Robert hughes (Oltre 7000 risultati)

Paperback. Condizione: Very Good. A comprehensive guide for anyone contemplating working in the Gulf States and Saudi Arabia, this book covers everything a person could need to live, work, study or just to spend time in the region.

Paperback. Condizione: Fair. NATIONAL BESTSELLER * This incredible true history of the colonization of Australia explores how the convict transportation system created the country we know today. "One of the greatest non-fiction books I've ever read . Hughes brings us an entire world." --Los Angeles Times Digging deep into the dark history of England's infamous efforts to move 160,000 men and women thousands of miles to the other side of the world in the eighteenth and nineteenth centuries, Hughes has crafted a groundbreaking, definitive account of the settling of Australia. Tracing the European presence in Australia from early explorations through the rise and fall of the penal colonies, and featuring 16 pages of illustrations and 3 maps, The Fatal Shore brings to life the history of the country we thought we knew.…

Paperback. Condizione: Good. NATIONAL BESTSELLER * This incredible true history of the colonization of Australia explores how the convict transportation system created the country we know today. "One of the greatest non-fiction books I've ever read . Hughes brings us an entire world." --Los Angeles Times Digging deep into the dark history of England's infamous efforts to move 160,000 men and women thousands of miles to the other side of the world in the eighteenth and nineteenth centuries, Hughes has crafted a groundbreaking, definitive account of the settling of Australia. Tracing the European presence in Australia from early explorations through the rise and fall of the penal colonies, and featuring 16 pages of illustrations and 3 maps, The Fatal Shore brings to life the history of the country we thought we knew.…

Hardback. Condizione: Good.

Hardback. Condizione: Fair.

Condizione: very_good. Cover may have light wear, pages in very good condition and binding is sturdy; may have other light shelf wear or creases. May have notes or highlighting.

Condizione: good. Books may contain some notes and highlighting. Supplements such as Access Codes, Cd's Dust Jackets, etc. are not guaranteed with used book purchases.

Paperback. Condizione: Good.

Paperback. Condizione: Very Good. From Holbein to Hockney, from Norman Rockwell to Pablo Picasso, from sixteenth-century Rome to 1980s SoHo, Robert Hughes looks with love, loathing, warmth, wit and authority at a wide range of art and artists, good, bad, past and present.   As art critic for Time magazine, internationally acclaimed for his study of modern art, The Shock of the New, he is perhaps America?s most widely read and admired writer on art.  In this book:  nearly a hundred of his finest essays on the subject.   For the realism of Thomas Eakins to the Soviet satirists Komar and Melamid, from Watteau to Willem de Kooning to Susan Rothenberg, here is Hughes?astute, vivid and uninhibited?on dozens of famous and not-so-famous artists.  He observes that Caravaggio was ?one of the hinges of art history; there was art before him and art after him, and they were not the same?; he remarks that Julian Schnabel?s ?work is to painting what Stallone?s is to acting?; he calls John Constable?s Wivenhoe Park ?almost the last word on Eden-as-Property?; he notes how ?distorted traces of [Jackson] Pollock lie like genes in art-world careers that, one might have thought, had nothing to do with his.?  He knows how Norman Rockwell made a chicken stand still long enough to be painted, and what Degas said about success (some kinds are indistinguishable from panic).   Phrasemaker par excellence, Hughes is at the same time an incisive and profound critic, not only of particular artists, but also of the social context in which art exists and is traded.  His fresh perceptions of such figures as Andy Warhol and the French writer Jean Baudrillard are matched in brilliance by his pungent discussions of the art market?its inflated prices and reputations, its damage to the public domain of culture.  There is a superb essay on Bernard Berenson, and another on the strange, tangled case of the Mark Rothko estate.  And as a finale, Hughes gives us ?The SoHoiad,? the mock-epic satire that so amused and annoyed the art world in the mid-1980s.   A meteor of a book that enlightens, startles, stimulates and entertains.…

