Roberto gonzlez echevarra (8 risultati)

Paperback. Condizione: Good. Published in 1499 and centered on the figure of a bawd and witch, Fernando de Rojas' dark and disturbing Celestina was destined to become the most suppressed classic in Spanish literary history. Routinely ignored in Spanish letters, the book nonetheless echoes through contemporary Spanish and Latin American literature. This is the phenomenon that Celestina's Brood explores.Roberto GonzÁlez EchevarrÍa, one of the most eminent and influential critics of Hispanic literature writing today, uses Rojas' text as his starting point to offer an exploration of modernity in the Hispanic literary tradition, and of the Baroque as an expression of the modern. His analysis of Celestina reveals the relentless probing of the limits of language and morality that mark the work as the beginning of literary modernity in Spanish, and the start of a tradition distinguished by a penchant for the excesses of the Baroque. GonzÁlez EchevarrÍa pursues this tradition and its meaning through the works of major figures such as Cervantes, Lope de Vega, CalderÓn de la Barca, Alejo Carpentier, Carlos Fuentes, Gabriel GarcÍa MÁrquez, NicolÁs GuillÉn, and Severo Sarduy, as well as through the works of lesser-known authors.By revealing continuities of the Baroque, Celestina's Brood cuts across conventional distinctions between Spanish and Latin American literary traditions to show their profound and previously unimagined affinity.…

Condizione: New. pp. 260.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book offers a theory about the origin and evolution of the Latin American narrative, and about the emergence of the modern novel. It argues that the novel developed from the discourse of the law in the Spanish Empire during the sixteenth century, while many of the early historical documents concerning the New World assumed the same forms, furnished by the notarial arts. Thus, both the novel and these first Latin American narratives imitated the language of authority. The book explores how the same process is repeated in two key moments in the history of the Latin American narrative. In the nineteenth century, the model was the discourse of scientific travellers such as von Humboldt and Darwin, while in the twentieth century, the discourse of anthropology - the study of language and myth - has come to shape the narrative. Professor González Echevarría's theoretical approach is drawn from a reading of Carpentier's Los pasos perdidos, and the book centres on major figures in the tradition such as Columbus, Garcilaso el Inca, Sarmiento, Gallegos, Borges and Garcia Marquez.…

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware - By one of the most original and learned critical voices in Hispanic studies- a timely and ambitious study of authority as theme and authority as authorial strategy in modern Latin American literature. An ideology is implicit in modern Latin American literature, argues Roberto GonzÁlez EchevarrÍa, through which both the literature itself and criticism of it define what Latin American literature is and how it ought to be read. In the works themselves this ideology is constantly subjected to a radical critique, and that critique renders the ideology productive and in a sense is what constitutes the work. In literary criticism, however, too frequently the ideology merely serves as support for an authoritative discourse that seriously misrepresents Latin American literature. In The Voice of the Masters, GonzÁlez EchevarrÍa attempts to uncover the workings of modern Latin American literature by creating a dialogue of texts, a dynamic whole whose parts are seven illuminating essays on seminal texts in the tradition. As he says, 'To have written a sustained, expository book . would have led me to make the same kind of critical error that I attribute to most criticism of Latin American literature. I would have naively assumed an authoritative voice while attempting a critique of precisely that critical gesture.' Instead, major works by Barnet, Cabrera Infante, Carpentier, CortÁzar, Fuentes, Gallegos, GarcÍa MÁrquez, Roa Bastos, and RodÓ are the object of a set of independent deconstructive (and reconstructive) readings. Writing in the tradition of Derrida and de Man, GonzÁlez EchevarrÍa brings to these readings both the penetrative brilliance of the French master and a profound understanding of historical and cultural context. His insightful annotation of Cabrera Infante's 'Meta-End,' the full text of which is presented at the close of the study, clearly demonstrates these qualities and exemplifies his particular approach to the text. 208 pp. Englisch. …

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - By one of the most original and learned critical voices in Hispanic studies- a timely and ambitious study of authority as theme and authority as authorial strategy in modern Latin American literature. An ideology is implicit in modern Latin American literature, argues Roberto GonzÁlez EchevarrÍa, through which both the literature itself and criticism of it define what Latin American literature is and how it ought to be read. In the works themselves this ideology is constantly subjected to a radical critique, and that critique renders the ideology productive and in a sense is what constitutes the work. In literary criticism, however, too frequently the ideology merely serves as support for an authoritative discourse that seriously misrepresents Latin American literature. In The Voice of the Masters, GonzÁlez EchevarrÍa attempts to uncover the workings of modern Latin American literature by creating a dialogue of texts, a dynamic whole whose parts are seven illuminating essays on seminal texts in the tradition. As he says, 'To have written a sustained, expository book . would have led me to make the same kind of critical error that I attribute to most criticism of Latin American literature. I would have naively assumed an authoritative voice while attempting a critique of precisely that critical gesture.' Instead, major works by Barnet, Cabrera Infante, Carpentier, CortÁzar, Fuentes, Gallegos, GarcÍa MÁrquez, Roa Bastos, and RodÓ are the object of a set of independent deconstructive (and reconstructive) readings. Writing in the tradition of Derrida and de Man, GonzÁlez EchevarrÍa brings to these readings both the penetrative brilliance of the French master and a profound understanding of historical and cultural context. His insightful annotation of Cabrera Infante's 'Meta-End,' the full text of which is presented at the close of the study, clearly demonstrates these qualities and exemplifies his particular approach to the text.…

Condizione: New. Print on Demand pp. 260 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Condizione: New. PRINT ON DEMAND pp. 260.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book offers a theory about the origin and evolution of the Latin American narrative, and about the emergence of the modern novel. The book contains readings of major works in the tradition such as Garcilaso el Inca s Comentarios reales, Sarmiento s Fac.…