Robert eisenhauer (67 risultati)

Paperback. Condizione: Good. Satisfaction 100% guaranteed.

Condizione: As New. Signed Copy . Paperback edition. Inscribed by author on front inside cover.

Soft cover. Condizione: Very Good. No Dust Jacket. Bottom corner bumped. Otherwise this book is clean and unmarked in very good condition. 114 pages.

Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Condizione: Very Good. ex school text book.no markings.

Hardcover. Condizione: Fine. Glossy pictorial hardcover in FINE as NEW condition.

Soft cover. Condizione: Very Good. 248pp. Card wraps show show light wear at edges, overall bright. Binding is tight; text in unmarked.

Softcover. Condizione: Fine. First Edition. First edition. Fine in wrappers, a paperback. Like new.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Condizione: Fine. No Jacket. 2006 hardcover published without jacket/clean & unmarked. 210 p.

Hardcover. 262pp. Fine, clean & sound condition, published without dust jacket.

Soft Cover. Condizione: Very Good. 175 pp. Vol. 9, No. 2, Fall 1980 issue only! ISSN: 0090-5674. A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, clean text, and light shelf wear. Smooth covers. Creased spine.…

Hardcover. Condizione: New. Brand New Hardcover Book, Crisp and Clean.

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. Softcover in Very Good condition. Ex-Library of Congress copy, with LOC sticker on the back cover, red stamp on the title page, and stamp on the facing copyright page. Remainder mark on bottom page edge. Purple covers have slight shelfwear, small thumb creasing on back cover. Tight and square. No other markings noted. Photos available on request. …

Hardback. Condizione: Very Good. Bound in lightly creased green glazed boards. 220 x 150 mm. [xii] 266 pp. Book.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: AS NEW. Etat de NEUF / AS NEW condition 0820474967 9780820474960 PC442 1.

Condizione: New. In English.

Condizione: AS NEW. Etat de NEUF / AS NEW condition 0820472522 9780820472522 PC434 2.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condizione: Poor. Condizione sovraccoperta: Fair. 1st Edition. private library liquidation faded well used and read.

Condizione: New. In English.

Hardback. Condizione: New. Focusing on specimens of discourse where criticism assumes a flagrantly bucolic persona, Archeologies of Invective investigates hitherto little acknowledged contexts of irony, aggressivity, and vilification. After considering briefly Lucilius and Horace, the author evaluates such diverse figures as Poggio Bracciolini, Quevedo, Dunbar, Poe, and Mencken before proceeding to sustained discussion of Goethe's Italian Journey, Werther, and the «Invektiven.» In terms of prime-time satiric virtuosity, Byron's Don Juan recycles pastoral animus, acting as a rogue-like mirror-text of the Schiller/Goethe Xenien of the late 1790s. Sidney's double sestina and Villon's «Ballad of the Women of Paris» are seen inaugurating the modern age, while, at the dawn of the avant-garde, Verlaine's «Invectives» sample Goethean and Villonesque attitude at a new level of recherché «vulgarity.» Low- and Highbrow, outlaw and Philistine resurface in Wyndham Lewis's Arcadian perspective on the artist-intellectual. Poets Robert Frost and Theodore Enslin are seen reinvigoratoring the edgily «agrest» scene of invective in America. Archeologies of Invective situates itself also with respect to a psychohistorical terrain - altered states of consciousness reflecting Faustian transition: the dislocation of the peasant class, the empowerment of women as a heterological «state within a state,» the advent of modern weaponry, and the rise of alcohol - whose genealogy becomes nothing short of a «gin-eology.» Stable notions of character give way to impersonal, pantomimic terms of art, such as caliber; the hero is displaced by the wanderer, thief, madman, and clown. Not limiting itself to the literary canon, Archeologies includes analyses of gangster films and sports legends in the context of Arcadian motivation. Finally, Eisenhauer places Philip Roth's American Pastoral within the arc of 19th-century pastoral fiction, locating a prosaic «Nowadays» in which criticism is still inscribed, as evidenced by Fish's explication of pastoral in the context of professional correctness.…

Condizione: New. Series: Studies on Themes and Motifs in Literature. Num Pages: 217 pages, illustrations. BIC Classification: DSBF; DSBH. Category: (G) General (US: Trade). Dimension: 158 x 236 x 22. Weight in Grams: 538. . 2007. New. hardcover. . . . .

