robert e haywood (36 risultati)

hardcover. Condizione: Very Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

hardcover. Condizione: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

hardcover. Condizione: New. Brand New.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condizione: New. This new interpretation of the structure and meaning of the Happenings produced by Allan Kaprow (1927-2006) and Claes Oldenburg (b. 1929) in the late 1950s and 1960s sheds light on the context, theoretical framework, and working practice unique to this groundbreaking artistic form. Drawing on extensive archival research and including never-before-published drawings by Oldenburg, Robert E. Haywood describes the dialogue - at times contentious - between these two artists about the direction of the Happenings and modern art in general. Through a comprehensive analysis of these often overlooked works, it becomes clear that the Happenings--born in the midst of Cold War tensions and an increased uneasiness with the direction society was taking--challenged the traditional definitions of art in innovative new ways and were a critical component in the development of the art of the 20th century. BEAUTIFUL COPY!!!

Condizione: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st. viii, 212 pages, illustrations (some colour); 27 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. Profusely illustrated. *** "This new interpretation of the structure and meaning of the Happenings produced by Allan Kaprow (1927-2006) and Claes Oldenburg (b. 1929) in the late 1950s and 1960s sheds light on the context, theoretical framework, and working practice unique to this groundbreaking artistic form. Drawing on extensive archival research and including never-before-published drawings by Oldenburg, Robert E. Haywood describes the dialogue - at times contentious - between these two artists about the direction of the Happenings and modern art in general. Through a comprehensive analysis of these often overlooked works, it becomes clear that the Happenings - born in the midst of Cold War tensions and an increased uneasiness with the direction society was taking - challenged the traditional definitions of art in innovative new ways and were a critical component in the development of the art of the 20th century." - Publisher. *** CONTENTS: Introduction; Learning to think like a Modernist; Reinventing the world: Claes Oldenburg's Ray Gun spex; How to make a happening; Sexuality and the state: Claes Oldenburg's gravity; "dump truck=anus"; Death in the museum; Placid civic monument; Conclusion: an ending and a continuing. Size: 4to. Collectible.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Illustrated. Minor shelf wear. Else a bright, clean copy. This new interpretation of the structure and meaning of the Happenings produced by Allan Kaprow (1927-2006) and Claes Oldenburg (b. 1929) in the late 1950s and 1960s sheds light on the context, theoretical framework, and working practice unique to this groundbreaking artistic form. Drawing on extensive archival research and including never-before-published drawings by Oldenburg, Robert E. Haywood describes the dialogue - at times contentious - between these two artists about the direction of the Happenings and modern art in general. Through a comprehensive analysis of these often overlooked works, it becomes clear that the Happenings--born in the midst of Cold War tensions and an increased uneasiness with the direction society was taking--challenged the traditional definitions of art in innovative new ways and were a critical component in the development of the art of the 20th century.

Hardcover. Condizione: Used-Very Good. Cloth, d.j. Some shelf-wear. Else clean copy.

paperback. Condizione: Good. Ex-art museum library paperback book with library sticker on back and side. Cover is white and in good condition. Spine is tight. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

paperback. Condizione: Good. Condizione sovraccoperta: Acceptable. Softbound book with shelfwear and medium soiling to all edges of text block. Pages are clean and securely bound; spine is uncreased. Paper cover is heavily worn at all edges; front wrap has a light dogear to bottom leading corner. xv, 156p.

Hardcover. Condizione: Very Good. Hardback. Very good condition. Unused shop stock. RB. Used.

Condizione: as new. New Haven : Yale University Press, 2017. Hardcover. Dustjacket. viii,212 pp. 28 cm. Ills. - This new interpretation of the structure and meaning of the Happenings produced by Allan Kaprow (1927-2006) and Claes Oldenburg (b. 1929) in the late 1950s and 1960s sheds light on the context, theoretical framework, and working practice unique to this groundbreaking artistic form. Drawing on extensive archival research and including never-before-published drawings by Oldenburg, Robert E. Haywood describes the dialogue - at times contentious - between these two artists about the direction of the Happenings and modern art in general. Through a comprehensive analysis of these often overlooked works, it becomes clear that the Happenings - born in the midst of Cold War tensions and an increased uneasiness with the direction society was taking - challenged the traditional definitions of art in innovative new ways and were a critical component in the development of the art of the 20th century. Condition : as new copy. ISBN 9780300222609. Keywords : ART, expressionism, abstract.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. Num Pages: 224 pages, 135 color + b/w illus. BIC Classification: 1KBB; ACXJ; ACXJ5; AFKP; HBJK; HBLW. Category: (P) Professional & Vocational. Dimension: 267 x 216. . . 2017. Hardcover. . . . .

Condizione: New. pp. 272.

