Robert rauschenberg et al (26 risultati)

Paperback. Condizione: Very Good. First Edition. Art and Art History, Prints, Most Recent Listing; Volume 58, Number 6; 4to; 178 pages; Clean and secure in original glossy pictorial wrappers slight curling at corners of front wrapper. Cover by Lucas Samaras. Issue features a wonderful original offset lithograph by Robert Rauschenberg printed at Triton Press. Feature article: Autopolaroid by Lucas Samaras. Samaras was born in Kastoria, Greece. He studied at Rutgers University on a scholarship, where he met Allan Kaprow and George Segal. Samaras participated in Kaprow's "Happenings," and posed for Segal's plaster sculptures.[2] Claes Oldenburg, in whose Happenings he also participated, later referred to Samaras as one of the "New Jersey school," which also included Kaprow, Segal, George Brecht, Robert Whitman, Robert Watts, Geoffrey Hendricks and Roy Lichtenstein. Samaras previously worked in painting, sculpture, and performance art, before beginning work in photography. He subsequently constructed room environments that contained elements from his own personal history.[3] His "Auto-Interviews" were a series of text works that were "self-investigatory" interviews.[4] The primary subject of his photographic work is his own self-image, generally distorted and mutilated. He has worked with multi-media collages, and by manipulating the wet dyes in Polaroid photographic film to create what he calls "Photo-Transformations.".…

Pamphlet. 70p., 10.5x8.5 inches, essays, checklist, illustrated with color plates and b&w photos, worn catalogue of the exhibition in stapled pictorial wraps.

Softcover, 200 pages; fair to good condition, 2-inch buckle, seemingly from damp, to upper left corner of all pages; covers scratched; no internal marks. As is; reading copy. Foreign shipping may be extra.

Soft cover. Condizione: Very Good. Offering: Robert Rauschenberg, Jasper Johns, Yoko Ono, and Andy Warhol, et al. Neo-Dada: Redefining Art 1958-62. NYC: American Federation of Arts/Universe, 1994. VG in wraps. Bright, clean interior and strong binding with just a touch of shelfwear to covers and tiny bump to upper rear corner. A handsome copy of this exhibition catalog. Neo-Dada emerged in the late 1950s as a bridge between the irreverent provocations of early 20th-century Dada and the bold experimentation that defined postwar art. With roots in Marcel Duchamp's readymades and Kurt Schwitters' collages, Neo-Dada artists embraced everyday objects, found materials, performance, and chance as ways to undermine traditional notions of art. The movement thrived on irony, wit, and subversion—setting the stage for Fluxus, Pop Art, and Conceptualism. Among the most celebrated figures in this wave were Robert Rauschenberg, whose combines blurred painting and sculpture; Jasper Johns, who turned flags and targets into high art; Yoko Ono, whose performances redefined audience participation; and Andy Warhol, who brought consumer culture to the canvas. Others, like Claes Oldenburg, Yves Klein, Carolee Schneemann, and Nam June Paik, expanded the Neo-Dada ethos into happenings, environments, and new media. Neo-Dada: Redefining Art 1958-62 accompanied a major exhibition and brings together essays, interviews, and images to capture this restless, transitional moment in art history. A key reference for collectors of postwar avant-garde—this catalog vividly documents the movement that reshaped art between Dada and Pop.…

Hardcover without dustjacket as issued, 244 pages; in English and German; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover. Condizione: VG+. Thick color illustrated card wraps, glued binding. 412 pp., profusely illustrated in color and bw. The first US artist to win the Golden Lion at the Venice Biennale in 1963, Robert Rauschenberg blazed a new trail for art in the second half of the 20th century. Bringing together a selection of key works from different periods, the book will provide a long overdue opportunity to discover a remarkably consistent artistic trajectory which steadfastly refused to be straight-jacketed by rules and conventions. Each chapter in Rauschenberg's six-decade career will be represented by major works. This book collects 14 essays focusing on key moments in Rauschenberg's oeuvre.…

Softcover, 200 pages; very good condition, reflective covers a bit scratched; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: very good. 31 x 23 cm. 197pp. A very nice copy in an equally nice, but price clipped dust jacket. Laid-in Prestel catalogue. Vibrant illustrations and some B&W illustrations.

