot on location in Mexico. 8 x 10 inches. Faint creases overall, else Near Fine.

Softcover, staple-bound program guide, 16 pages; very good condition; light rubbing to covers; 1-inch tear to bottom edge of rear cover; no internal marks. Laid in is folded sheet printed 1 side only, a handout from the exhibition, The Avant-Garde in Russia 1910-1930 New Perspectives with quotes by Russian artists.

Final Draft script for the 1980 film. With a single manuscript pencil annotation to the title page noting a telephone number. Based on Alistair MacLean's novel, which was written deliberately for adaptation to film, wherein a criminal mastermind plots to blow up the Eiffel Tower and murder the US President's mother unless his ransom demands are met. Set and shot on location in Paris. Blue non-standard titled wrappers with credits for novelist Alistair MacLean on the front wrapper. Title page present, dated August 27, 1979, noted as Final Draft, with credits for novelist Alistair MacLean and screenwriter Robert Carrington. 99 leaves, with last page of text numbered 97. Xerographic duplication, rectos only. Pages Very Good plus, wrapper Very Good. with a few small splashes and rust marks on the front wrapper, bound with three gold brads.

Vintage black-and-white studio still contact sheet from the 1967 film, dated 8/4/66 at the right margin. Featuring twelve on-the-set still negative shots, showing wagons and cattle, and one showing members of the crew during filming. Based on the 1949 novel by A.B. Guthrie, Jr., about a former senator who leads a wagon train along the Oregon Trail. William Tadlock (Douglas) leads settles to Oregon, but his leadership gets the best of him, and his followers dissent. Shot on location in Arizona and Oregon. 8 x 10 inches. Very Good plus, with creases at the edges. Hardy, The Western, p. 306. Pitts 4800.

Final Draft script for the first episode of the first season of the 1977 ABC television series, which aired on May 5, 1977. The series, about an android cop, Haven, who is assigned to work with two veteran patrol officers (Ernest Borgnine and John Amos), was created by Allen S. Epstein and Anthony Wilson, and was based on a made-for-television film of the same name which premiered a year earlier on May 1, 1976. The series predated the Paul Verhoeven's 1987 classic "Robocop" by a decade, and only lasted for one five-episode season before ending on April 30, 1977. In this episode Haven attempts to infiltrate a crooked boxing ring by posing as an Irish boxer. Set in and shot on location in Los Angeles. Yellow titled wrappers. Title page present, dated January 14, 1977, noted as FINAL DRAFT, with credits for screenwriter Mann Rubin. 65 leaves, with last page of text numbered 60. Mimeograph duplication on pink leaves, rectos only, with yellow and green revision pages throughout, dated 1/18/77 and 1/19/77. Pages Near Fine, wrapper Very Good plus, with foxing at the extremities, bound with two gold brads.

Draft script for the 1988 film, here under the working title "Death Squad." A special forces combat unit is dispatched to protect the leader of a Middle Eastern country from a neighboring dictator. Black titled wrappers. Title page present, dated 8/8/84, with credits for screenwriters Sandra K. Bailey, Douglas Borton. 106 leaves, mechanical duplication, with last page of text numbered 103. Pages near Fine, wrapper Near Fine with light rubbing on the front wrapper, internally bound with three gold brads.

Second Draft script for the 1984 television movie, originally aired on CBS on January 31, 1984. Based on Robert Louis Stevenson's 1889 novel, about two Scottish noble brothers who are torn apart by the Jacobite rising of 1745. Actor John Gielgud was nominated for an Emmy for Best Supporting Actor in a Limited Series or Special. Blue untitled wrappers. Title page present, dated September 7, 1982, noted as SECOND DRAFT and production No. 181005, with credit for screenwriter William Bast. 165 leaves, with last page of text numbered 164. Xerographic duplication, rectos only. Pages Near Fine, wrapper about Near Fine, bound internally with a silver prong.

