robert storr text (28 risultati)

Hard Cover. Condizione: vg+. Condizione sovraccoperta: vg. Jorg Immendorff (illustratore). 151 pages; in English; red cover; contents unmarked; color & b/w illustrations; 9" x 11" tall; b/w il'd dust jacket with small tears top edge, is in new protective mylar. Hardcover (dj).

Soft cover. Condizione: Near Fine. 1st Edition. First Edition. 10.5 x 10.5 inches. Unpaginated. w/ 10 color plates. Illustrated wraps with die-cut square at front wrap. Light crease to bottom corner of front wrap near foot of spine. Near Fine.

Hardcover. White boards with color illustration and black lettering; 141 pp. with color and bw plates throughout. Catalogue to accompany the exhibition held January 8 - March 1, 2008 at Zwirner & Wirth, New York; with an essay, an interview, a list of plates, and a chronology. VG with only a slight bump to lower back corner.

29 x 23 cm. 141 S. Kartoniert. Sprache: Englisch, Mit zahlr. Abb. sehr guter Zustand. Hinweis: Versandkosten müssen bei Auslandsversand evtl. angehoben werden.

hardcover. Condizione: Good.

First edition. 10.5 x 9 inches. 253 pages. Profusely illustrated in color. Original printed wrappers. With text in both English and Spanish. "Latin American artist Gego (19121994) produced a range of line-based abstract work, including drawings, prints, and wire sculptures. Focusing on a rare series of monotypes from the early 1950s, drawings and prints, and drawings without paper and tejeduras (woven paper pieces) of the late 1970s and 1980s, this fascinating book traces Gego s exploration of line and space. Gego used lines as conceptual and visual tools to create in-between spaces within her works. Whether drawing lines on paper or projecting them into space, the artist sought to make visible the invisible. She believed that line could express what is not physically present in natureincluding thought, intuition, and emotions. By manipulating the density of the lines or by interrupting them, she brought light, shadow, and feeling into her linear works" (the publisher). Ex-library copy with stickers and card on the half-title; covers laminated; otherwise unmarked.

hardcover. Condizione: As New. Hardcover with dust jacket. Book is in excellent condition, text is unmarked and pages are tight.

Hardcover. Condizione: Brand New. bilingual edition. 302 pages. 10.00x7.75x1.00 inches. In Stock.

Paperback. Condizione: Near Fine. 1st. 1 volume (unpaged), illustrations (some colour); 24 cm. Produced on the occasion of the exhibition of the same name held at the Lever House Art Collection, 390 Park Avenue, New York, NY, held from June 28 to October 1, 2012. Near fine. Firm binding, clean inside copy. Front cover lightly scuffed. Size: Oblong. Collectible.

Hardcover. Condizione: New.

First edition. "Published on the occasion of the exhibition Ad Reinhardt at David Zwirner, New York, this catalogue presents a comprehensive exploration of the artist's cartoon works, which he created for various publications throughout his lifetime, most notably the progressive tabloid daily newspaper P.M., in which his How to Look series first appeared in 1946. Reinhardt's comics shed light on the artist's humorous insight into art history, politics and culture, as well as his unparalleled critical sensibility as a painter and thinker. The publication includes new scholarship on this facet of Reinhardt's practice by curator Robert Storr" (the publisher). A near fine copy.

Condizione: Good. Well-illustrated (illustratore). 4to. Unpaged. Glossy Softcover. Good, slight fraying on cover spine, slight sunning and aging throughout, slight creasing and marking on covers. B&W prints throughout.From the Collection of the Art Historian Peter Selz (1919-2019).

Hardcover. Condizione: Brand New. bilingual edition. 302 pages. 10.00x7.75x1.00 inches. In Stock.

SOFTCOVER. Condizione: As New. 1st Edition. Large 8vo in colour printed stiff card covers 135pp, colour plates, etc. Text in French. PLUS 5pp gallery press release and Private View invitation card loosely inserted . [CONDITION: A well preserved AS NEW unmarked and unread copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Condizione: Sehr gut. 1. Auflage. B3 : 256 pages with 200 color illustrations, clothbound - This is the most complete monograph of Paris-based Tatiana Trouvé's multifaceted oeuvre, which consists of mixed media sculptures and drawings made from such materials as vinyl and copper. Trouvé was awarded the 2007 Prix Marcel Duchamp.

Hardcover. Condizione: Sehr gut. Condizione sovraccoperta: Sehr gut. 1. Auflage. Z : 256 Seiten, 158 Abb. Leinen mit Schutzumschlag - In Baden-Baden eröffnete im Oktober 2004 das Museum Sammlung Frieder Burda mit Beständen von über 500 Kunstwerken der Klassischen Moderne und der zeitgenössischen Kunst. Die Pläne für das neue Haus entwarf der New Yorker Architekt Richard Meier; es liegt direkt neben der Staatlichen Kunsthalle Baden-Baden und wird durch eine Brücke mit ihr verbunden. Die international ausgerichtete Sammlung Frieder Burda ist in Schwerpunkten angelegt. Sie reicht mit Bildern von Kirchner und Beckmann über eine Gruppe amerikanischer Abstrakter Expressionisten wie Rothko, de Kooning und Pollock bis hin zu retrospektiven Werkkomplexen von Baselitz, Rainer, Richter und Polke. Einen weiteren Schwerpunkt der Sammlung bildet ein malerisches Ensemble des expressiven Spätwerks von Picasso.

