Robert edmond louis (25 risultati)

Magazine. pp912-993+ads, 8.5x11 inches, illustrated with photos, drawings, cartoons etc., very good in original stapled orange and black wraps. Also: Hamlets. Backstage at the Movies.

Les Armoiries des Communes du Département de Meurthe et Moselle.Tome I. Chefs-Lieux de Cantons.Historique et Compositions graphiques enluminées.In-4 broché ( 280x220 mm ).Planches en couleurs hors-texte. Armoiries Héraldique.

Couverture souple. Condizione: Satisfaisant. PARIS, Éditions J. Ferenczi et fils / Éditions Ferenczi [9, rue Antoine-Chantin /// L'Imprimerie Moderne, Montrouge] - 1951, 1952 - FA.14x10,5 cm - ENSEMBLE DE 21 TITRES - Fascicules en cahiers agrafés; couvertures au premier plat illustré en couleurs par puis G. Sogny, dos blancs titrés et numérotés en rouge; 64 pages. (Collection Le Petit Livre. - Le volume complet). L'ENSEMBLE DES 21 TITRES tel que décrit. Cette série aura 2006 numéros, 1912-1958. N° 1604 - VERTIGE. Roman sentimental inédit [F. Fontal - 2e trimestre 1951 - 15 F - Défraîchi: couverture et papier roussis; ensemble solide et très correct]. *****___***** N° 1605 - QUAND L'AMOUR TRIOMPHE. Roman sentimental inédit [P. Clérouc - 2e trimestre 1951 - 15 F - Défraîchi: couverture et papier roussis; ensemble solide et très correct]. *****___***** N° 1606 - PRINCESSE CHARMANTE. Roman d'amour inédit [C. van Houtte - 2e trimestre 1951 - 15 F - Défraîchi: couverture et papier roussis; ensemble solide et très correct]. *****___***** N° 1608 - LA DERNIÈRE IMPOSTURE. Roman d'amour inédit [J. du Bresis - 2e trimestre 1951 - 18 F - Défraîchi: couverture et papier roussis; ensemble solide et très correct]. *****___***** N° 1609 - DÉFENSE D'AIMER. Roman sentimental inédit [P. Jean - 2e trimestre 1951 - 18 F - Bon état général]. *****___***** N° 1610 - LE MENSONGE DE MARTINE. Roman d'amour inédit [Noris - 2e trimestre 1951 - 18 F - Défraîchi: couverture et papier roussis; ensemble solide et très correct]. *****___***** N° 1618 - VINGT-CINQ ANS APRÈS. Roman sentimental inédit [R. Poupon - 3e trimestre 1951 - 18 F - Bon état général]. *****___***** N° 1619 - LE JOUET DU DESTIN. Roman dramatique inédit [A. d'Ayrolles - 3e trimestre 1951 - 18 F - Bon état général]. *****___***** N° 1621 - MIRAGES. Roman d'amour inédit [L. Delhat - 3e trimestre 1951 - 18 F - Couverture tachée; bon état par ailleurs]. *****___***** N° 1629 - FLEUR BLEUE! Roman d'amour inédit [L. de La Hattais - 4e trimestre 1951 - 18 F - Bon état général]. *****___***** N° 1637 - LE BONHEUR EST ICI. Roman sentimental inédit [L. Gestelys - 4e trimestre 1951 - 20 F - Bon état général]. *****___***** N° 1638 - UN ÉTRANGE MARIAGE. Roman sentimental inédit [M. Allan - 4e trimestre 1951 - 20 F - Défraîchi: ensemble solide et très correct]. *****___***** N° 1640 - COEUR BATTANT. Roman d'amour inédit [P. Merville - 4e trimestre 1951 - 20 F - Bon état général]. *****___***** N° 1643 - FOLIE DE JEUNESSE. Roman sentimental inédit [F. Fontal - 1er trimestre 1952 - 20 F - Bon état général]. *****___***** N° 1645 - AMOUR COUPABLE. Roman d'amour inédit [M. Brémont - 1er trimestre 1952 - 20 F - Couverture défraîchie, tachée; ensemble solide et très correct]. *****___***** N° 1646 - PROMESSE NUPTIALE. Roman d'amour inédit [M. Maurry - 1er trimestre 1952 - 20 F - Bon état]. *****___***** N° 1655 - APRÈS LES TÉNÈBRES. Roman dramatique inédit [J. d'Yvelise - 2e trimestre 1952 - 20 F - Bon état]. *****___***** N° 1658 - LA REVANCHE DE MARTINE. Roman sentimental inédit [M. Maury - 2e trimestre 1952 - 20 F - Dos défraîchi avec petits manques de papier; bon état par ailleurs]. *****___***** N° 1679 - LA BELLE ORGUEILLEUSE. Roman sentimental inédit [A. Claire - 4e trimestre 1952 - 20 F - Marquage au stylo au premier plat; bon état par ailleurs]. *****___***** N° 1691 - HÔTESSE À BORD. Roman sentimental inédit [A. Curtis - 4e trimestre 1952 - 20 F - Dos défraîchi avec petits manques de papier; bon état général]. *****___***** N° 1692 - DOULOUREUX PROBLÈME. Roman dramatique inédit [A. Claire - 4e trimestre 1952 - 20 F - Défraîchi: couverture et papier roussis; ensemble solide et très correct].…

