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What Should I Read Next?: 70 University of Virginia Professors Recommend Readings in History, Politics, Literature, Math, Science, Technology, T
Lingua: Inglese
Editore: University of Virginia Press, 2008
ISBN 10: 0813927366 ISBN 13: 9780813927367
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
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Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
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What Should I Read Next?: 70 University of Virginia Professors Recommend Readings in History, Politics, Literature, Math, Science, Technology, T
Lingua: Inglese
Editore: University of Virginia Press September 2008, 2008
ISBN 10: 0813927366 ISBN 13: 9780813927367
Da: 2nd Act Books, Charlottesville, VA, U.S.A.
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Trade Paperback. Condizione: Used - very good.
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Beginning at the End: Decadence, Modernism, and Postcolonial Poetry
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Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. Book is New; dust jacket has one small closed tear. Extra clean! No marks in text. Not a library book. Ships in a cardboard enclosure. Tim's Used Books, open shop in Provincetown, Massachusetts, known since 1991 for good books at sane prices. 11 9 23.
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Beginning at the End: Decadence, Modernism, and Postcolonial Poetry
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hardcover. Condizione: As New.
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Beginning at the End: Decadence, Modernism, and Postcolonial Poetry
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What Should I Read Next? : 70 University of Virginia Professors Recommend Readings in History, Politics, Literature, Math, Science, Technology, the Arts, and More
Lingua: Inglese
Editore: University of Virginia Press, 2008
ISBN 10: 0813927366 ISBN 13: 9780813927367
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What Should I Read Next?: 70 University of Virginia Professors Recommend Readings in History, Politics, Literature, Math, Science, Technology, T (Paperback or Softback)
Lingua: Inglese
Editore: University of Virginia Press 9/19/2008, 2008
ISBN 10: 0813927366 ISBN 13: 9780813927367
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Paperback or Softback. Condizione: New. What Should I Read Next?: 70 University of Virginia Professors Recommend Readings in History, Politics, Literature, Math, Science, Technology, T. Book.
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What Should I Read Next? : 70 University of Virginia Professors Recommend Readings in History, Politics, Literature, Math, Science, Technology, the Arts, and More
Lingua: Inglese
Editore: University of Virginia Press, 2008
ISBN 10: 0813927366 ISBN 13: 9780813927367
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What Should I Read Next?: 70 University of Virginia Professors Recommend Readings in History, Politics, Literature, Math, Science, Technology, the Arts, and More
Lingua: Inglese
Editore: University of Virginia Press, 2008
ISBN 10: 0813927366 ISBN 13: 9780813927367
Da: Ria Christie Collections, Uxbridge, Regno Unito
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Beginning at the End : Decadence, Modernism, and Postcolonial Poetry
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Beginning at the End
Lingua: Inglese
Editore: Harvard University Press, US, 2021
ISBN 10: 0674984439 ISBN 13: 9780674984431
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Aggiungi al carrelloHardback. Condizione: New. During the struggle for decolonization, Frantz Fanon argued that artists who mimicked European aestheticism were "beginning at the end," skipping the inventive phase of youth for a decadence thought more typical of Europe's declining empires. Robert Stilling takes up Fanon's assertion to argue that decadence became a key idea in postcolonial thought, describing both the failures of revolutionary nationalism and the assertion of new cosmopolitan ideas about poetry and art.In Stilling's account, anglophone postcolonial artists have reshaped modernist forms associated with the idea of art for art's sake and often condemned as decadent. By reading decadent works by J. K. Huysmans, Walter Pater, Henry James, and Oscar Wilde alongside Chinua Achebe, Derek Walcott, Agha Shahid Ali, Derek Mahon, Yinka Shonibare, Wole Soyinka, and Bernardine Evaristo, Stilling shows how postcolonial artists reimagined the politics of aestheticism in the service of anticolonial critique. He also shows how fin de siècle figures such as Wilde questioned the imperial ideologies of their own era.Like their European counterparts, postcolonial artists have had to negotiate between the imaginative demands of art and the pressure to conform to a revolutionary politics seemingly inseparable from realism. Beginning at the End argues that both groups-European decadents and postcolonial artists-maintained commitments to artifice while fostering oppositional politics. It asks that we recognize what aestheticism has contributed to politically engaged postcolonial literature. At the same time, Stilling breaks down the boundaries around decadent literature, taking it outside of Europe and emphasizing the global reach of its imaginative transgressions.