Hardcover. Quarto, 184 pages. In Good minus condition with a Good minus dust jacket. Spine is white with black and blue print. Dust jacket has b&w artist portrait on rear panel; light edge wear, shrinking of plastic film on front panel. Boards in pink cloth; slight wear to spine caps and corners, toning to bottom edge. Text block has spine break at page 80. Illustrated: color and b&w. Inscribed in ink by the artist on page [7]. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Net Desk work area. 1405357. FP New Rockville Stock.

Vintage exhibition brochure for the retrospective exhibition at the Museum of Modern Art, held February 14 through May 21, 2002. Near Fine in side stapled illustrated self wrappers. Front wrapper with light horizontal creasing emanating from top near spine fold and faint creasing at top.

Hardcover. Condizione: Near Fine. No Jacket. 1st Edition. AS PICTURED - 5 IMAGES. Large, slim square format 4to (31x27)cms. Silver coloured boards with central blind blocked title, smaller red text to front and spine. Wrap-around illustrated paper band (19.5 x 80)cms (Fine). Book tight, bright and clean with no marks or inscriptions and minimal indeed evidence of handling. 60pp. (near Fine). A comprehensive, beautifully designed and printed catalogue of the Complete Coca-Cola Girls series. SCARCE (25% of proceeds to Motor Neurone Disease Research). Additional postage will be quoted for buyers outside the U.K.

4°, 340 S., zahlr. Abb. (oft a. farb. Taf.), Brosch., Fuss bestossen, etw. gebrauchsspurig, innen tadellos. EA. Erschienen zur Ausstellung New York u. a. O. Mit Interview, Chronologie, Bibliografie u. a. 2400 gr. Schlagworte: Kunst - Monographien, Kunst - 20 Jht. nach 1945.

First edition. 12 x 8 inches. 156 pages. Profusely illustrated in color. Original cloth; dust jacket. "This volume offers the first and most complete overview of the art of Berkeley-based painter John Zurier (born 1956). The book contains 97 full-color reproductions of his abstract oil paintings, with an essay by Robert Storr" (the publisher). New in shrinkwrap.

Hardcover. Condizione: Brand New. 200 pages. German language. 10.16x10.08x1.10 inches. In Stock.

Hardcover. Condizione: Sehr gut. Condizione sovraccoperta: Sehr gut. 1. Auflage. Z : 376 Seiten, 395 Abb. Leinen mit Schutzumschlag - Neben großformatigen, ganzseitigen Reproduktionen der Kunstwerke bietet das Buch eine Chronologie des Hauses und eine Vielzahl von begleitenden, erläuternden Texten führender Kunsthistoriker, die teilweise erstmals in deutscher Sprache vorgelegt wurden.

Hardcover. Condizione: Sehr gut. 1. Auflage. Z : 268 Seiten, 98 Abb. Leinen - Die Publikation stellt die wenig bekannten, freier gestalteten klein- bis mittelformatigen Gemälde und Zeichnungen des Malers in den Mittelpunkt und untersucht diese anhand einer Reihe von kunstkritischen Essays namhafter Autoren darunter ein Text von Robert Storr, der das uvre Federles zwischen der Tradition der europäischen Romantik und der amerikanischen Malerei des 20. Jahrhunderts ansiedelt. Als persönliche Spur durchzieht den Band eine kleine Auswahl von Gedichten, die für den Künstler von besonderer Bedeutung sind.

Paperback. Condizione: Fine. 1st. 129 pages, colour illustrations; 24 cm. Published on the occasion of the exhibition, The Bruce High Quality Foundation: Ode to Joy, 2001-2013, held at the Brooklyn Museum, Brooklyn, NY, June 28 to September 22, 2013. Firm binding, clean inside copy. Edition of 2000 copies. *** "Ode to Joy, 2001-2013 is a retrospective of over fifty works by The Bruce High Quality Foundation, whose production includes subversive and often humorous installation art, live performance, film, and social sculpture." - Publisher. Size: Oblong. Collectible.

Hardcover. Condizione: Sehr gut. Condizione sovraccoperta: Sehr gut. 1. Auflage. Z : 144 Seiten/pp., 65 Abbildungen/ills. Leinen/clothbound - Her rich and fascinating oeuvre is the subject of this publication, which presents more than fifty works from sixty years of creative activity in impressive full-color illustrations. Most of the works featured here are from the Daros Collection in Zurich.

Quer-Gr.8°, 79 S., zahlr. farb. Abb. (tlw. a. Taf.), OLwd. m. OU, Tadellos. EA. Erschienen zur Ausstellung Dresden und Winterthur. 1200 gr. Schlagworte: Kunst - Monographien, Kunst - 20 Jht. nach 1945.

Lose Doppelblatt in Umschlag. 4°, o. P.: 8 Doppelblatt mit zahlr. Abb. (tlw. auf farbigen Tafeln). Umschlag tlw. etw. knittrig, innen allg. tadellos. Dt. EA. Mit einem Text von Jean Frémon (dt.) und einem Text von Robert Storr (engl.). Im Anhang u. a. das Verzeichnis der ausgestellten Werke in 51 Nummern.