Couverture souple. Condizione: Assez bon. PARIS, Éditions Ferenczi / Éditions J. Ferenczi et fils [9, rue Antoine-Chantin /// L'Imprimerie Moderne, Montrouge] - 1948, 1949, 1950, 1951 - FA.14x10,5 cm - ENSEMBLE DE 21 TITRES + 1 doublon - Fascicules en cahiers agrafés; couvertures au premier plat illustré en couleurs par G. Sogny, dos blancs titrés et numérotés en rouge; 64 pages. (Collection Le Petit Livre. - Le volume complet 12 F, puis 15 F). L'ENSEMBLE DES 21 TITRES + 1 doublon, tel que décrit. Cette série aura 2006 numéros, 1912-1958. N° 1506 - LA COUPABLE. Roman sentimental inédit [J. Lacaze - 4e trimestre 1948 - 12 F - Couverture grisâtre; bon état général]. *****___***** N° 1508 - L'ESCAPADE DE VIVIANE. Roman sentimental inédit [J. Noël - 4e trimestre 1948 - 12 F - 2 exemplaires: bon état pour l'un, couverture défraîchie pour l'autre avec nom manuscrit au titre]. *****___***** N° 1511 - L'ENFANT D'UN SOIR. Roman d'amour inédit [H. Caton - 1er trimestre 1949 - 12 F - Bon état]. *****___***** N° 1512 - LA FORCE DU HASARD. Roman d'amour inédit [A. P. Hot - 1er trimestre 1949 - 12 F - Bon état général]. *****___***** N° 1513 - LINE DES BOIS. Roman d'amour inédit [R. Virard - 1er trimestre 1949 - 12 F - Manque angulaire de papier au 2e plat; bon état par ailleurs]. *****___***** N° 1519 - MAIS L'AMOUR VEILLE. Roman d'amour inédit [J. Delhat - 1er trimestre 1949 - 12 F - Bon état général]. *****___***** N° 1520 - UNE OMBRE ENTRE EUX. Roman sentimental inédit [R. Creed - 1er trimestre 1949 - 12 F - Couverture défraîchie, grisâtre; bon état général]. *****___***** N° 1525 - LA FAUTE D'ANNETTE. Roman sentimental inédit [J. d'Yvelise - 2e trimestre 1949 - 12 F - Bon état général]. *****___***** N° 1527 - VENGEANCE. Roman dramatique inédit [J. du Bresis - 2e trimestre 1949 - 12 F - Couverture grisâtre avec petit manque de papier au dos; bon état par ailleurs]. *****___***** N° 1533 - LA MÉLODIE BRISÉE. Roman d'amour inédit [J. Redanges - 3e trimestre 1949 - 12 F - Bon état]. *****___***** N° 1548 - LE BONHEUR SE MÉRITE. Roman sentimental inédit [E. Valéry - 1er trimestre 1950 - 12 F - Bon état]. *****___***** N° 1551 - L'APPEL DU MAUDIT. Roman sentimental inédit [P. Jean - 1er trimestre 1950 - 12 F - Couverture défraîchie avec manques de papier; bon état par ailleurs]. *****___***** N° 1553 - LE CHANTAGE DU COEUR. Roman sentimental inédit [J. du Bresis - 1er trimestre 1950 - 12 F - Défraîchi avec manques de papier; ensemble solide et très correct]. *****___***** N° 1555 - L'EMPRISE. Roman sentimental inédit [F. Noël - 1er trimestre 1950 - 12 F - Couverture roussie; bon état par ailleurs]. *****___***** N° 1565 - RÉDEMPTION. Roman sentimental inédit [A. Laurent - 3e trimestre 1950 - 12 F - Couverture défraîchie, dos avec manques de papier; ensemble solide et très correct]. *****___***** N° 1568 - LA DISPARUE DU CINÉMA. Roman dramatique inédit [C. Marsèle - 3e trimestre 1950 - 12 F - Couverture roussie, avec petits manques de papier au dos; bon état par ailleurs]. *****___***** N° 1581 - L'AMOUR ET LE DÉSIR. Roman d'amour inédit [J. du Bresis - 4e trimestre 1950 - 12 F - Couverture défraîchie avec manques de papier; bon état par ailleurs]. *****___***** N° 1582 - LE SECRET DE JACQUELINE. Roman sentimental inédit [R. Paul-Noël - 4e trimestre 1950 - 12 F - Petits manques de papier au dos et au 2e plat; bon état par ailleurs]. *****___***** N° 1583 - LETTRE ANONYME. Roman sentimental inédit [M. Brémont - 4e trimestre 1950 - 12 F - Dos défraîchi avec petits manques de papier; bon état par ailleurs]. *****___***** N° 1595 - DEUX COEURS EN ÉQUILIBRE. Roman sentimental [S. Mercey - 1er trimestre 1951 - 15 F - bon état]. *****___***** N° 1599 - LA DOUCEUR DU PARDON. Roman sentimental inédit [F. Noël - 1er trimestre 1951 - 15 F - Bon état].…

