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Aggiungi al carrelloPaperback. Condizione: New. How did Brazilian theater survive under the military dictatorship of 1964-1985? How did it change once the regime was over? This collection of new essays is the first to cover Brazilian theater during this period. Brazilian scholars and artists discuss the history of a theater community that not only resisted the regime but reinvented itself and continued to develop more sophisticated forms of expression even in the face of competition from television and other media. The contributors recount the struggle to stage meaningful plays at a time when some artists and intellectuals were exiled, others imprisoned, tortured or killed. With the return of democracy other important issues arose: how to ensure space for different practices and for regional theater, and how to continue producing international plays that could be meaningful for a Brazilian audience.
Lingua: Inglese
Editore: McFarland and Company, Inc., 2015
ISBN 10: 0786497033 ISBN 13: 9780786497034
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: McFarland & Co, Jefferson, North Carolina, 2015
ISBN 10: 0786497033 ISBN 13: 9780786497034
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Aggiungi al carrelloOriginal decorated wrappers. Condizione: New. First Edition. Light shelfwear. ; 8vo 8" - 9" tall; X, 265 pages.
Lingua: Inglese
Editore: McFarland & Co Inc, Jefferson, NC, 2015
ISBN 10: 0786497033 ISBN 13: 9780786497034
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Paperback. Condizione: new. Paperback. How did Brazilian theater survive under the military dictatorship of 1964-1985? How did it change once the regime was over? This collection of new essays is the first to cover Brazilian theater during this period. Brazilian scholars and artists discuss the history of a theater community that not only resisted the regime but reinvented itself and continued to develop more sophisticated forms of expression even in the face of competition from television and other media. The contributors recount the struggle to stage meaningful plays at a time when some artists and intellectuals were exiled, others imprisoned, tortured or killed. With the return of democracy other important issues arose: how to ensure space for different practices and for regional theater, and how to continue producing international plays that could be meaningful for a Brazilian audience. How did Brazilian theater survive under the military dictatorship of 1964-1985? How did it change once the regime was over? This collection of new essays is the first to cover Brazilian theater during this period. Brazilian scholars and artists discuss the history of a theater community that not only resisted the regime but reinvented itself and continued to develop more sophisticated forms of expression even in the face of competition from television and other media. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Editore: Universidade Católica de Goiás. UCG, Goiânia, 2009
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Aggiungi al carrelloTapa Blanda. Condizione: New. 2. Este livro constitui a história contemporânea da cena paulista e brasileira, numa face que, o movimento teatral dos últimos cinquenta anos perseguiu com obsessão. Poucas vezes se viu realizado em maior amplitude: a do palco social e do espetáculo para as grandes massas. A publicação retrata o histórico do Teatro Popular do SESI, ao refigurar o papel daquele que foi a alma do projeto e o seu principal operador Osmar Rodrigues Cruz, e ao reconstituir os espetáculos que definiram o repertório efetivamente popular e um público efetivamente de massa, o autor fez um retrato de um teatro que abrange grande número de espectadores, extraindo escolhas e uma linguagem, que o individualizam como concretamente social e popular. 127 Páginas. 170 gr. Libro.
Lingua: Spagnolo
Editore: Ediciones de Gestos,, Irvine, California :, 2001
ISBN 10: 0965691462 ISBN 13: 9780965691468
Da: Puvill Libros, Barcelona, B, Spagna
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Aggiungi al carrelloPaperback. Condizione: Brand New. 265 pages. 9.00x6.00x0.75 inches. In Stock.
Lingua: Inglese
Editore: McFarland & Co Inc, Jefferson, NC, 2015
ISBN 10: 0786497033 ISBN 13: 9780786497034
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. How did Brazilian theater survive under the military dictatorship of 1964-1985? How did it change once the regime was over? This collection of new essays is the first to cover Brazilian theater during this period. Brazilian scholars and artists discuss the history of a theater community that not only resisted the regime but reinvented itself and continued to develop more sophisticated forms of expression even in the face of competition from television and other media. The contributors recount the struggle to stage meaningful plays at a time when some artists and intellectuals were exiled, others imprisoned, tortured or killed. With the return of democracy other important issues arose: how to ensure space for different practices and for regional theater, and how to continue producing international plays that could be meaningful for a Brazilian audience. How did Brazilian theater survive under the military dictatorship of 1964-1985? How did it change once the regime was over? This collection of new essays is the first to cover Brazilian theater during this period. Brazilian scholars and artists discuss the history of a theater community that not only resisted the regime but reinvented itself and continued to develop more sophisticated forms of expression even in the face of competition from television and other media. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Aggiungi al carrelloPaperback. Condizione: New. How did Brazilian theater survive under the military dictatorship of 1964-1985? How did it change once the regime was over? This collection of new essays is the first to cover Brazilian theater during this period. Brazilian scholars and artists discuss the history of a theater community that not only resisted the regime but reinvented itself and continued to develop more sophisticated forms of expression even in the face of competition from television and other media. The contributors recount the struggle to stage meaningful plays at a time when some artists and intellectuals were exiled, others imprisoned, tortured or killed. With the return of democracy other important issues arose: how to ensure space for different practices and for regional theater, and how to continue producing international plays that could be meaningful for a Brazilian audience.
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Aggiungi al carrelloCondizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextHow did Brazilian theater survive under the military dictatorship of 1964-1985? How did it change once the regime was over? This collection of new essays is the first to cover Brazilian theater during this period. Brazilian sc.
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Brazilian Theater, 1970-2010 | Essays on History, Politics and Artistic Experimentation | Eva Paulino Bueno (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2015 | McFarland | EAN 9780786497034 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - How did Brazilian theater survive under the military dictatorship of 1964-1985 How did it change once the regime was over This collection of new essays is the first to cover Brazilian theater during this period. Brazilian scholars and artists discuss the history of a theater community that not only resisted the regime but reinvented itself and continued to develop more sophisticated forms of expression even in the face of competition from television and other media.The contributors recount the struggle to stage meaningful plays at a time when some artists and intellectuals were exiled, others imprisoned, tortured or killed. With the return of democracy other important issues arose: how to ensure space for different practices and for regional theater, and how to continue producing international plays that could be meaningful for a Brazilian audience.