Paperback. Condizione: Very Good. From Robert Hughes, one of the greatest art and cultural critics of our time, comes a sprawling, comprehensive, and deeply personal history of Rome--as a city, as an empire, and as an origin of Western art and civilization. Starting on a personal note, Hughes takes us to the Rome he first encountered as a hungry twenty-one-year-old fresh from Australia in 1959. From there, he goes back more than two thousand years to the city's foundation, one mired in mythologies and superstitions that would inform Rome's development for centuries. He explores in rich detail the formation of empire, the rise of early Christianity, the Crusades, the Renaissance, and takes us up to the present, through the rise and fall of Mussolini's fascism. Equal parts idolizing, blasphemous, outraged, and awestruck, Rome is a portrait of the Eternal City as only Robert Hughes could paint it.…

Paperback. Condizione: Good. From Holbein to Hockney, from Norman Rockwell to Pablo Picasso, from sixteenth-century Rome to 1980s SoHo, Robert Hughes looks with love, loathing, warmth, wit and authority at a wide range of art and artists, good, bad, past and present.   As art critic for Time magazine, internationally acclaimed for his study of modern art, The Shock of the New, he is perhaps America?s most widely read and admired writer on art.  In this book:  nearly a hundred of his finest essays on the subject.   For the realism of Thomas Eakins to the Soviet satirists Komar and Melamid, from Watteau to Willem de Kooning to Susan Rothenberg, here is Hughes?astute, vivid and uninhibited?on dozens of famous and not-so-famous artists.  He observes that Caravaggio was ?one of the hinges of art history; there was art before him and art after him, and they were not the same?; he remarks that Julian Schnabel?s ?work is to painting what Stallone?s is to acting?; he calls John Constable?s Wivenhoe Park ?almost the last word on Eden-as-Property?; he notes how ?distorted traces of [Jackson] Pollock lie like genes in art-world careers that, one might have thought, had nothing to do with his.?  He knows how Norman Rockwell made a chicken stand still long enough to be painted, and what Degas said about success (some kinds are indistinguishable from panic).   Phrasemaker par excellence, Hughes is at the same time an incisive and profound critic, not only of particular artists, but also of the social context in which art exists and is traded.  His fresh perceptions of such figures as Andy Warhol and the French writer Jean Baudrillard are matched in brilliance by his pungent discussions of the art market?its inflated prices and reputations, its damage to the public domain of culture.  There is a superb essay on Bernard Berenson, and another on the strange, tangled case of the Mark Rothko estate.  And as a finale, Hughes gives us ?The SoHoiad,? the mock-epic satire that so amused and annoyed the art world in the mid-1980s.   A meteor of a book that enlightens, startles, stimulates and entertains.…

Paperback. Condizione: Very Good.

Hardback. Condizione: Good. Hughes distills his encyclopaedic knowledge of Barcelona into a work with all the essential information. The text describes the city's remarkable culture and history.

Hardback. Condizione: Very Good. In this radical account of the decline of twentieth-century American culture, Time art critic Robert Hughes insists that the politicization of almost every area of American culture has resulted in quarrelling, infighting, and a fall in the standards needed to hold such a diverse nation together. Based on a series of lectures sponsored by the New York Public Library and Oxford University Press, Culture of Complaint asserts that the melting pot of America has never melted, and that American mutuality has always existed in a recognition of differences. The blame for the fraying of the American sense of collectivity and mutual respect is laid at many doors: demagogues who claim there is only one path to virtuous Americanness, multiculturalists who seek to rewrite history, advocators of political correctness, and sociologists who see the dysfunctional family as the cause of most personal problems. The book is an extraordinary statement of the times, and a clarion call for the rebuilding of America.…

Paperback. Condizione: Good. From Robert Hughes, one of the greatest art and cultural critics of our time, comes a sprawling, comprehensive, and deeply personal history of Rome--as a city, as an empire, and as an origin of Western art and civilization. Starting on a personal note, Hughes takes us to the Rome he first encountered as a hungry twenty-one-year-old fresh from Australia in 1959. From there, he goes back more than two thousand years to the city's foundation, one mired in mythologies and superstitions that would inform Rome's development for centuries. He explores in rich detail the formation of empire, the rise of early Christianity, the Crusades, the Renaissance, and takes us up to the present, through the rise and fall of Mussolini's fascism. Equal parts idolizing, blasphemous, outraged, and awestruck, Rome is a portrait of the Eternal City as only Robert Hughes could paint it.…

