Robert windham (39 risultati)

Condizione: good. This book is in good condition with very minimal damage. Pages may have minimal notes or highlighting. Cover image on the book may vary from photo. Ships out quickly in a secure plastic mailer.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Condizione: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condizione: Very Good. Book in Very Good condition.

Softcover. Condizione: Very Good. First Edition. First edition. Very good in wrappers. Paperback is lightly rubbed at sp ine ends and corners, warped, former owner's name inside front cover.

Condizione: New.

Condizione: New.

Condizione: Very Good. Moores, Ian (illustratore).

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1350grams, ISBN:9780849310379. …

Condizione: New. Satisfaction Guaranteed or your money back.

First edition (not stated) SIGNED BY THE ARTIST. x, 100 pages plus 84 unnumbered pages. Hardcover: H 28.75cm x L 25.75cm. Dust jacket lightly rubbed; flap fold heads bumped; front flap is not price-clipped; dj presented in a mylar Brodart protector. Brownish-orange cloth with bright silver stamped lettering to spine and front board; boards' top fore-edge corners bumped with several initial leaves affected likewise. Multi-colored pictorial endpapers; artist Charlie Lucas' ink signature upon front free endpaper along with two figural face sketch drawings incorporated among the page's graphic design; several other illustrative ink marks by Lucas on front endpapers all of which can be easily overlooked due to the colorful "busy-ness" of the two pages. Other than the aforementioned initial leaf corner bumping interior pages are otherwise bright and clean. Binding retains some crispness. A very good+ copy in a very good+ dust jacket. Although without any identifying marks as such, the book was acquired directly from the estate of University of Alabama Professor Emeritus of Humanities and Religious Studies William G. Doty (1939-2017), a renowned scholar, lecturer, and editor best known for his monograph "Mythography: The Study of Myths and Rituals" (first published 1986 by University of Alabama Press with other printings/editions through 2014) and for his editorship of "Mythosphere: A Journal for Image, Myth, and Symbol." Doty was a prolific author writing some twenty books and over seventy essays not only regarding his primary fields of myth and mythology but delving into other disciplines including anthropology, art criticism, classics, and psychology. Page iv notes that the publication of TIN MAN was made possible by the generous support of five individuals including William G. Doty and [wife] Joan T. Mallonee. Please note that this large book has an approximate shipping weight of 4.25 pounds (1.92 kg) and may require additional postage for any postal class other than domestic Media Mail. {Art_Shelf#2|CMS-02299} ISBN 9780817316815.…

First edition (not stated) SIGNED BY THE ARTIST. x, 100 pages plus 84 unnumbered pages. Hardcover: H 28.75cm x L 26cm. Dust jacket rubbed with bumping at edges; front flap retains publisher's printed price at top right corner; dj now presented in a mylar Brodart protector. Brownish-orange cloth; bright silver stamped lettering to spine and front board. Multi-colored pictorial endpapers; artist's two-line ink signature "Charlie Lucas | Tin Man" upon front free endpaper along with two figural face sketch drawings incorporated among the page's graphic design; several other ink marks by Lucas upon the front endpapers all of which can be easily overlooked due to the colorful "busy-ness" of the two pages. Interior leaves are otherwise bright and clean. Binding is firm. A near fine copy in a very good+ dust jacket. Please note that this large book has an approximate shipping weight of 4.25 pounds (1.92 kg) and may require additional postage for any postal class other than domestic Media Mail. {Art_Shelf#3|CMS-02300} ISBN 9780817316815. …

First edition (not stated) SIGNED BY THE ARTIST. x, 100 pages plus 84 unnumbered pages. Hardcover: H 28.75cm x L 25.75cm. Dust jacket lightly rubbed with slight bumping at edges; front flap is not price-clipped; dj presented in a mylar Brodart protector. Brownish-orange cloth with bright silver stamped lettering to spine and front board. Multi-colored pictorial endpapers; artist Charlie Lucas' ink signature upon front free endpaper along with two figural face sketch drawings incorporated among the page's graphic design; several other illustrative ink marks by Lucas on front endpapers all of which can be easily overlooked due to the colorful "busy-ness" of the two pages. Laid-in at front endpapers are four items: (#1) a printout of an October 2009 email from Chip Cooper to past owner William G. Doty; (#2) color printout of photo of artist Charlie Lucas signing a book which may well be this copy but impossible to ascertain definitively; (#3) stapled pages of an article regarding the artist excised from November-December 2012 issue of "Alabama Journey" magazine; and (#4) and August 7, 2011 clipping from "The Tuscaloosa News" reviewing the book. Page iv notes that the publication of TIN MAN was made possible by the generous support of five individuals which includes William G. Doty and [wife] Joan T. Mallonee. Interior pages are bright and clean. Binding retains some crispness. A fine copy in a near fine dust jacket. Book was acquired directly from the estate of University of Alabama Professor Emeritus of Humanities and Religious Studies William G. Doty (1939-2017), a renowned scholar, lecturer, and editor best known for his monograph "Mythography: The Study of Myths and Rituals" (first published 1986 by University of Alabama Press with other printings/editions through 2014) and for his editorship of "Mythosphere: A Journal for Image, Myth, and Symbol." Doty was a prolific author writing some twenty books and over seventy essays not only regarding his primary fields of myth and mythology but delving into other disciplines including anthropology, art criticism, classics, and psychology. Please note that this large book has an approximate shipping weight of 4.25 pounds (1.92 kg) and may require additional postage for any postal class other than domestic Media Mail. {Art_Shelf#1|CMS-02298} ISBN 9780817316815.…

Encuadernación de tapa dura. Condizione: Bien. Condizione sovraccoperta: Bien.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condizione: Brand New. new edition. 192 pages. 11.50x10.30x0.90 inches. In Stock.

Paperback. Condizione: Collectible-Like New.

Gebunden. Condizione: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Gebunden. Condizione: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Softcover. Condizione: Very Good. Series VI, No. 3. Cover Illustration by Jean Helion. Quarto. 50pp. Stapled wrappers. Wraps rubbed and moderately soiled, the front cover with several drink rings, rubbed and lightly creased along the spine, with small splits at the ends, about very good. Includes poems by Joe Massey and Maurice Ely Harper, as well as contributions by Donald Windham, Robert Melville, Paul Goodman, Edith Sitwell, and others. View was an avant-garde literary and art magazine by writer and artist Charles Henri Ford. Published in New York from 1940 to 1947, the magazine focused primarily on the contemporary avant-garde and Surrealist scene.…

Condizione: Good. 1933. No Edition Remarks. 375 pages. No dust jacket. Red cloth. Black and white photographic plates throughout. Pages and plates have light tanning and foxing throughout. Binding remains firm. Boards have light shelf-wear with corner bumping. Slight crushing to spine ends. Stain to spine and bottom edge of front board.…

Condizione: New. Print on Demand pp. 666.

Condizione: New. Print on Demand pp. 666.

Condizione: New. Print on Demand pp. 666.

Condizione: New. Print on Demand pp. 666.

Condizione: New. PRINT ON DEMAND pp. 666.

Condizione: New. PRINT ON DEMAND pp. 666.

Condizione: New. Print on Demand pp. 666.