Couverture souple. Condizione: Très bon. EDITE A L'OCCASION DE SON JUBILE LITTERAIRE-EXEMPLAIRE N°292 SUR PAPIER DE MADAGASCAR-208 PAGES-13 CM X 20 CM-NON COUPE-LEGERES ROUSSEURS EN PLATS.

soft cover. Condizione: very good. IN-8 broché, 450 pages. Sommaire : Anonymes: Note biographique, Pages 399-399 --- André Waltz: Souvenirs d'un ami d'enfance, Pages 400-416 --- André Lacaze: Souvenirs (1905-1908), Pages 417-427 --- Gabriel Frizeau: Souvenirs sur Jacques Rivière, Pages 428-430 --- A. Lauriol: Septembre 1914, Pages 431-433 --- Jacques Copeau: Souvenirs d'un ami, Pages 434-442 --- A. Mayrisch de Saint-Hubert: Souvenirs, Pages 443-448 --- Marcel Jouhandeau: Jacques Rivière devant la mort, Pages 449-452 --- Paul Valéry: Hommage, Pages 453-454 --- Saint-John Perse: Lettre sur Jacques Rivière, Pages 455-462 --- André Maurois: Comment rattraper., Pages 463-464 --- François Mauriac: Anima naturaliter christiana, Pages 465-468 --- Jacques de Lacretelle: Portrait, Pages 469-473 --- Henri Ghéon: Souvenirs, Pages 474-477 --- Jean Cocteau: Lettre, Pages 478-478 --- Jean Schlumberger: La Sincérité de Jacques Rivière, Pages 479-482 --- Georges Duhamel: Lettre, Pages 483-484 --- Henriette Charasson: Les rendez-vous spirituels, Pages 485-486 --- Benjamin Crémieux: Ce que n'était pas Rivière, Pages 487-496 --- André Gide: Jacques Rivière, Pages 497-502 --- Valery Larbaud: Témoignage, Pages 503-505 --- Jules Romains: Jacques Rivière parmi nous, Pages 506-508 --- Paul Morand: Adieu à Jacques Rivière, Pages 509-510 --- Michel Arnauld: Jacques Rivière et la vocation de sincérité, Pages 511-517 --- Emma Cabire: Deux rencontres, Pages 518-520 --- Guy de Pourtalès: Jacques Rivière, Pages 521-523 --- Henri Deberly: Reconnaissance, Pages 524-526 --- Henri Pourrat: Jacques Rivière, écrivain pur, Pages 527-530 --- Jean Prévost: Jacques Rivière et les jeunes, Pages 531-532 --- Jean Cassou: Péguy et Rivière, Pages 533-535 --- Jean Paulhan: Les espoirs et les projets, Pages 536-540 --- Joseph Delteil: L'homme de barre, Pages 541-542 --- René Boylesve: Hommage, Pages 