Hardback. Condizione: New. This new interpretation of the structure and meaning of the Happenings produced by Allan Kaprow (1927-2006) and Claes Oldenburg (b. 1929) in the late 1950s and 1960s sheds light on the context, theoretical framework, and working practice unique to this groundbreaking artistic form. Drawing on extensive archival research and including never-before-published drawings by Oldenburg, Robert E. Haywood describes the dialogue - at times contentious - between these two artists about the direction of the Happenings and modern art in general. Through a comprehensive analysis of these often overlooked works, it becomes clear that the Happenings-born in the midst of Cold War tensions and an increased uneasiness with the direction society was taking-challenged the traditional definitions of art in innovative new ways and were a critical component in the development of the art of the 20th century.

Condizione: new.

hardcover. Condizione: New.

Condizione: New. Num Pages: 224 pages, 135 color + b/w illus. BIC Classification: 1KBB; ACXJ; ACXJ5; AFKP; HBJK; HBLW. Category: (P) Professional & Vocational. Dimension: 267 x 216. . . 2017. Hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Condizione: new. Hardcover. This new interpretation of the structure and meaning of the Happenings produced by Allan Kaprow (19272006) and Claes Oldenburg (b. 1929) in the late 1950s and 1960s sheds light on the context, theoretical framework, and working practice unique to this groundbreaking artistic form. Drawing on extensive archival research and including never-before-published drawings by Oldenburg, Robert E. Haywood describes the dialogue at times contentious between these two artists about the direction of the Happenings and modern art in general. Through a comprehensive analysis of these often overlooked works, it becomes clear that the Happeningsborn in the midst of Cold War tensions and an increased uneasiness with the direction society was takingchallenged the traditional definitions of art in innovative new ways and were a critical component in the development of the art of the 20th century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: Brand New. 272 pages. 11.25x9.25x1.00 inches. In Stock.

Condizione: New. pp. 272.

paperback. Condizione: Like New. Condizione sovraccoperta: Like New. First Paperback Edition. Publisher: Wallach Art Gallery, New York, 1999. FINE SOFTcover book in FINE mylar-protected dust-jacket. First Edition, First Printing. As new. Pristine.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condizione: new. Hardcover. This new interpretation of the structure and meaning of the Happenings produced by Allan Kaprow (19272006) and Claes Oldenburg (b. 1929) in the late 1950s and 1960s sheds light on the context, theoretical framework, and working practice unique to this groundbreaking artistic form. Drawing on extensive archival research and including never-before-published drawings by Oldenburg, Robert E. Haywood describes the dialogue at times contentious between these two artists about the direction of the Happenings and modern art in general. Through a comprehensive analysis of these often overlooked works, it becomes clear that the Happeningsborn in the midst of Cold War tensions and an increased uneasiness with the direction society was takingchallenged the traditional definitions of art in innovative new ways and were a critical component in the development of the art of the 20th century. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardback. Condizione: New. This new interpretation of the structure and meaning of the Happenings produced by Allan Kaprow (1927-2006) and Claes Oldenburg (b. 1929) in the late 1950s and 1960s sheds light on the context, theoretical framework, and working practice unique to this groundbreaking artistic form. Drawing on extensive archival research and including never-before-published drawings by Oldenburg, Robert E. Haywood describes the dialogue - at times contentious - between these two artists about the direction of the Happenings and modern art in general. Through a comprehensive analysis of these often overlooked works, it becomes clear that the Happenings-born in the midst of Cold War tensions and an increased uneasiness with the direction society was taking-challenged the traditional definitions of art in innovative new ways and were a critical component in the development of the art of the 20th century.

Hardcover. Condizione: new. Hardcover. This new interpretation of the structure and meaning of the Happenings produced by Allan Kaprow (19272006) and Claes Oldenburg (b. 1929) in the late 1950s and 1960s sheds light on the context, theoretical framework, and working practice unique to this groundbreaking artistic form. Drawing on extensive archival research and including never-before-published drawings by Oldenburg, Robert E. Haywood describes the dialogue at times contentious between these two artists about the direction of the Happenings and modern art in general. Through a comprehensive analysis of these often overlooked works, it becomes clear that the Happeningsborn in the midst of Cold War tensions and an increased uneasiness with the direction society was takingchallenged the traditional definitions of art in innovative new ways and were a critical component in the development of the art of the 20th century. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Soft cover. Condizione: Good. 8 x 9 1/2 in., 56p., general shelf wear/edge wear, all pages clean/unmarked, binding tight. Published for exhibition of the same name at Brenau University, March 24-May 10, 1994. Features full-color plates of work by asper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, Edward Ruscha, Andy Warhol, and James Rosenquist, and biographical information on each artist.