Soft cover. Condizione: Good. 1st Edition. ART AND LITERATURE 3 (AUTUMN - WINTER 1964) Various: John Ashbery, Roland Barthes, Paul Bowles, John Cage, André Masson, Robert Rauschenberg, et al. Lausanne, Switzerland: Société Anonyme d'Editions Littéraires et Artistiques, 1964. First Edition of this international review published quarterly; coedited by American poet, John Ashbery (1927 - 2017). Includes poetry, interviews, essays and photographs with contributions by Ashbery, Roland Barthes (1915 - 1980), John Cage (1912-1992), André Masson (1896-1987), Robert Rauschenberg (1925-2008) and others. Also includes an essay on Bataille (Masson) as well as a short story by Bataille (Ashbery). Paper wrappers in sewn binding. Mild to moderate age toning, spot-staining to front, back covers, spine & flaps. Interior leaves fine with mild age-toning. Mild bumping to corners, some occasions of spot-staining. (21cm x 15.5cm). [243] pp. Scarce literary object.…

Softcover, 200 pages; very good condition, reflective covers a bit scratched; no internal marks. Foreign shipping may be extra.

Softcover, 318 pages; in Spanish; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: New. Christie's, London, 2017 pictorial hardback 68 pages : illustrations, portraits ; 31 cm. Includes index "Further information - not a catalogue." Auction: Post-War and Contemporary Art evening auction. Tuesday, March 7, 2017, 7pm. Christie's, 8 King Street, London. Has a very small scratch to extreme bottom of first page but this is A BRAND NEW BOOK UNUSED. Full refund if not satisfied. 24 hour dispatch via Tracked. If not pictured in this listing, a scan of the actual book is available on request.…

Hardcover. Condizione: New.

Paperback. Condizione: New. PaceWildenstein, NY [published date: 2006] Softcover Catalogue illustrates and features 21 works in vivid color. Illustrated wraps. [48] pp, 31 large color plates.

Paperback. Condizione: New.

Hardcover. Condizione: New.

Hardcover. Condizione: New.

Paperback. Condizione: New. Profusely Illustrated (illustratore).

Condizione: Very good. - Small quarto, 8 inches high by 8-7/8 inches wide. Softcover bound in black wraps, titled in black, white and red. The covers are slightly rubbed and creased with a small piece rubbed away from the top corner of the front cover. 24 pages on creamy white stock, with text in English and Spanish. Illustrated with reproductions of artwork by major modern artists. Additionally, there are 12 inserted half-pages printed on glossy stock (as issued) with text in Spanish and illustrated with portraits of the artists. Very good. Together with a 12-page catalog, bound in matching black self-wraps, listing 80 works on exhibit at the Museo de Bellas Artes de Caracas. The exhibition, under the direction of Miguel Arroyo C., contained several works by James Brooks, Charles Cajori, Nicholas Carone, Edward Corbett, Burgoyne Diller, Helen Frankenthaler, Sonia Gechtoff, Fritz Glarner, Arshile Gorky, Stephen Greene, Philip Guston, Hans Hofmann, Jasper Johns, John Kacere, Franz Kline, Willem de Kooning, Nicholas Marsicano, Robert Motherwell, Jackson Pollock, Robert Rauschenberg, William Ronald, Ludwig Sander, Miriam Schapiro, Mark Tobey, Jack Tworkov, Esteban Vicente, Jean Xceron, and Adja Yunkers.SCARCE.…

Condizione: Good. 4to. 108 pp. Portfolio. First Edition. Very Good. Mostly Black and White Plates, 364 total, 20 in color. Signed. In Hardcover White Plastic Box, with Jasper Johns 'Target 1970' inside covers, with Johns offset-litho-facsimile signature, watercolor pads, paintbrush & catalogue. Includes exhibition checklist and bibliography. Prospectus loosely laid in. Catalogue Raisonne of Gemini's complete publications.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright. …