543-544 --- Jacques Boulenger: Note sur Aimée, Pages 545-547 --- Edmond Jaloux: Jacques Rivière et Marcel Proust, Pages 548-553 --- Robert Honnert: Le Romancier, Pages 554-556 --- Henri Rambaud: De l'esprit d'analyse dans Aimée, Pages 557-561 --- François de Roux: La méthode objective et réaliste de Jacques Rivière, Pages 562-564 --- Gil Robin: Jacques Rivière et la psychiatrie, Pages 565-568 --- Guy Velleroy: Jacques Rivière et la passion de vérité, Pages 569-571 --- Ramon Fernandez: In Memoriam, Pages 572-579 --- Charles Du Bos: Jacques Rivière et la Perfection abstraite, Pages 580-588 --- Louis Artus: Jacques Rivière et La Foi, Pages 589-590 --- Marcel Arland: L'évolution de Jacques Rivière, Pages 591-595 --- Gabriel Marcel: Constantes, Pages 596-602 --- Bernard Groethuysen: Jacques Rivière interprète de Fénelon, Pages 603-610 --- André Lhote: Jacques Rivière critique d'art et ami, Pages 611-617 --- Boris de Schloezer: Jacques Rivière et la musique, Pages 618-629 --- Paul Desjardins: Le bon sens de Jacques Rivière, Pages 630-633 --- Albert Thibaudet: L'Européen, Pages 634-640 --- Alfred Fabre-Luce: Jacques Rivière politique, Pages 641-648 --- Pierre Drieu la Rochelle: Expériences, Pages 649-651 --- Félix Bertaux: Jacques Rivière et l'Allemagne, Pages 652-654 --- Victor Llona: Jacques Rivière et les littératures étrangères, Pages 655-656 --- Thomas Stearns Eliot: Rencontre, Pages 657-658 --- Dorothy Strachey Bussy: Souvenir, Pages 659-660 --- Harrison: Le Roman d'Aventure, Pages 661-664 --- Stephen Hudson: Lettre, Pages 665-666 --- Waldo Frank: L'artiste en Jacques Rivière, Pages 667-669 --- Ellen Fitzgerald: Hommage, Pages 670-671 --- Hugo von Hofmannsthal: Hommage, Pages 672-673 --- Léon Chestov: Dernier salut, Pages 674-678 --- Emilio Cecchi: Esprit de finesse, Pages 679-682 --- Giuseppe Ungaretti: Gratitude, Pages 683-685 --- W. Schuermans: L'esprit clinique de Jacques Rivière, Pages 686-687 --- Franz Hellens: Impressions sur Jacques Rivière, Pages 688-690 --- Paul Fierens: Jacques Rivière et la Belgique, Pages 691-692. …

