Robert stilling (40 risultati)

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EUR 7,92
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Paperback. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

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hardcover. Condizione: As New.

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Hardcover. Condizione: Good.

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Condizione: New.

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Paperback or Softback. Condizione: New. What Should I Read Next?: 70 University of Virginia Professors Recommend Readings in History, Politics, Literature, Math, Science, Technology, T. Book.

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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 34,97
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Condizione: As New. Unread book in perfect condition.

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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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EUR 34,59
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Condizione: New. In.

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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 48,05
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Condizione: New.

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EUR 50,40
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Hardcover. Condizione: new. Hardcover. During the struggle for decolonization, Frantz Fanon argued that artists who mimicked European aestheticism were "beginning at the end," skipping the inventive phase of youth for a decadence thought more typical of Europe's declining empires. Robert Stilling takes up Fanon's assertion to ar…gue that decadence became a key idea in postcolonial thought, describing both the failures of revolutionary nationalism and the assertion of new cosmopolitan ideas about poetry and art.In Stilling's account, anglophone postcolonial artists have reshaped modernist forms associated with the idea of art for art's sake and often condemned as decadent. By reading decadent works by J. K. Huysmans, Walter Pater, Henry James, and Oscar Wilde alongside Chinua Achebe, Derek Walcott, Agha Shahid Ali, Derek Mahon, Yinka Shonibare, Wole Soyinka, and Bernardine Evaristo, Stilling shows how postcolonial artists reimagined the politics of aestheticism in the service of anticolonial critique. He also shows how fin de siecle figures such as Wilde questioned the imperial ideologies of their own era.Like their European counterparts, postcolonial artists have had to negotiate between the imaginative demands of art and the pressure to conform to a revolutionary politics seemingly inseparable from realism. Beginning at the End argues that both groups-European decadents and postcolonial artists-maintained commitments to artifice while fostering oppositional politics. It asks that we recognize what aestheticism has contributed to politically engaged postcolonial literature. At the same time, Stilling breaks down the boundaries around decadent literature, taking it outside of Europe and emphasizing the global reach of its imaginative transgressions. Robert Stilling shows how aestheticisms decadence became a key idea in postcolonial thought, describing the failures of revolutionary nationalism and asserting cosmopolitanism in poetry and art. Breaking down the boundaries around decadent literature, he takes it outside Europe and emphasizes the global reach of its imaginative transgressions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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EUR 50,75
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Hardback. Condizione: New. During the struggle for decolonization, Frantz Fanon argued that artists who mimicked European aestheticism were "beginning at the end," skipping the inventive phase of youth for a decadence thought more typical of Europe's declining empires. Robert Stilling takes up Fanon's assertion to argue that dec…adence became a key idea in postcolonial thought, describing both the failures of revolutionary nationalism and the assertion of new cosmopolitan ideas about poetry and art.In Stilling's account, anglophone postcolonial artists have reshaped modernist forms associated with the idea of art for art's sake and often condemned as decadent. By reading decadent works by J. K. Huysmans, Walter Pater, Henry James, and Oscar Wilde alongside Chinua Achebe, Derek Walcott, Agha Shahid Ali, Derek Mahon, Yinka Shonibare, Wole Soyinka, and Bernardine Evaristo, Stilling shows how postcolonial artists reimagined the politics of aestheticism in the service of anticolonial critique. He also shows how fin de siècle figures such as Wilde questioned the imperial ideologies of their own era.Like their European counterparts, postcolonial artists have had to negotiate between the imaginative demands of art and the pressure to conform to a revolutionary politics seemingly inseparable from realism. Beginning at the End argues that both groups-European decadents and postcolonial artists-maintained commitments to artifice while fostering oppositional politics. It asks that we recognize what aestheticism has contributed to politically engaged postcolonial literature. At the same time, Stilling breaks down the boundaries around decadent literature, taking it outside of Europe and emphasizing the global reach of its imaginative transgressions.

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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

- Brossura
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

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Da: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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Condizione: new.

- Brossura
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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EUR 37,28
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Condizione: As New. Unread book in perfect condition.

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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 48,17
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Condizione: New. 2018. Hardcover. . . . . .

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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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EUR 57,45
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Condizione: As New. Unread book in perfect condition.

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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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EUR 56,46
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Condizione: New.

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Da: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condizione: New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.

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Da: Chiron Media, Wallingford, Regno UnitoChiron Media
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EUR 50,05
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Hardcover. Condizione: New.

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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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EUR 48,30
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Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

- Rilegato
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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EUR 54,34
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Condizione: New.

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Da: Books Puddle, New York, NY, U.S.A.Books Puddle
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Condizione: New.

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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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EUR 62,22
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Hardcover. Condizione: Brand New. illustrated edition. 264 pages. 9.00x6.00x1.00 inches. In Stock.

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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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EUR 67,65
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Condizione: As New. Unread book in perfect condition.