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Beginning at the End : Decadence, Modernism, and Postcolonial Poetry
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Beginning at the End (Hardcover)
Lingua: Inglese
Editore: Harvard University Press, Cambridge, Mass, 2021
ISBN 10: 0674984439 ISBN 13: 9780674984431
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
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Hardcover. Condizione: new. Hardcover. During the struggle for decolonization, Frantz Fanon argued that artists who mimicked European aestheticism were "beginning at the end," skipping the inventive phase of youth for a decadence thought more typical of Europe's declining empires. Robert Stilling takes up Fanon's assertion to argue that decadence became a key idea in postcolonial thought, describing both the failures of revolutionary nationalism and the assertion of new cosmopolitan ideas about poetry and art.In Stilling's account, anglophone postcolonial artists have reshaped modernist forms associated with the idea of art for art's sake and often condemned as decadent. By reading decadent works by J. K. Huysmans, Walter Pater, Henry James, and Oscar Wilde alongside Chinua Achebe, Derek Walcott, Agha Shahid Ali, Derek Mahon, Yinka Shonibare, Wole Soyinka, and Bernardine Evaristo, Stilling shows how postcolonial artists reimagined the politics of aestheticism in the service of anticolonial critique. He also shows how fin de siecle figures such as Wilde questioned the imperial ideologies of their own era.Like their European counterparts, postcolonial artists have had to negotiate between the imaginative demands of art and the pressure to conform to a revolutionary politics seemingly inseparable from realism. Beginning at the End argues that both groups-European decadents and postcolonial artists-maintained commitments to artifice while fostering oppositional politics. It asks that we recognize what aestheticism has contributed to politically engaged postcolonial literature. At the same time, Stilling breaks down the boundaries around decadent literature, taking it outside of Europe and emphasizing the global reach of its imaginative transgressions. Robert Stilling shows how aestheticisms decadence became a key idea in postcolonial thought, describing the failures of revolutionary nationalism and asserting cosmopolitanism in poetry and art. Breaking down the boundaries around decadent literature, he takes it outside Europe and emphasizes the global reach of its imaginative transgressions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Beginning at the End
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
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What Should I Read Next? : 70 University of Virginia Professors Recommend Readings in History, Politics, Literature, Math, Science, Technology, the Arts, and More
Lingua: Inglese
Editore: University of Virginia Press, 2008
ISBN 10: 0813927366 ISBN 13: 9780813927367
Da: GreatBookPricesUK, Woodford Green, Regno Unito
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Beginning at the End
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Beginning at the End: Decadence, Modernism, and Postcolonial Poetry
Da: Brook Bookstore On Demand, Napoli, NA, Italia
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What Should I Read Next? : 70 University of Virginia Professors Recommend Readings in History, Politics, Literature, Math, Science, Technology, the Arts, and More
Lingua: Inglese
Editore: University of Virginia Press, 2008
ISBN 10: 0813927366 ISBN 13: 9780813927367
Da: GreatBookPricesUK, Woodford Green, Regno Unito
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Beginning at the End: Decadence, Modernism, and Postcolonial Poetry
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Beginning at the End
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Beginning at the End
Lingua: Inglese
Editore: Harvard University Press 2018-06-29, 2018
ISBN 10: 0674984439 ISBN 13: 9780674984431
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Beginning at the End: Decadence, Modernism, and Postcolonial Poetry
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Beginning at the End: Decadence, Modernism, and Postcolonial Poetry
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Beginning at the End : Decadence, Modernism, and Postcolonial Poetry
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In the Hands of a Good Providence Religion in the Life of George Washington
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Beginning at the End : Decadence, Modernism, and Postcolonial Poetry