Softbound. Printed sheets (stapled) with no apparent cover or title page. [16] pp., profusely illustrated ALSO includes the very rare ADDENDA: Corrections and Additions to the Program. A most interesting and important event that occured over the course of 9 evenings. wherein artists were teamed up with engineers whose goal was to help create the artists' visions. One small tear along the fold line on the front sheet. Very rare. Artists who participated include Robert Rauschenburg, John Cage, R. Whitman, Steve Paxton, Alex Hay, Deborah Hay, David Tudor, Yvonne Ranier, Luccinda Childs, Oyvind Fahlstrom. catalogue of an exhibition presented under the auspices of the Foundation for Contemporary Performance Arts, inc. in cooperation with Experiments in Art and Technology, inc.] Oct. 13-14-15-16, 18-19, 21-22-23. Worldcat states this as 12 pp., but both copies I have seen numbered 16 pages, this one with the addenda. VG-, typical age-toning, slightly (and ery tiny) folded at sheet corners.…

Paperback. Condizione: As New.

Condizione: Good. See complete list below. Many in original cardboard mailers. Friends of Photography was a nonprofit organization started by Ansel Adams and others in 1967 to promote photography as a fine art. During its existence the organization held at least 330 photography exhibitions at its galleries in Carmel and San Francisco, California, and it published a lengthy series of monographs under the name Untitled. Untitled was published Friends of Photography from 1972 to 1994. A total of 58 numbered publications were issued, first as a small magazine format and later as a series of booklets and full-size books. Numbers 1-10 displayed the series name and issue number on the cover, but as the publications became more specialized each number was titled independently in addition to the series name. The smallest publication in the series was Number 1, with 10 pages, and the largest was Number 43, with 156 pages. Many of the publications were catalogs of exhibitions held at the Friends of Photography gallery in Carmel, California. The publication featured many famous photographers, including Ansel Adams, Ruth Bernhard, Harry Callahan, Roy DeCarava, Lee Friedlander, Mary Ellen Mark, Aaron Siskind, Paul Strand, Brett Weston, and Edward Weston. It also offered perspectives on newer photographic trends like plastic cameras and the influence of pop-art.The series of Untitled monographs includes: 1: Edward Weston, Dody W. Thompson, 1972 2/3: Untitled 2/3: Fred R. Parker, editor, 1973 4: Anthony Hernandez and Joseph Jachna, Fred R. Parker, editor, 1973 5: Four Exhibitions: Andre Kertesz, Robert Rauschenberg, Robert Heinecken and Wynn Bullock, Peter Thompson, editor, 1973 6: Untitled 6: Cheryl Douglas, editor, 19737/8: On Change and Exchange, Peter Thompson, editor, 1974 9: In Time, Peter Thompson, editor, 1975 10: Nancy Newhall 1908/1974, Beaumont Newhall & Peter Thompson, editors, 1976 11: Emerging Los Angeles Photographers, Rodney C. Stewart, 1977 12: Albert Renger-Patzsch 1987-1966: Photographs from the Collection of the Friends of Photography, James Enyeart, editor, 1977 13: Plants: Photographs by Don Worth, James Enyeart, 1977 14: Untitled 14, James Alinder, editor, 1978 15: Jerome Liebling: Photographs 1947-1977, Estelle Jussim, 1978 16: Ansel Adams: 50 Years of Portraits, James Alinder, 1978 17: Comparative Photography: A Century of Change in Egypt and Israel - Francis Frith and Jane Reese Williams, Brian M. Fagan, 197918: Robert Cumming, James Alinder, 197919: Vilem Kriz, David Featherstone, 197920: Collecting Light: The Photographs of Ruth Bernhard, James Alinder, 197921: The Diana Show: Pictures Through a Plastic Lens, David Featherstone, 198022: Images from Within: The Photographs of Edmond Teske, James Alinder, 198023: 9 Critics / 9 Photographs, James Alinder, 198024: New Landscapes, Mark Johnstone, 198825: Discovery and Recognition, James Alinder, 198126: Altered Landscapes: The Photographs of John Pfahl. Peter C. Bunnell, 198127: Roy De Carava, James Alinder, 198128: Postures: The Studio Photographs of Marsha Burns, David Featherstone, 198229: Wright Morris: Photographs and Words, James Alinder, 198230: The Contact Print 1946-1982, James Alinder, 198231: Nicholas Nixon: Photographs from One Year, James Alinder, 198332: Mario Giacomelli, Stephen Brigidi and Claire V.C. Peeps, 198333: Samuel Bourne: Images of India, Arthur Ollman, 198334: Marion Post Wolcott: FSA Photographs, Sally Stein, 198335: Observations: Essays on Documentary Photography, David Featherstone, editor, 198436: Harry Callahan: Eleanor, Anne Kennedy and Nicholas Callaway, editors, 198437: Ansel Adams: 1902-1984, James Alinder, editor, 198438: Todd Walker, Julia K. Nelson, 198539: Mary Ellen Mark: Photographs of Mother Teresa's Missions of Charity in India, David Featherstone, 198540: Don Worth, Photographs 1955-1985, Hal Fischer, 198641: EW 100: Centennial Essays in Honor of Edward Weston, Peter C. Bunnell and David Featherstone, editors, 198642: Eikoh Hosoe, Ronald J. Hil.…

