Robert van audenaerde (52 risultati)

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. In English.

Condizione: New.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: New.

Condizione: New. In English.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1839 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 46 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Italian.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Gravure du flamand Robert van Audenaerde (1663 - Gand, 1748), début XVIII [1725 ?], 24,4 x 22, représentant au recto sous forme d'allégorie Pietro Barbarigo (1671-1725) - Petrus Barbadicus - Patriarche de Venise et au verso un texte latin imprimé partiel qui évoque la mort du Patriarche en 1725. Signature "R.V.A Fec." en bas au centre de la gravure. Doyen de la Basilique Saint-Marc de Venise, Pietro Barbarigo avait été élevé au rang du Patriarcat de Venise en 1706. La gravure est extraite vraisemblablement du recueil dédié au Cardinal Barbarigo "Numismata virorum illustrium ex Barbadicâ gente" édité en 1732. Le document est un hommage de l'artiste à son mécène à l'occasion de sa mort et témoigne de la proximité de l'artiste flamand avec la dynastie des Barbarigo à Venise. Belle gravure. PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUEST Size: 36,5 x 26. Estampes - Gravures - Dessins. …

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1732 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 137 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 137.…

Condizione: Good. Engravings. 48 x 36 cm, sheet size. Old thick laid paper.Olschki 17449 , Cicognara 3523 , Berlin Kat. 4206).

Complete series of 9 engraved prints by Robert van Audenaerde after Andrea Mantegna's paintings of Caesar's triumphs, preceded by the title-print, commissioned by Cardinal Panciatico, with his arms at the foot of the title-print. Mantegna (1430/31-1506) created these paintings between 1484 and 1492 for the Ducal Palace in Mantua, commissioned by Duke Federico I Gonzago, or more likely his son Francesco II. They show the triumphal military parade celebrating Julius Caesar's victory in the Gallic Wars: a procession of Roman soldiers, musicians, exotic animals, war equipment and captives. These paintings are often acknowledged as Mantegna's greatest masterpiece, because they form the most complete pictorial representation of a Roman triumph. His paintings became very popular, also for engravers and printmakers, and many print series followed, including one from his own workshop. The present series by the Ghent engraver Robert van Audenaerde (1663-1743) is one of the most beautiful and gracious renderings of these paintings, with beautiful and highly detailed images. Paperboard folder a little worn, front hinge cracked, so that the front board is nearly detached, boards reinforced at some places with transparent tape. Each print with a vertical crease (hardly affecting the plates), a few with very small marginal tears, some plates with an occasional stain or slightly browned or dust-soiled, but otherwise in good condition.l Berlin Kat. 4060; Le Blanc, Manuel de l'amateur d'estampes, Audenaerde 79-88 (p. 68); not in Hollstein. The 10 prints are preserved in a paperboard folder covered with half green cloth and green marbled sides (ca. 57 x 47 cm). With an engraved allegorical title-print showing Minerva on a throne pointing towards a medallion with Caesar's profile, and 9 engraved prints (ca. 43.5 x 41 cm except print 1 ca. 51.5 x 41 cm) by Robert van Audenaerde after Andrea Mantegna's paintings, showing the triumphal military parade celebrating Caesar's victory in the Gallic Wars. Each is numbered at the lower right and captioned below with an engraved description. Pages: [1], 9 engraved ll.…

Condizione: Good. Oblong folio. 50 x 39cm. 83 numbered plates.New half parchment and marbled board binding by the artisan binder, Sasha Mosalov.Title and dedication included in numbering of plates. Single letterpress leaf bears bibliographical information by Domenco de' Rossi. Dedicatory leaf incorporates port. of Cardinal Flavio Chigi, to whom first ed. was dedicated, engraved by V. Guigou. Plate 30 signed with initials by Robert van Audenaerd, who was responsible for other plates as well. Thirty-one of the plates by Bartoli are copies in reverse of plates from François Perrier's Icones et segmenta (Rome, 1645). Perrier's monogram appears on plates 53 & 54. See Indice.First ed. appeared probably in 1666 and comprised 81 plates. Plates 60 & 61 of the present ed., devoted to the Roman fresco known as the Aldobrandini Wedding, were etched by Bartoli in 1677 and added to the work. In 1690 a group of 31 plates was transferred to another de Rossi publication (Veteres arcus Augustorum), and replaced with 31 others in part by Bartoli. .References; OCLC Number874380230;RIBA, Early printed, 1 (1994), no. 206, p.116-7 [describes mainly a pre-1693 edition].Summary Note:The sculptures shown are accompanied by a short explanatory caption, and statement of location. Several are from the collections of the Barberini, Medici, Borghese, Mattei, Giustiniani and Pamphili; a smaller number from the collections of the Mazarins, Montalto, Della Valle, the Queen of Sweden, Farnese, Massimi, Sacchetti and Vitelleschi; one is from the collection of Cardinal Flavio Chigi, to whom the work is dedicated. Others are from the Vatican and Capitoline collections, from churches and from the Forum of Nerva. Only one is shown from outside Rome, from the royal collection in Madrid.…