Hardback. Condizione: Good. In this radical account of the decline of twentieth-century American culture, Time art critic Robert Hughes insists that the politicization of almost every area of American culture has resulted in quarrelling, infighting, and a fall in the standards needed to hold such a diverse nation together. Based on a series of lectures sponsored by the New York Public Library and Oxford University Press, Culture of Complaint asserts that the melting pot of America has never melted, and that American mutuality has always existed in a recognition of differences. The blame for the fraying of the American sense of collectivity and mutual respect is laid at many doors: demagogues who claim there is only one path to virtuous Americanness, multiculturalists who seek to rewrite history, advocators of political correctness, and sociologists who see the dysfunctional family as the cause of most personal problems. The book is an extraordinary statement of the times, and a clarion call for the rebuilding of America.…

Hardback. Condizione: Fair. In this radical account of the decline of twentieth-century American culture, Time art critic Robert Hughes insists that the politicization of almost every area of American culture has resulted in quarrelling, infighting, and a fall in the standards needed to hold such a diverse nation together. Based on a series of lectures sponsored by the New York Public Library and Oxford University Press, Culture of Complaint asserts that the melting pot of America has never melted, and that American mutuality has always existed in a recognition of differences. The blame for the fraying of the American sense of collectivity and mutual respect is laid at many doors: demagogues who claim there is only one path to virtuous Americanness, multiculturalists who seek to rewrite history, advocators of political correctness, and sociologists who see the dysfunctional family as the cause of most personal problems. The book is an extraordinary statement of the times, and a clarion call for the rebuilding of America.…

Paperback. Condizione: Fair. From Holbein to Hockney, from Norman Rockwell to Pablo Picasso, from sixteenth-century Rome to 1980s SoHo, Robert Hughes looks with love, loathing, warmth, wit and authority at a wide range of art and artists, good, bad, past and present.   As art critic for Time magazine, internationally acclaimed for his study of modern art, The Shock of the New, he is perhaps America?s most widely read and admired writer on art.  In this book:  nearly a hundred of his finest essays on the subject.   For the realism of Thomas Eakins to the Soviet satirists Komar and Melamid, from Watteau to Willem de Kooning to Susan Rothenberg, here is Hughes?astute, vivid and uninhibited?on dozens of famous and not-so-famous artists.  He observes that Caravaggio was ?one of the hinges of art history; there was art before him and art after him, and they were not the same?; he remarks that Julian Schnabel?s ?work is to painting what Stallone?s is to acting?; he calls John Constable?s Wivenhoe Park ?almost the last word on Eden-as-Property?; he notes how ?distorted traces of [Jackson] Pollock lie like genes in art-world careers that, one might have thought, had nothing to do with his.?  He knows how Norman Rockwell made a chicken stand still long enough to be painted, and what Degas said about success (some kinds are indistinguishable from panic).   Phrasemaker par excellence, Hughes is at the same time an incisive and profound critic, not only of particular artists, but also of the social context in which art exists and is traded.  His fresh perceptions of such figures as Andy Warhol and the French writer Jean Baudrillard are matched in brilliance by his pungent discussions of the art market?its inflated prices and reputations, its damage to the public domain of culture.  There is a superb essay on Bernard Berenson, and another on the strange, tangled case of the Mark Rothko estate.  And as a finale, Hughes gives us ?The SoHoiad,? the mock-epic satire that so amused and annoyed the art world in the mid-1980s.   A meteor of a book that enlightens, startles, stimulates and entertains.…

Paperback. Condizione: Fair. The best-selling author of The Shock of the New, The Fatal Shore, and Barcelona here delivers a withering polemic aimed at the heart of recent American politics and culture. Culture of Complaint is a call for the re-knitting of a fragmented and over-tribalized America--a deeply passionate book, filled with barbed wit and devastating takes on public life, both left and right of center. To the right, Hughes fires broadsides at the populist demagogy of Pat Buchanan, Pat Robertson, Jesse Helms and especially Ronald Reagan (with somnambulistic efficiency, Reagan educated America down to his level. He left his country a little stupider in 1988 than it had been in 1980, and a lot more tolerant of lies). To the left, he skewers political correctness (political etiquette, not politics itself), Afrocentrism, and academic obsessions with theory (The world changes more deeply, widely, thrillingly than at any moment since 1917, perhaps since 1848, and the American academic left keeps fretting about how phallocentricity is inscribed in Dickens' portrayal of Little Nell). PC censoriousness and family-values rhetoric, he argues, are only two sides of the same character, extrusions of America's puritan heritage into the present--and, at root, signs of America's difficulty in seeing past the end of the Us-versus-Them mentality implanted by four decades of the Cold War. In the long retreat from public responsibility beaten by America in the 80s, Hughes sees a hollowness at the cultural core--a nation obsessed with therapies and filled with distrust of formal politics; skeptical of authority and prey to superstition; its language corroded by fake pity and euphemism. It resembles late Rome.in the corruption and verbosity of its senators, in its reliance on sacred geese (those feathered ancestors of our own pollsters and spin-doctors) and in its submission to senile, deified emperors controlled by astrologers and extravagant wives. Culture of Complaint is fired by a deep concern for the way Hughes sees his adopted country heading. But it is not a relentless diatribe. If Hughes lambastes some aspects of American politics, he applauds Vaclav Havel's vision of politics not as the art of the useful, but politics as practical morality, as service to the truth. And if he denounces PC, he offers a brilliant and heartfelt defence of non-ideological multiculturalism as an antidote to Americans' difficulty in imagining the rest of the world--and other Americans. Here, then, is an extraordinary cri de coeur, an outspoken call for the reconstruction of America's ideas about its recent self. It is a book that everyone interested in American culture will want to read.…

Paperback. Condizione: Good. The best-selling author of The Shock of the New, The Fatal Shore, and Barcelona here delivers a withering polemic aimed at the heart of recent American politics and culture. Culture of Complaint is a call for the re-knitting of a fragmented and over-tribalized America--a deeply passionate book, filled with barbed wit and devastating takes on public life, both left and right of center. To the right, Hughes fires broadsides at the populist demagogy of Pat Buchanan, Pat Robertson, Jesse Helms and especially Ronald Reagan (with somnambulistic efficiency, Reagan educated America down to his level. He left his country a little stupider in 1988 than it had been in 1980, and a lot more tolerant of lies). To the left, he skewers political correctness (political etiquette, not politics itself), Afrocentrism, and academic obsessions with theory (The world changes more deeply, widely, thrillingly than at any moment since 1917, perhaps since 1848, and the American academic left keeps fretting about how phallocentricity is inscribed in Dickens' portrayal of Little Nell). PC censoriousness and family-values rhetoric, he argues, are only two sides of the same character, extrusions of America's puritan heritage into the present--and, at root, signs of America's difficulty in seeing past the end of the Us-versus-Them mentality implanted by four decades of the Cold War. In the long retreat from public responsibility beaten by America in the 80s, Hughes sees a hollowness at the cultural core--a nation obsessed with therapies and filled with distrust of formal politics; skeptical of authority and prey to superstition; its language corroded by fake pity and euphemism. It resembles late Rome.in the corruption and verbosity of its senators, in its reliance on sacred geese (those feathered ancestors of our own pollsters and spin-doctors) and in its submission to senile, deified emperors controlled by astrologers and extravagant wives. Culture of Complaint is fired by a deep concern for the way Hughes sees his adopted country heading. But it is not a relentless diatribe. If Hughes lambastes some aspects of American politics, he applauds Vaclav Havel's vision of politics not as the art of the useful, but politics as practical morality, as service to the truth. And if he denounces PC, he offers a brilliant and heartfelt defence of non-ideological multiculturalism as an antidote to Americans' difficulty in imagining the rest of the world--and other Americans. Here, then, is an extraordinary cri de coeur, an outspoken call for the reconstruction of America's ideas about its recent self. It is a book that everyone interested in American culture will want to read.…

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: acceptable. Book is in acceptable condition and shows signs of wear. Book may also include underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.…

Condizione: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condizione: Good.