First Edition. First edition. A catalog produced by the Solway Gallery for an exhibition in Chicago. A collection of loose sheets with contributions by a total of 45 artists that include Allan Kaprow, Jackson Mac Low, Ray Johnson, Christo, Dore Ashton, Laurie Anderson, Jasper Johns, Richard Long, Yoko Ono, Louise Nevelson, Allen Ginsberg, Nam June Paik, Robert Morris, Robert Rauschenberg, Joseph Beuys, Alison Knowles, Claes Oldenburg, Shigeko Kubota and others. All sheets in fine condition and housed in a fine folded cardboard holder that has a printed map of Chicago and closed with rubberbands in red, yellow and blue that were meant to be like the train system in Chicago. A very nice copy. …

Condizione: Near Fine. Lithographic poster (23 x 17 inches) promoting two series of fundraising events for the School of Visual Arts (Feb. - May, 1971 / Oct. 1971 - May 1972), with thirteen evenings headlined by an impressive list of post-War American artists: Carl Andre, Larry Bell, Michael Heizer, Donald Judd, Alan Kaprow, Joseph Kosuth, Sol Lewitt, Roy Lichtenstein, Bruce Nauman, Claes Oldenburg, Robert Rauschenberg, Richard Serra, and Andy Warhol. Co-organized by Dayton?s Gallery 12. Proceeds from these events were earmarked for SVA scholarships for ?Black, Puerto Rican & American Indian students.? Strong fold-lines, but otherwise a remarkably well-preserved copy; near fine. …

Broadside (26 x 19.5 in.), twice-folded into four panels (13 x 9.75 inches). A Bradbury Thompson-designed catalogue for the remarkable group show at Stable Gallery (Nov. 29 - Dec. 23, 1955); organized to correspond with Thomas Hess' exposé on a new generation of American painters for Art News Annual ("U.S. Painting: Some Recent Directions"). The exhibition featured a total of 59 works from twenty-one artists, including: Elaine de Kooning, Robert de Niro, Helen Frankenthaler, Joan Mitchell, Larry Rivers, and Robert Rauschenberg, who here exhibited one of his earliest combines and is credited as being of "inestimable help" in the show's preparation. Each of the artists represented in a grid of b&w portraits, imposed opposite a lengthy text by Hess: "In one sense the younger artist can be compared to a pair of mirrors, set back to back, reflecting simultaneously an image of the past and of the future?the point where the light of history is more concentrated. In another sense, the younger artist is a breaker of historical mirrors?the contemporary instant of creation for which past and future are equally absurd. The mirror of his art is fixed in front of his own eyes." Some tenderness to glossy sheet at fold-lines, with faint stains to text section, but nonetheless a well-preserved copy of a scarce document; better than very good. With only a single OCLC record located in North America (Frick).…