Leather Bound. Condizione: New. Language: Latin. Language: Latin. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1690. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Latin, Pages: - 114, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 114 114.…

Leather Bound. Condizione: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1694. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages: - 150, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 150 150.…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1704 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 453 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 453 Language: Italian.…

Softcover. Condizione: New. Reprint. Langue : Latin. Environ 174 pages. Français : Réimpression à la demande. Édition originale : 1693. Recueil de planches consacré aux antiquités romaines et à la sculpture antique, présentant des reliefs, statues, fragments et autres monuments inspirés de marbres conservés à Rome. L'ensemble intéresse l'histoire de l'art, l'archéologie classique et l'étude de la réception de l'Antique à Rome aux XVIIe et XVIIIe siècles, avec des notices et gravures de grand intérêt documentaire. Images du livre non contractuelles English : Print-on-demand reprint. Original edition : 1693. Collection of plates devoted to Roman antiquities and ancient sculpture, showing reliefs, statues, fragments, and other monuments inspired by marbles preserved in Rome. Of great interest to the history of art, classical archaeology, and the study of the reception of antiquity in Rome during the 17th and 18th centuries, with plates and notes of substantial documentary value. Book images are non-contractual. Cet article est imprimé à la demande et expédié depuis l'atelier de nos partenaires d'impression le plus proche de la destination. Ces ateliers se trouvent principalement aux États-Unis, au Royaume-Uni et au Canada.…

Softcover. Condizione: New. Reprint. Langue : Latin. Environ 114 pages. Français : Réimpression à la demande. Édition originale : 1690. Ouvrage en latin. Cet ouvrage, publié en 1690, est une étude détaillée des arcs triomphaux romains, illustrée de planches gravées par Pietro Santi Bartoli. Il s'agit d'une œuvre majeure de l'érudition baroque, combinant histoire de l'art et archéologie. Les auteurs, parmi lesquels Giovanni Pietro Bellori, ont contribué à la conservation et à l'interprétation des monuments antiques. Images du livre non contractuelles English: Print-on-demand reprint. Original edition : 1690. Text in Latin. This work, published in 1690, is a detailed study of Roman triumphal arches, illustrated with engraved plates by Pietro Santi Bartoli. It is a major work of Baroque scholarship, combining art history and archaeology. The authors, including Giovanni Pietro Bellori, contributed to the preservation and interpretation of ancient monuments. Book images are non-contractual. Cet article est imprimé à la demande et expédié depuis l'atelier de nos partenaires d'impression le plus proche de la destination. Ces ateliers se trouvent principalement aux États-Unis, au Royaume-Uni et au Canada.…

Je ca. 13,5 x 19 cm. In der Platte bezeichnet "C.M. pinxit Rome". Auf feinem Bütten, teils mit der Plattenkante, teils auf diese geschnitten. Zwei Blätter mit Wasserzeichen "Drei Kugeln und Vogel im Kreis mit Anhänger". Vorhanden sind: Die Geburt Christi mit Anbeitung der Heiligen nach dem Fresko von Carlo Maratti, Rom, San Giuseppe dei Falegnami. - Die Verhöhnung Christi. - Ein Engel erscheint Petrus im Gefängnis. - Todesangst im Garten. - Der belgische Maler, Stecher und Radierer Robert Audenaerd (oder Auden-Aer) war Schüler von Francis van Mierhop und Hans von Cleef. 1685 ging Audenaerde nach Rom, wo er knapp vierzig Jahre blieb. In Rom war er zunächst Schüler von Carlo Maratti, dessen Stil einen großen Einfluss auf sein Werk hatte. Maratti erkannte auch sehr bald Audenaeres grafisches Talent und ließ ihn zahlreiche Blätter nach seinen Zeichnungen und Gemälden stechen. - Ein Blatt mit blassen Farbspuren im Rand. Sprache: Deutsch.…

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware 44 pp. Italienisch.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware 44 pp. Italienisch.

Sin Encuadernar. Condizione: Regular. Size: 64 x 34 cm. Engraving by Robert van Audenaerde after the painting The martyrdom of Saint Blasius which Carlo Maratta executed in 1680 for Santa Maria Assunta di Carignano in Genova. The drawing is a little bit faded.

HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering.

Condizione: New. Print on Demand.

Condizione: New. PRINT ON DEMAND.