Robnik drehli (66 risultati)

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Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

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Paperback. Condizione: Brand New. 120 pages. 6.93x0.28x4.53 inches. In Stock.

Paperback. Condizione: New.

Condizione: New.

Condizione: New. Num Pages: 272 pages. BIC Classification: APFA. Category: (P) Professional & Vocational. Dimension: 200 x 170 x 15. Weight in Grams: 666. . 2016. Paperback. . . . .

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Paperback. Condizione: New. ?Films, in their generic, stylistic, and rhetorical variety, are modes of experience that provide a sense for the unexpected dynamics of urban life and historical reality. This understanding of cinema, as loving as it is theoretical, inspired the writings on film which form a central part of the wide-ranging work of Austrian historian Siegfried Mattl. From the political imaginary of well-known "historical films" by Stanley Kubrick, Ridley Scott, John Woo, and Todd Haynes, to inter-war comedies and post-war educational films highlighting the changing socio-economic textures of Vienna, and on to amateur films that offer surprising views of how Austrians adapted themselves to Nazism or consumer culture, Mattl´s investigations are rich in historical context and re-evaluated material. Written with humor and a critical view of power relations, his essays and studies - some published for the first time - also enter into dialogues with Siegfried Kracauer's and Jacques Rancière's concepts of cinema's historicity. Exploring imagescapes of Red Vienna, of Haneke's white, or of Dylan's blues, Mattl invites us to look back at, and look out for, the ephemera that make up history.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. Num Pages: 272 pages. BIC Classification: APFA. Category: (P) Professional & Vocational. Dimension: 200 x 170 x 15. Weight in Grams: 666. . 2016. Paperback. . . . . Books ship from the US and Ireland.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Brand New. 272 pages. German language. 8.25x7.00x1.25 inches. In Stock.

Condizione: New. In English.

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Condizione: As New. Unread book in perfect condition.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: Brand New. 160 pages. German language. 4.84x0.39x7.09 inches. In Stock.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. The speculations of popular cinema are never identical to and never independent from political concepts. Serving as indexes to current and historical power relations, mainstream films propose specific ways of living and dying, of lying and speaking the truth, of forming alliances and negotiating conflict - they "make sense." At the same time, they invite us into a realm of the senses where objects and feelings move to a different drumbeat. In film and politics, agency and insight often rear their heads in unexpected places. As Siegfried Kracauer has observed: "Effects can at any time turn into causes."In his books and articles, Austrian critic and theorist Drehli Robik has investigated this contested terrain for more than three decades. The depth and esprit of his approach place him in a tradition which Jean-Pierre Gorin has called "the way of the termite" - a mode of thinking that finds unconventional paths towards "White Elephants" and supposedly minor subjects alike. This volume collects some of Robnik's most significant scholarly essays, contributions to pop music magazines and film journals, and samples from his work as a philosophical "edutainer." It draws the map of a cultural-political battleground where Colonel Landa and Private Ryan, Monsieur Hulot and Dr. Strangelove, Barbara Loden's loner and Jordan Peele's collective of "Us" all have their reasons.…

Condizione: New.

Paperback. Condizione: New. The speculations of popular cinema are never identical to and never independent from political concepts. Serving as indexes to current and historical power relations, mainstream films propose specific ways of living and dying, of lying and speaking the truth, of forming alliances and negotiating conflict - they "make sense." At the same time, they invite us into a realm of the senses where objects and feelings move to a different drumbeat. In film and politics, agency and insight often rear their heads in unexpected places. As Siegfried Kracauer has observed: "Effects can at any time turn into causes."In his books and articles, Austrian critic and theorist Drehli Robik has investigated this contested terrain for more than three decades. The depth and esprit of his approach place him in a tradition which Jean-Pierre Gorin has called "the way of the termite" - a mode of thinking that finds unconventional paths towards "White Elephants" and supposedly minor subjects alike. This volume collects some of Robnik's most significant scholarly essays, contributions to pop music magazines and film journals, and samples from his work as a philosophical "edutainer." It draws the map of a cultural-political battleground where Colonel Landa and Private Ryan, Monsieur Hulot and Dr. Strangelove, Barbara Loden's loner and Jordan Peele's collective of "Us" all have their reasons.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: New. 2023. Paperback. . . . . .

293 S., kart. "Nach früheren Arbeiten über Siegfried Kracauer als Filmtheoretiker hat sich der Wiener Publizist Drehli Robnik nun einen anderen Aspekt vorgenommen, der das Werk dieses lange im Schatten seiner berühmteren Kollegen stehenden Mitdenkers der Frankfurter Schule auszeichnet: Kracauers multiperspektivische Faschismusanalyse, die sich sowohl in filmspezifischen als auch in soziologischen Schriften seit den 1930er-Jahren findet.In seinem charakteristischen Stil, der nicht vor offenen und provokant zuspitzenden Benennungen zurückschreckt, und mit steten Referenzen auf eine Vielzahl historischer und gegenwärtiger Quellen (oft befinden sich wichtige Gedanken in den ausführlichen Fußnoten) führt der Autor durch verschiedene Dimensionen von Kracauers jahrzehntelanger Auseinandersetzung mit dem Phänomen Faschismus. Auf dieser Wanderung bringt er Kracauer in Dialog mit anderen Schlüsselautoren der Faschismusanalyse wie Adorno, Arendt, Bloch, Horkheimer, Laclau und iek. Unter Robniks Schlussfolgerungen findet sich denn auch eine feurige Verteidigung des Radikalismusbegriffs. Diesen grenzt er von landläufigen (verinnerlichten oder absichtlichen) Vermischungen mit Extremismus ab und fordert weil er mit Kracauer die Massen für wahrheitsfähig hält seine Rehabilitierung als Kampfmittel gegen die aktuellen Formen rechter Politik. Denn diese sind eben nicht radikal, sondern extrem." (Berthold Molden, tagbuch.at) Edition Politik Band 163 Gramm 600.…

Paperback. Condizione: new. Paperback. The speculations of popular cinema are never identical to and never independent from political concepts. Serving as indexes to current and historical power relations, mainstream films propose specific ways of living and dying, of lying and speaking the truth, of forming alliances and negotiating conflict they "make sense." At the same time, they invite us into a realm of the senses where objects and feelings move to a different drumbeat. In film and politics, agency and insight often rear their heads in unexpected places. As Siegfried Kracauer has observed: "Effects can at any time turn into causes."In his books and articles, Austrian critic and theorist Drehli Robik has investigated this contested terrain for more than three decades. The depth and esprit of his approach place him in a tradition which Jean-Pierre Gorin has called "the way of the termite" a mode of thinking that finds unconventional paths towards "White Elephants" and supposedly minor subjects alike. This volume collects some of Robnik's most significant scholarly essays, contributions to pop music magazines and film journals, and samples from his work as a philosophical "edutainer." It draws the map of a cultural-political battleground where Colonel Landa and Private Ryan, Monsieur Hulot and Dr. Strangelove, Barbara Loden's loner and Jordan Peele's collective of "Us" all have their reasons. This volume collects some of Drehli Robnik's most significant scholarly essays, contributions to pop music magazines and film journals, and samples from his work as a philosophical "edutainer." Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …