Editore: RKO, Los Angeles, 1949
Da: 32.1 Rare Books + Ephemera, IOBA, ESA, Princeton, NJ, U.S.A.
Membro dell'associazione: IOBA
Fotografia
Softcover. Vintage original 8" x 10" black-and-white single weight glossy silver gelatin print still photos from the 1949 American adventure film directed by Norman Dawn and Fred R. Feitshans Jr. and written by Charles F. Royal, Norton S. Parker, Robert Libott and Frank Burt. The film stars Alfred Delcambre, Eve Miller, Gloria Petroff, Dan Riss, Merrill McCormick and Fred Smith. Very Good with some small creases on a few edges.
Editore: Charles C. Thomas, 1967
Da: Tacoma Book Center, Tacoma, WA, U.S.A.
Hardcover. Condizione: Good. Condizione sovraccoperta: Dustjacket included. Later Edition. ISBN . Hardback. No statement of later printing on copyright page. TIGHT SOUND READING COPY ONLY DUE TO yellow highlighting throughout; otherwise average wear. We have placed dustjacket in a brodart protective cover and it looks much better than described. No Signature.
Editore: Century Co., c.1932,, 1932
Da: Harry Alter, Sylva, NC, U.S.A.
hardcover, Condizione: Good, Charles C. Thomas, Springfield, c.1967, 8vo., cloth, 101pp., ink note on corner of dj, ow VG/VG $.
Editore: Columbia, Los Angeles, 1949
Da: 32.1 Rare Books + Ephemera, IOBA, ESA, Princeton, NJ, U.S.A.
Membro dell'associazione: IOBA
Fotografia
Softcover. Two [2] original 8" x 10" black-and-white single weight glossy silver gelatin print still photos from the 1949 American historical crime western film directed by Lew Landers and starring Gloria Henry, Stephen Dunne and Adele Jergens. Very Good with some handling and creasing at the edges.
Editore: Columbia, Los Angeles, 1949
Da: 32.1 Rare Books + Ephemera, IOBA, ESA, Princeton, NJ, U.S.A.
Membro dell'associazione: IOBA
Fotografia
Softcover. Vintage original 8" x 10" black-and-white single weight glossy silver gelatin print still photos of the 1949 American film noir crime film directed by Seymour Friedman and starring Hurd Hatfield, Jean Willes and Tom Powers. Very Good with some small creases on a few edges.
Editore: Universal-International, Universal City, 1953
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Fotografia
Vintage publicity photograph from the 1953 film, showing actress Lori Nelson. Printed mimeo snipe affixed to the verso. A college quarterback quits his team and leaves the school after his parents' death, deciding to study architecture at a school in Chicago instead. There, he struggles to adjust to the more rigid culture. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. About Near Fine.
Editore: Charles C. Thomas, 1967
Da: Black Dog Books, Emerson, NJ, U.S.A.
Prima edizione
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. From the library of Henry Guze with his ink signature and stamp on the front endpaper. Henry Guze, M.D. was the founder of the American Academy of Psychotherapists and the Society for Clinical and Experimental Hypnosis and the co founder of the Society for the Scientific Study of Sex. Book.
Editore: Columbia Pictures, Culver City, CA, 1950
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Manoscritto / Collezionismo cartaceo
First Estimating Script for the 1950 film. Released in the US under the title "The Lady and the Bandit." Based on the 1927 poem by Alfred Noyes, about the 18th century highwayman Dick Turpin. Louis Hayward stars as the highwayman who must ride 200 miles from London to York to save his wife from the gallows. One of two 1951 films based on the Noyes' poem, released one day apart, the other being "The Highwayman," directed by Lesley Selander and starring Philip Fiend. Titled blue wrappers, noted as 1st Estimating Script on the front wrapper, dated June 16, 1950. Title page present, dated June 16, 1950, noted as FIRST ESTIMATING SCRIPT, with credits for screenwriters Robert Libott and Frank Burt. 133 leaves, with last page of text numbered 132. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good, with front wrapper with splashing, light soiling, and foxing at the extremities, bound with two gold brads.