Draft script for the 1959 film, two fascinating test shot photographs, and a series of clippings from the Bloomington Indiana Herald featuring stories about the film, an advertisement, and an article about Denny Miller. A remake of the 1932 film of the same name, with lots of stock footage and a soundtrack by Shorty Rogers. Set in Africa, shot on location in California. Gold titled wrappers, rubber-stamped production No. 138, with credits for producer Al Zimbalist, director Joseph Newman, and screenwriter Robert Hill. 112 leaves, with last page of text numbered 110. Mechanical duplication, with blue, gray revision pages throughout, dated variously between 2-9-59 and 3-12-59, all other pages are eye rest green and dated between 1-22-59 and 2-4-59. Pages Fine, wrapper Near Fine, bound with three gold brads.

Revised Draft script for the 1963 film. Copy belonging to uncredited cast or crew member "Brokaw," with that name in manuscript pencil on the front wrapper, and marginal annotations throughout in manuscript ink. Shooting schedules bound in. Included is a vintage production photograph of Kirk Douglas from the film. Based on Vahe Katcha's 1957 novel, "L'hamecon." During the Korean War, a group of American soldiers capture an enemy pilot, and orders are to execute the prisoner. Sgt. P.J. Briscoe (Douglas) orders his men to kill the prisoner, but their reluctance forms a wedge in their allegiance. Shot on location in the Catalina Harbor. Goldenrod titled wrappers, noted as COMPLETE on the front wrapper, rubber-stamped copy No. 63, dated May 1, 1962, with a credit for screenwriter Denker. Title page integral with front wrapper. 165 leaves, with last page of text numbered "133-137," followed by 24 leaves bound upside down. Mimeograph duplication, with white, pink, yellow, gray, green, and blue revision pages throughout, dated variously between 4/19/62 and 5/11/62. Pages Near Fine, wrapper Very Good plus, bound with three gold brads. Davenport, p. 171.

Draft script for the 1964 British film, copy belonging to Art Director George Provis, with his name and the date "8th May 1964" written on the front wrapper. George Provis was a British Art Director and Production Designer who began his career working on quota quickies (low budget features made to comply with Britain's Cinematograph Films Act of 1927) in the 1930s. After the Second World War, Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures, and is credited on over 120 films. Leslie Nielsen stars as a former OSS officer living in London who travels to Paris, disguised as a photographer's assistant, in order to deliver a secret tape reel after a former colleague with a decoy of the tape is killed. Shot on location in London. Yellow titled wrappers. Title page present. 84 leaves, with last page of text numbered 88. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with two flat metal brads.

Revised Final Draft script for the 1983 film. A group of researchers create a method of entering human minds, allowing the scientists to play back recordings of what the subject was feeling, seeing, and thinking at any given moment. The project quickly lends itself to predatory behavior, however, and the laboratory begins fighting off government interference. Shot on location throughout North Carolina, in Durham, Outer Banks, Pinehurst, and Raleigh, and in San Francisco. Goldenrod titled MGM wrappers, dated September 18, 1981, and noted as REVISED FINAL DRAFT on the front wrapper, stamped copy No. 16, with credits for screenwriter Robert Stitzel and director Douglas Trumbull. Title page present, dated September 18, 1981, noted as Revised Final Draft, with credit for Stitzel. 136 leaves, with last page of text numbered 135. Xerographic duplication, rectos only. Pages about Near Fine, wrapper Near Fine, bound with three gold brads.