Hardcover. Condizione: Very Good. No Dust Jacket. Copyright page has "GD" collophon and the letter "B". Green cloth. 12 tipped-in Dulac plates. I believe the publishing date to be circa 1927 although there is a gift inscription dated 1938 on the half-title. Cover shows light wear.; Small 4to 9" - 11" tall; 287 pages. …

Soft cover. Condizione: Very Good. 1st Edition. New York: The Masses Publishing Company, 1915. The June, 1915 issue (Volume VI, Number 9, whole number 49). Large Folio, illustrated stapled wraps, 27 pp. Very Good by any periodical standard; as the very inexpensively-produced budget-of-the-heart icon The Masses was, this example is certainly better than very good, by its own standard. Light crease the vertical length of cover; small nicks at front cover perimeter; larger chip at rear cover, lower left; modest toning to the remarkably healthy contents. See scans. Certainly one of the most seminal socio-political American publications of the last 200 years, The Masses was a collection of ideological art, opinion and reporting - usually contributed with little or no compensation - which strongly represented socialist / marxist values, but in a larger sense was representative of labor, women's rights, and radical left issues in general as those were at that time. Famous names of the era often contributed work, but the names of the regulars are themselves all now in history books. The now-timeless publication was shut down by the U.S. Government in 1918 on the basis of postal regulations, after two intense and ideologically-charged trials. Eastman and his sister, Crystal, then started The Liberator to carry on; after The Liberator closed its doors in 1926, The New Masses, under the primary leadership of Mike Gold, carried the radical flag. The Masses, as the first, is also the rarest. Text contributors to this issue of June, 1915 included Eastman, Carl Sandburg, Howard Brubaker, Harris Merton Lyon, Louis Untermeyer, Edmond McKenna, Elsie Clews Parsons, Frank Tanenbaum, Robert Carlton Brown, W.J. Robinson, Charles Grey, and Florence Kiper Frank. Art was contributed by Frank Walts, John Sloan, Art Young, Glenn O. Coleman, Stuart Davis, Cornelia Barns, Randall Davey, George Bellows, Maurice Becker, A. Londoner, Elias Goldberg, and Eugene Higgins, with Walts executing the front cover, and Davis the rear cover. Check out all of those names. An extraordinarily rare piece of American publishing and political history. l-lng2. Frank Walts, John Sloan, Art Young, Glenn O. Coleman, Stuart Davis, Cornelia Barns, Randall Davey, George Bellows, Maurice Becker, A. Londoner, Elias Goldberg, Eugene Higgins (illustratore).…

[7227].

BREST, C.R.B.C. - BREST, Centre de Recherche bretonne et celtique - 1987- E.O. - in-8, 16 x 23,5 cm - broché, sous jaquette illustrée - 490 pages - comme neuf - 490 pages - Comme neuf - Réf. 5421 Résumé:Autant qu'au professeur de Civilisation de la Bretagne à l'Université de Brest, c'est au fondateur et directeur du Centre de Recherche Bretonne et Celtique que les auteurs des articles de ce volume de mélanges ont désiré rendre un témoignage de respect et de reconnaissance. Voulue par Yves Le Gallo, la pluridisciplinarité du CRBC se reflète dans ce recueil où se côtoient travaux d'historiens, de géographes, d'ethnologues, de linguistes, de littéraires, etc. tous élèves, collaborateurs, collègues, amis les termes ne sont pas obligatoirement antonymiques d'Yves Le Gallo. Livres 115151737232).…

soft cover. Condizione: very good. first edition. In-8° broché, paginé de 43 à 49.

Bruxelles. Directeur: Joseph Bracops. Un volume 22,2x14cm broché de 76 pages. Bon état. Importante revue belge de poésie et d?essais fondée et animée jusqu?en 1990 par Albert Ayguesparse. Livres.