- Rilegato
Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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EUR 77,26
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Hardcover. Condizione: Brand New. 330 pages. 9.50x6.50x1.50 inches. In Stock.

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Da: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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EUR 83,44
EUR 31,75 spedizioneSpedito da Australia a U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: new. Hardcover. During the struggle for decolonization, Frantz Fanon argued that artists who mimicked European aestheticism were "beginning at the end," skipping the inventive phase of youth for a decadence thought more typical of Europe's declining empires. Robert Stilling takes up Fanon's assertion to ar…gue that decadence became a key idea in postcolonial thought, describing both the failures of revolutionary nationalism and the assertion of new cosmopolitan ideas about poetry and art.In Stilling's account, anglophone postcolonial artists have reshaped modernist forms associated with the idea of art for art's sake and often condemned as decadent. By reading decadent works by J. K. Huysmans, Walter Pater, Henry James, and Oscar Wilde alongside Chinua Achebe, Derek Walcott, Agha Shahid Ali, Derek Mahon, Yinka Shonibare, Wole Soyinka, and Bernardine Evaristo, Stilling shows how postcolonial artists reimagined the politics of aestheticism in the service of anticolonial critique. He also shows how fin de siecle figures such as Wilde questioned the imperial ideologies of their own era.Like their European counterparts, postcolonial artists have had to negotiate between the imaginative demands of art and the pressure to conform to a revolutionary politics seemingly inseparable from realism. Beginning at the End argues that both groups-European decadents and postcolonial artists-maintained commitments to artifice while fostering oppositional politics. It asks that we recognize what aestheticism has contributed to politically engaged postcolonial literature. At the same time, Stilling breaks down the boundaries around decadent literature, taking it outside of Europe and emphasizing the global reach of its imaginative transgressions. Robert Stilling shows how aestheticisms decadence became a key idea in postcolonial thought, describing the failures of revolutionary nationalism and asserting cosmopolitanism in poetry and art. Breaking down the boundaries around decadent literature, he takes it outside Europe and emphasizes the global reach of its imaginative transgressions. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

- Rilegato
Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 45,22
EUR 75,84 spedizioneSpedito da Regno Unito a U.S.A.Quantità: Più di 20 disponibili
Hardback. Condizione: New. During the struggle for decolonization, Frantz Fanon argued that artists who mimicked European aestheticism were "beginning at the end," skipping the inventive phase of youth for a decadence thought more typical of Europe's declining empires. Robert Stilling takes up Fanon's assertion to argue that dec…adence became a key idea in postcolonial thought, describing both the failures of revolutionary nationalism and the assertion of new cosmopolitan ideas about poetry and art.In Stilling's account, anglophone postcolonial artists have reshaped modernist forms associated with the idea of art for art's sake and often condemned as decadent. By reading decadent works by J. K. Huysmans, Walter Pater, Henry James, and Oscar Wilde alongside Chinua Achebe, Derek Walcott, Agha Shahid Ali, Derek Mahon, Yinka Shonibare, Wole Soyinka, and Bernardine Evaristo, Stilling shows how postcolonial artists reimagined the politics of aestheticism in the service of anticolonial critique. He also shows how fin de siècle figures such as Wilde questioned the imperial ideologies of their own era.Like their European counterparts, postcolonial artists have had to negotiate between the imaginative demands of art and the pressure to conform to a revolutionary politics seemingly inseparable from realism. Beginning at the End argues that both groups-European decadents and postcolonial artists-maintained commitments to artifice while fostering oppositional politics. It asks that we recognize what aestheticism has contributed to politically engaged postcolonial literature. At the same time, Stilling breaks down the boundaries around decadent literature, taking it outside of Europe and emphasizing the global reach of its imaginative transgressions.

- Brossura
Da: Buchpark, Trebbin, GermaniaBuchpark
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 24,97
EUR 105,00 spedizioneSpedito da Germania a U.S.A.Quantità: 1 disponibili
Condizione: Hervorragend. Zustand: Hervorragend | Seiten: 298 | Sprache: Englisch | Produktart: Bücher | Even the most well-read among us feel gaps in our knowledge. Former English majors or art students want to understand the monetary system; mathematicians or doctors just want a great novel. What Should I Read Next? taps seven…ty University of Virginia professors for recommended readings in history, politics, literature, math, science, technology, the arts, and more. Each contributor picks five titles that speak to their area of inquiry, providing a general introduction and commentary on each selection.

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Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
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EUR 80,96
EUR 63,85 spedizioneSpedito da Germania a U.S.A.Quantità: 2 disponibili
Buch. Condizione: Neu. Neuware - Robert Stilling shows how aestheticism¿s decadence became a key idea in postcolonial thought, describing the failures of revolutionary nationalism and asserting cosmopolitanism in poetry and art. Breaking down the boundaries around decadent literature, he takes it outside Europe and emphasizes th…e global reach of its imaginative transgressions.