Estimating Script for the 1970 film, seen here under the working title "The Prison Story." Included is a vintage reference photograph from the film. The leader of a band of outlaws steals $500,000, but not before many in the gang are shot dead. Before he is arrested, he hides the loot in women's underwear and drops it into a pit, using the promised loot to bribe his fellow inmates into helping him escape from prison. Screenwriting duo David Newman and Robert Benton shared many of their first films together as cowriters, including "Bonnie and Clyde" (1967), "What's Up Doc" (1972), and "Superman" (1978). Set in Arizona, shot on location in California and New Mexico. Tan titled wrappers, noted as ESTIMATING SCRIPT on the front wrapper, rubber-stamped copy No. 166, dated July 23, 1968. Distribution page present, with receipt intact. Title page present, dated July 23, 1968, with credits for screenwriters Newman and Benton. 167 leaves, with last page of text numbered 162. Mimeograph duplication on yellow stock, rectos only. Pages and wrapper Near Fine, bound internally with three gold brads. In a custom green quarter-leather clamshell box. Pitts 4330.

Master Draft script for the 2000 film, preceding the film's release by three years. Notations on the front wrapper in manuscript pencil. Based on Chabon's 1995 novel. Professor Grady Tripp (Douglas) teaches creative writing in Pittsburgh, struggles writing his second novel, and smokes marijuana in his free time. His wife has left him, and he is having an affair with the Chancellor of the university (McDormand). Grady's editor (Downey, Jr.) inquires about the novel, but becomes interested in a book by one of Grady's students (Maguire), as well as having other, more intimate intentions. Shot on location throughout Pennsylvania. Bob Dylan won an Academy Award for his original song, "Things Have Changed," and the film was nominated for two more. Blue wrappers, noted as MASTER W/ SCENE NUMBERS on the front wrapper. Title page present, dated December 1997, with credits for novelist Chabon and screenwriter Kloves. 129 leaves, with last page of text numbered 128. Xerographically reproduced. Pages Near Fine, wrapper Very Good plus, bound with two gold brads.

Production script for the 1980 film, created for internal use just prior to the commencement of shooting, with Lorimar Studios wrappers, but also with copied punch holes throughout (see images). Annotation in manuscript ink on the title page, noting copy No. 22. Laid in with the script is a three-page synopsis (internal, reading "NOT FOR PUBLICATION"), with an annotation in manuscript ink on the first page, noting "File." Based on the 1970 novel by screenwriter Jerzy Kosinski. Peter Sellers' final film, and the last unqualified success of director Hal Ashby's all too brief career. Winner of an Academy Award for Best Supporting Actor for Melvyn Douglas, with Sellers receiving a Best Actor nomination. White generic Lorimar wrappers. Title page present, dated January 10, 1979, with credits for Kosinski and screenwriter Robert C. Jones. 107 leaves, with last page of text numbered 106. Xerographic duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound internally with two gold brads. National Film Registry. Criterion Collection 864. Ebert II.

Revised Draft script for the 1993 film. Copy belonging to an unidentified crew member, with their annotations in manuscript ink throughout, relating to sound. A middle-aged white man breaks with reality after a series of minor inconveniences, causing him to violently lash out against the people he encounters while walking through Los Angeles to his daughter's birthday party. Self wrappers. Title page present, dated February 18, 1992, noted as Rev., with credit for screenwriter Ebbe Roe Smith. 133 leaves, with last page of text numbered 122. Xerographic duplication, rectos only, with white revision pages throughout, dated variously between 3/2/92 and 3/17/92. Pages Near Fine, bound with two gold brads.

Final script for the 1962 film. Early draft, preceding the film's release by five years, credited to screenwriter Robert Rossen. Rossen was ultimately uncredited in the film, but was involved in this early stage of the script's development. Based on Louis O. Coxe and Robert H. Chapman's 1949 play, which was based in turn on Herman Melville's 1924 novella. A seaman's innocence and natural beauty wins him the affection of the entire crew except the abusive master-at-arms, who eventually wrongly accuses the seaman of conspiracy to mutiny. The feature film debut of Terence Stamp, who was nominated for a Best Supporting Actor Academy Award for his performance. Yellow titled wrappers, noted as FINAL SCREENPLAY and dated October 15, 1957, with credit for screenwriter Robert Rossen. 122 leaves, with last page of text numbered 122. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with three gold brads.