Bruxelles. Directeur: Joseph Bracops. Un volume 22,2x14cm broché de 64 pages. Bon état. Importante revue belge de poésie et d?essais fondée et animée jusqu?en 1990 par Albert Ayguesparse. Livres.

Nancy, chez les auteurs, 1953. In-4 br., non pag., non coupé. Tome I (seul paru) : chefs-lieux de cantons. Ill. de 10 pl. de blasons en coul., avec texte explicatif et sources. /S68-69 Couv. partiellement insolée, bel ex. au demeurant.

Couverture rigide. Condizione: Très bon. Pas de jaquette. - PRESENTATION : Tall softbound in-4 book. Decorated title page (Woodcut of Prunaire after a drawing of Renard). - ILLUSTRATION : 42 fiull page original etchings by Léon Gaucherel, Emile Lévy, Edmond Morin, Giacomotti, Célestin Nanteuil, Queyroy, Gustave Doré, Charles Courtry, Veyrassat, Ranvier, G. Howard, Jundt, Gérôme, Leys, Félix Régamcy, E. Edwards, Claudius Popelin, Seymour Haden, Tancrède Abraham, Lansyer, Français, Jules Héreau, Léopold Flameng, Corot, Jongkindt (Jongkind), Daubigny, Jacquemart, Ingomar Frankel, JF. Millet, Victor Hugo, Ehrmann, Edouard Manet, Victor Giraud, Maxime Lalanne, Ribot, Hédouin, Feyen-Perrin, Michelin, Bracquemond, Solon, Rajon, Boilvin. All the etchings are signed in the plate. - PRINTER : Imprimerie Salmon. - PAPER : Vellum. - SIZE : 37 x 27 cm (c. 15 x 11"). - LIMITED : 350 copies. - REFERENCES : Vicaire #1801, etching of Manet "Fleur exotique, ou La Femme à la mantille" : Guérin 51, Bareau 57, Fisher 46. - INFORMATION : One of the first artist / painter book, each poem by the most important poets of this time is illustrated with one etching by the major French artists of the mid Nineteenth century. - CONDITION : Very good, as often fragile binding with some loose pages : would deserve a new binding . ASK FOR EXTRA PICTURES. Léon Gaucherel, Emile Lévy, Edmond Morin, Giacomotti, Célestin Nanteuil, Queyroy, Gustave Doré, Charles Courtry, Veyrassat, Ranvier, G. Howard, Jundt, Gérôme, Leys, Félix Régamcy, E. Edwards, Claudius Popelin, Seymour Haden, Tancrède Abraham, Lansyer, Fra (illustratore). …

Librairie Plon. Broché. Bon exemplaire.

Librairie Plon. Broché. Bon exemplaire.

Nancy, Chez les auteurs / Association Française des Collectionneurs d'Ex-Libris, 1953 ; in-4, 30 pp. + 10 pl. hors-texte, couverture et cahiers agrafés.