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Beginning at the End Decadence, Modernism, and Postcolonial Poetry
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Beginning at the End (Hardcover)
Lingua: Inglese
Editore: Harvard University Press, Cambridge, Mass, 2021
ISBN 10: 0674984439 ISBN 13: 9780674984431
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Aggiungi al carrelloHardcover. Condizione: new. Hardcover. During the struggle for decolonization, Frantz Fanon argued that artists who mimicked European aestheticism were "beginning at the end," skipping the inventive phase of youth for a decadence thought more typical of Europe's declining empires. Robert Stilling takes up Fanon's assertion to argue that decadence became a key idea in postcolonial thought, describing both the failures of revolutionary nationalism and the assertion of new cosmopolitan ideas about poetry and art.In Stilling's account, anglophone postcolonial artists have reshaped modernist forms associated with the idea of art for art's sake and often condemned as decadent. By reading decadent works by J. K. Huysmans, Walter Pater, Henry James, and Oscar Wilde alongside Chinua Achebe, Derek Walcott, Agha Shahid Ali, Derek Mahon, Yinka Shonibare, Wole Soyinka, and Bernardine Evaristo, Stilling shows how postcolonial artists reimagined the politics of aestheticism in the service of anticolonial critique. He also shows how fin de siecle figures such as Wilde questioned the imperial ideologies of their own era.Like their European counterparts, postcolonial artists have had to negotiate between the imaginative demands of art and the pressure to conform to a revolutionary politics seemingly inseparable from realism. Beginning at the End argues that both groups-European decadents and postcolonial artists-maintained commitments to artifice while fostering oppositional politics. It asks that we recognize what aestheticism has contributed to politically engaged postcolonial literature. At the same time, Stilling breaks down the boundaries around decadent literature, taking it outside of Europe and emphasizing the global reach of its imaginative transgressions. Robert Stilling shows how aestheticisms decadence became a key idea in postcolonial thought, describing the failures of revolutionary nationalism and asserting cosmopolitanism in poetry and art. Breaking down the boundaries around decadent literature, he takes it outside Europe and emphasizes the global reach of its imaginative transgressions. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Beginning at the End
Lingua: Inglese
Editore: Harvard University Press, US, 2021
ISBN 10: 0674984439 ISBN 13: 9780674984431
Da: Rarewaves.com UK, London, Regno Unito
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Aggiungi al carrelloHardback. Condizione: New. During the struggle for decolonization, Frantz Fanon argued that artists who mimicked European aestheticism were "beginning at the end," skipping the inventive phase of youth for a decadence thought more typical of Europe's declining empires. Robert Stilling takes up Fanon's assertion to argue that decadence became a key idea in postcolonial thought, describing both the failures of revolutionary nationalism and the assertion of new cosmopolitan ideas about poetry and art.In Stilling's account, anglophone postcolonial artists have reshaped modernist forms associated with the idea of art for art's sake and often condemned as decadent. By reading decadent works by J. K. Huysmans, Walter Pater, Henry James, and Oscar Wilde alongside Chinua Achebe, Derek Walcott, Agha Shahid Ali, Derek Mahon, Yinka Shonibare, Wole Soyinka, and Bernardine Evaristo, Stilling shows how postcolonial artists reimagined the politics of aestheticism in the service of anticolonial critique. He also shows how fin de siècle figures such as Wilde questioned the imperial ideologies of their own era.Like their European counterparts, postcolonial artists have had to negotiate between the imaginative demands of art and the pressure to conform to a revolutionary politics seemingly inseparable from realism. Beginning at the End argues that both groups-European decadents and postcolonial artists-maintained commitments to artifice while fostering oppositional politics. It asks that we recognize what aestheticism has contributed to politically engaged postcolonial literature. At the same time, Stilling breaks down the boundaries around decadent literature, taking it outside of Europe and emphasizing the global reach of its imaginative transgressions.