First Draft script for the 1962 film. Based on Louis O. Coxe and Robert H. Chapman's 1949 play, which was based in turn on Herman Melville's 1924 novella. A seaman's innocence and optimism win him the affection of the entire crew except the abusive master-at-arms, who eventually wrongly accuses the seaman of conspiracy to mutiny. The feature film debut of Terence Stamp, who was nominated for a Best Supporting Actor Academy Award for his performance. Yellow wrappers with a die-cut title window in the British style. Title page present, dated March 21, 1961, noted as FIRST DRAFT, with credit for screenwriter Peter Ustinov. 127 leaves, with last page of text numbered 123. Mimeograph duplication, rectos only, with pink and blue revision pages throughout, dated variously between May 5 and August 22, 1961. Title page lightly toned, else pages Near Fine, wrapper about Near Fine, bound internally with three silver brads.

Post-production script for the 1935 film. Incomplete as issued. With manuscript pencil annotations throughout, most of which substantive in nature. Included with the script are several sets of paper clipped revision pages, two inserted in sequence within the script, and six laid in, as well as two typed letters regarding uncredited screenwriter Finley Peter Dunne's attempts to receive screenwriting credit for the film. Missing two pages, likely as used or issued. Based on the 1929 novel by Lloyd C. Douglas. A reckless millionaire's life is saved with the use of a hospital's sole resuscitator, resulting in the death of a selfless, philanthropic surgeon who needed the device at the same time to survive. Through his growing relationship with the surgeon's widow, the millionaire learns kindness and generosity. Remade in 1954 by Douglas Sirk, starring Rock Hudson and Jane Wyman. Self wrappers. Title page integral with front wrapper, dated JUNE 11th, 1935, rubber-stamped copy No. 14, with credits for director JOHN M. STAHL and novelist LLOYD DOUGLAS. Approximately 110 leaves. Mimeograph duplication on blue stock, rectos only. Pages Very Good plus, with the first and last leaves separated from the binding, bound with two gold brads. Criterion Collection 457.

Final Draft script for the 1939 film. INSCRIBED in manuscript ink on an inset page preceding the script by actor Gene Reynolds, who played a young Douglas Corrigan in the movie: "For Art / From Corrigan-as-a-boy / Gene Reynolds / Mar - 71." With blue and white revisions pages (including some detail for montage sequences). Copy originally belonging, to an unidentified cast or crew member "(Mr. Starkey"), with that persons' manuscript pencil annotations throughout. Based on the true story of Douglas "Wrong Way" Corrigan, an aviator who "accidentally" flies to Dublin, Ireland. Corrigan plays himself, a man hell-bent on becoming a pilot by any means necessary, cobbling together a single-engine, one-passenger plane with a door held shut with baling wire. When his plane is understandably grounded for being too dangerous, he appeals for, and is eventually given, a temporary license to fly his plane west to Long Beach, California. Instead, determined to prove his reputation through feats of aviation, he reroutes in-air and makes a 28-hour flight to Ireland-facetiously insisting, upon landing, that he thought he was flying to California. Shot on location in California. Housed in green 1970s standard card report wrappers, with titled label attached. Title page present, dated NOVEMBER 12, 1938, stamped as FINAL SCRIPT, with credits for screenwriters Ernest Pagano and Dalton Trumbo. 145 leaves, with last page of text numbered 139. Mimeograph duplication, rectos only, with blue revision pages throughout, dated variously between 11/14/38 and 11/23/38. Pages Very Good plus, with some minor tearing and fading, lacking original wrapper, bound internally with silver prong binding.

Original Pressbook for the 1948 film. Based on an original story by Harry Lewis, about an innocent man (Douglas) who gets attacked in the street, mistaken for a gangster, so he conducts his own investigation. 8 pages, saddle stapled, 12 x 18 inches. Staples rusty, a few faint creases, and slight curling, else Near Fine. Grant US. Okuda 583. Selby US. Spicer, p .412.