Paperback. Condizione: Good. Extensive thirty-volume set of the correspondence and works of influential French writer Marcel Proust. Extensive collection of thirty French-language works from or about Marcel Proust, including numerous editions of his letters and correspondence, seventeen of which are first editions.Collection comprised of:(1927) Chroniques;(1928) De Loti à Proust by Louis de Robert - first edition;(1929) Du Côté de Marcel Proust by Benjamin Crémieux - first edition;(1930) Marcel Proust: Sa Révélation Psychologique by Arnaud Dandieu - first edition;(1930) Correspondance Générale de Marcel Proust: Volume 1 - first edition;(1931) Correspondance Générale de Marcel Proust: Volume 2 - first edition;(1932) Correspondance Générale de Marcel Proust: Volume 3 - first edition;(1933) Correspondance Générale de Marcel Proust: Volume 4 - first edition;(1933) Correspondance Générale de Marcel Proust: Volume 4 - first edition;(1945) Écrivains Intelligents du XXe Siècle by Edmond Buchet - first edition;(1946) Marcel Proust: son Vie, son Oeuvre by Léon Pierre-Quint;(1946) Lettres a Madame C. - first edition;[1948] A un Ami;(1949) À la Recherche de Marcel Proust by André Maurois - first edition;(1949) À la Recherche du Temps Perdu: Volume XI: La Prisonnière;(1953) Correspondance avec sa Mère by Philip Kobb - first edition;(1954) Contre Sainte-Beuve;(1956) Lettres à Reynaldo Hahn - first edition;(1958) Pastiches et Mélanges;(1962) Les Plaisirs et les Jours;(1965) À la Recherche de Marcel Proust by André Maurois;(1966) Lettres Retrouvées by Philip Kobb - first edition;(1966) L'usage de la Lecture: Lecture de proust by Gaëtan Picon;(1969) Citations Reférences et Allusions de Marcel Proust by Jacques Nathan;(1969) Comment débuta Marcel Proust;(1982) Matinée chez la Princesse de Guermantes - first edition;(1989) Correspondance - first edition;(1991) Mon Cher Petit;(1994) Correspondance;(2013) Lettres à sa Voisine - first edition.All editions are publisher's original paperbacks.In the original French.Correspondance avec sa Mère contains a frontispiece and two further plates. Lettres a Madame C. contains three plates, one of which is a facsimile lettter. Correspondance Générale de Marcel Proust: Volume 2 contains a frontispiece and two further plates. Mon Cher Petit and Matinée chez la Princesse de Guermantes both contain one plate. Both editions of Correspondance contain several facsimile letters.Many volumes contain the bookplate of eminent collector and art dealer, Adrian Eeles. Correspondance Générale de Marcel Proust: Volume 3 also features the bookplate of Harold James Lean Wright, similar collector and art historian.The significant French novelist, critic and essayist is best remembered for À la recherche du temps perdu, which greatly influenced the literary Modernist movement for its stream-of-consciousness style, and La Recherche, in which Proust explores his significant concept of involuntary memory. All editions are publisher's original paperbacks. Many volumes contain the bookplate of Adrian Eeles to the front paste down or endpapers. Correspondance Générale de Marcel Proust: Volume 3 also features the bookplate of Harold J. L. Wright to the front paste down. A few volumes include contemporary inscriptions to the front free endpapers. Ex-library insert to front free endpaper of Comment débuta Marcel Proust. Externally, generally smart. Moderate bumping and rubbing across almost all texts, the newer 1990s and 2013 versions being much fresher and brighter. Front covers of Du Côté de Marcel Proust and A un Ami are completely loose. Lettres a Madame C. lacking rear cover. One copy of Correspondance Générale de Marcel Proust: Volume 4 suffers from a significant chip to the bottom half of the front cover, which extends to the endpapers. Significant loss of cloth to spine of De Loti à Proust and Du Côté de Marcel Proust, with remnants peeling. Spotting and discolouration throughout. Internally, front hinge to most volumes reasonably weak, leading to the odd delicate page, more common to the front of the works. Otherwise, generally firmly bound. Some small tears to page edges. A number of pages unopened to Du Côté de Marcel Proust, Citations Reférences et Allusions de Marcel Proust and Correspondance Générale de Marcel Proust: Volume 2. Light spotting and discolouration throughout, newer editions again being noticably cleaner. Good. Not Stated (illustratore). book.…

Condizione: Good. Folio. 35 x 53.25cm. sheet size with pages attached to hinges for an effective width of 38cm. 6 plate volumes uniformly bound in full green morocco with elaborate gilt border designs; gilt inner dentelles, marbled endpapers, all edges gilt. .VERY HEAVY VOLUMES.10 plate albums bound in 5, plus the plate atlas album. With 508 lithographed plates (400 in the albums, frontispiece portrait & 107 in the atlas), many printed in color or hand-colored, others black & white or sepia; color lithographed title pages for the atlas and the albums, except for the title page of the tenth part, which is not present and perhaps never published. Plain paper interleaves to the plates. Some of the plates are chromolithographs but most of the colored plates are richly handcolored and gommés. Sixty artists worked on the lithographs.References: Brunet II, 920."ouvrage splendide et d'un grand intérêt"; OCLC Number / Unique Identifier: 1110334971.Dunbarton Oaks:Like his family before him, Alexandre Du Sommerard (1779-1842) had a career in public service, first in the military, then in the civil service, then in the court itself. Passion for his native country of France was even more manifest in his art collecting and studies, which is where he directed most of his energies.The first items he acquired were paintings by contemporary French painters, but, after 1825, he devoted himself to art from the Middle Ages to the seventeenth century, with particular attention to arts with French connections. In his actions and his collector's tastes, Sommerard was likely influenced by Alexandre Lenoir (1761-1839), who rescued medieval treasures and monuments from destruction during the French Revolution and who later set up the Musée des Monuments Français.By 1832, Sommerard had accumulated such a large collection that he purchased the late fifteenth-century Hôtel des Abbés de Cluny to house it. In each room of the building, he arranged furniture, objects, and textiles according to their function or symbolic value in an attempt to replicate the interior spaces of the past.In 1838, Alexandre Du Sommerard published the first volumes of a multivolume work, Les Arts du moyen-âge, which he intended as a history of French medieval art. His collection and study included early Christian and Byzantine art as the precursors to western medieval art. He felt that history should not rely solely on written sources and that historians and the public needed to comprehend the history of art as well.The illustrated atlas and album were issued serially, 10 installments in all and each with a beautiful, unique title page. Inside each installment were large illustrations of medieval buildings and objects. In the Avertissement, Sommerard brags that the publication used lithography, the most advanced technique in book illustration available at the time, in order to create accurate reproductions. At this point, chromolithography was still in development, and most lithographic illustrations were black-and-white, so it seems likely that the rich colors in Sommerard's publication were added manually.Upon his death in 1842, his collection and the building were bequeathed to the state. In 1844, Lenoir's son, Alexandre-Albert Lenoir (1801-1891), oversaw the movement of his father's collection to Roman baths that are immediately adjacent to the Hôtel de Cluny. The combined collections became the Musée de Cluny (now the Musée National du Moyen Âge). Edmond du Sommerard (d. 1855) was appointed the museum's first curator and was responsible for the acquisition of the museum's famous lady-and-unicorn tapestries. Since then, some items have been deaccessioned and moved to other museums, but the existing museum still reflects the ideas and tastes of Sommerard and Lenoir.Alexandre Du Sommerard a mobilisé près de soixante artistes pour créer les cinq cents planches d'illustrations lithographiques des Arts au Moyen Âge.Dès ses débuts, Alexandre a montré un intérêt marqué pour cette technique, l'ayant déj.…

1923. Paris Éditions Le Divan 15e année N° 88 avril 1923 - Broché 13 5 cm x 19 5 cm 252 pages - Textes de La Comtesse de Noailles Alexandre Arnoux Louis Artus Paul Bourget Jean Cocteau Henry Dérieux Paul Drouot Albert Erlande Lucien Fabre François Fosca René Groos Pierre Hepp Edmond Jaloux Marius-Ary Leblond Camille Mauclair Francis de Miomandre Edmond Pilon Raymond Schwab Robert de Traz Jean Variot Jean-Louis Vaudoyer - Photo N&B de Élémir Bourges en frontispice - Bon état. Bon état.…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1847 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 100 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 100 Language: French.…

Edité en 1937. Plaquette de 15 pages. Agrafé. Couverture muette. Bon état. Discours prononcés par Robert de Saint-Félix, Joseph Nouaillac, Louis Vialle et Edmond Blanc, à la séance du Groupe d'Etudes Limousines de Paris, tenue à La Sorbonne en 1937.

Leather Bound. Condizione: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1847. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages:- 100, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 100 100.…

Leather Bound. Condizione: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1889. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages: - 279, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 279 279.…