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Aftermyths investigates fault-lines in literary and visual representation from 1870 to the early twentieth century as they range from a faux essentialism, often with ethnic overtones, to a 'cadence of decadence' reflecting the dissensions of modernity. Reading Henry James and Mark Twain with side-glances to the cartoon revolution of Rudolf Dirks and Richard Felton Outcault, Robert Eisenhauer delves into the archive of frontier or histrionic 'decadence,' 'Americanness,' and 'Germanness.' Pastoral idiom and foreign words, 'incomprehensible to us as so many dead languages,' reflect Hesperian micrology on the part of the Übergossiper James, a discursive 'katzenjammer' effect, while Twain's difficulties with German exemplify a strategy of emancipation informed by minstrel-like showmanship and a river or streetwise skepticism. In addition, Eisenhauer applies key concepts of Walter Benjamin's Arcades Project to New York City after 1920. Mayor Jimmy Walker and urban planner Robert Moses are seen as Dionysian and Apollonian instances contesting the meta-arcades of Manhattan at the intersection of epic, lyric, and drama. Outcault's 'Opera in Ryan's Arcade' vernacularizes the difference between uptown and downtown, high art and low 'un-art.' With the premise that Freud's definition of caricature in Totem and Taboo remains valid, Aftermyths goes on to investigate the bear as a mimetic paradigm for Nietzsche's 'not yet determined animal' homo sapiens. Finally, Eisenhauer suggests affinities between two fictions of immortality, Grass's Flounder and Hamill's Forever, before returning to the downtown scene for remarks on Richard Foreman's Ontological-Hysteric Theatre.…

Taschenbuch. Condizione: Befriedigend. Pinnacle - 2nd. 1977 : Robin Moore - tb JO-11IG-91HA Sprache: Englisch Gewicht in Gramm: 500.

Condizione: New. Series: Studies on Themes and Motifs in Literature. Num Pages: 217 pages, illustrations. BIC Classification: DSBF; DSBH. Category: (G) General (US: Trade). Dimension: 158 x 236 x 22. Weight in Grams: 538. . 2007. New. hardcover. . . . . Books ship from the US and Ireland.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Ode Consciousness examines a preeminent literary form in its three-thousand-year history, navigating between philosophy and literature, offering cross-cultural perspectives on a poetic logic informed by polar intensities of sensuous cognition. Making a double incision on the corpus, Robert Eisenhauer interprets works by Henry Vaughan and the modernist Frank O'Hara, foregrounding the text, but also the text(-ile) message, and the dialogical weave of enunciation. The ancient Chinese ode, translated by Karlgren and estranged by Pound, anchors sentience in the flora and fauna of physical nature, and the I Jing or Book of Changes offers insights on poetry, psychoanalysis, and aleatoriness per se.The rise of the ode in the West is contemporary with that of a philosophical discourse concerning clarity and obscurity of thought. While Milton widens the esoteric scope, Lovelace concretizes ode consciousness through the image of a frozen grasshopper ('green ice'), whose non-longevity is contrasted with the human capacity for survival through friendship. Translating the 'Polish Horace' (Sarbiewski), Coleridge prepares the ground for the lyricism of Keats and Shelley, raising the neural stakes through passages of lingering, delay, and intoxication. A negative capability inclusive of desire as well as nihilation inhabits Jalal al-Din Rumi and the Arabic qasida.Affliction, a key concept for the Baroque, is discussed in the context of film noir, while Hegel's privileging in the Aesthetics of Schiller's 'Song of the Bell' is seen as part of a larger attempt to censure the radical re-Pindarization and revolutionary retexting of the ode, most notably in Klopstock and Hölderlin. The author analyzes the role played by impersonality in Yeats's attempt to recrystallize Keatsian and Confucian sensibility through 'annotated seeing' and the opening of windows of clairvoyant perception. Eisenhauer also suggests parallels between O'Hara's autumnal glimpses of New York City at the height of modernism and Keatsian sensibility. Ode Consciousness concludes by examining the return of the repressed in the graphic novels of Osamu Tezuka, thereby enriching our understanding of the ode's perennial relevance.…

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - With two essays devoted to Wordsworth, The Fate of Translation reframes the discussion of Hesperian aesthetics initiated in Robert Eisenhauer's Mythic Paradigms, suggesting how the question of translation poses itself at the crossing of textual high- and low-roads: on the one hand, in the critical and scholarly debate concerning the relevance of Goethe's 'Der Wandrer' (in the English version by William Taylor) to the primal/primary scene of autobiography and, on the other, in the reprojection of supernatural agency ( numen ) in the context of the Literature of Power. Confrontational deixis and a hermeneutic counterturn energize Wordsworth's self-assertive resensing of antiquity and modernity via satire, pastoral, and the sonnet. The third essay, ranging from Pindarizing texts by Cowley, Goethe, and Hölderlin to the films of Matthew Barney, shifts the focus to mimetic enthusiasms among translators and replicators of the 'full fan-experience.' John Barth's intriguing analogy between metafiction and fractal geometry serves as the catalyst for a reading of texts by Thomas Browne and Friedrich Schlegel, a major painting by Philipp Otto Runge, and The Arabian Nights as malignly received by Poe. The arabesque and grotesque are seen as engaged in a problematics of passion at the utopian end of art, a consensualist paradigm akin to the Dionysian liberation of the subject/player/fan in baseball - one whose field of implication includes Nietzsche and contemporary novelists. Eisenhauer reads Padgett Powell's Edisto as a declamatory mini-epic divergent in its muthos from the tradition of the 'American hieroglyphic'. Edisto's fictive reinvention of the South suggests a revisiting of the Literature of Power as priviledged, emancipative counterfacticity of 'other truth' congruent with the fictive worlds of Cable, Faulkner, and Günther Grass.…