Roger l parker (53 risultati)

hardcover. Condizione: Very Good.

Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Condizione: Good. Meets or exceeds the good condition guidelines. Nice copy. Please read before purchase: Has severe spine crack - must be read gently - pages still intact. Includes CD/DVD(s). Five star seller - Buy with confidence.

Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Fair. Book in Fair condition.

Pictorial Cover. Condizione: Near Fine. Later Edition. 2ND PRINTING. Light soiling else a near fine copy of the trade paperback. The private eye novel of the 70's. Takes a look at Robert B. Parker, Roger L. Simon and Andrew Bergman. Part of Ungar's Recognition series. Sam Spade, Philip Marlowe, Lew Archer-- self-reliant, cynical, dedicated to their clients. Now only Archer remains. Is this fascinating and peculiarly American Hero dying out? Far from it, says Geherin. The Ameircan private eye is alive and well, if somewhat younger, even more devoted to wisecracks, and often more political. Trade Paperback.…

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condizione: Near Fine. Condizione sovraccoperta: No dust jacket as issued. 1st Edition. First edition, first printing. Soft cover. Printed wrappers; no dust jacket as issued. Edited with introduction by James G. Alinder. Photographs by Eileen Berger, Marsha Burns, Paul Caponigro, Robert Fichter, Roger Mertin, Arthur Ollman, Olivia Parker, Eugene Richards and Evon Streetman. Text by James Alinder, Robert Baker, Thomas F. Barrow, James D. Burns, David Featherstone, Candida Finkel, Gary Metz, Beaumont Newhall and John Ward. Includes notes on the contributors. 48 pp. with 4 four-color plates and 5 black-and-white plates. 10 x 8-1/2 inches. Near Fine (moderate surface wear and soiling; plates are Fine).…

Large Soft Cover. Condizione: New. First. New Book, direct from publisher. 298 pages. 18 tales of terror by Frank Nicholas, Mark Samuels, Gary Fry, Steve Goodwin, Roger B. Pile, Sean Parker, D. F. Lewis, David A. Sutton, Paul Finch, John L. Probert, John Kenneth Dunham, Gary McMahon, David Conyers, David A. Riley, Franklin Marsh, Daniel McGachey and Charles Black. Postage to be reduced to £1.50 for UK shipping. Cover: Paul Mudie (illustratore). …

Large Soft Cover. Condizione: New. First. New Book, direct from publisher. 298 pages. 18 tales of terror by Frank Nicholas, Mark Samuels, Gary Fry, Steve Goodwin, Roger B. Pile, Sean Parker, D. F. Lewis, David A. Sutton, Paul Finch, John L. Probert, John Kenneth Dunham, Gary McMahon, David Conyers, David A. Riley, Franklin Marsh, Daniel McGachey and Charles Black. Postage to be reduced to £1.50 for UK shipping. Cover: Paul Mudie (illustratore). …

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Fine/NF. Interior is immaculate; cloth cover has sharp corners and spine ends. Jacket is glossy and attractive with minimal edge wear. Nice copy.

Hardcover. Condizione: Near Fine. Very Good plus. Pages are clean, no markings from previous owners. Boards are clean. Binding is square and tight. Faint wear to cloth at spine ends and corners. Text block is clean. Dust jacket has some slight edgewear, covers are toned around edges, and color along spine is faded, otherwise clean. PICTURES PROVIDED UPON REQUEST.…

Condizione: New.

Paperback. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket Issued. First Edition. Washington, D.C.: AIA Research Corporation, September 1977. 32-page staple-bound paperback, from a private collection (NOT ex-library). 1st printing/1st edition. Binding remains strong and sturdy. Text and illustrations are unmarked and clean. Light edgewear, back cover has rubbing. Ships same or next business day from Dinkytown in Minneapolis, Minnesota.…

Softcover. Condizione: Very Good with no dust jacket. Square, tight binding. Clean and bright pages. Wrappers have light overall shelf wear. Contents: Weinberger, "St. Maurice and St. André-le-Bas at Vienne: Dynamics of Artistic Exchange at Two Romanesque Workshops"; McAleer, "Romanesque England and the Development of the Façade Harmonique"; Fernie, "The Use of Nave Supports in Romanesque and Early Gothic Churches"; Adams, "Isaiah or Jacob? The Iconographic Question on the Coronation Portals of Senlis, Chartres and Reims"; Derbes, "The Pistoia Lamentation"; Woodman, "The Vault of the Ely Lady Chapel: Fourteenth or Fifteenth Century?"; Simon, "Romanesque Sculpture in American Collections. XXI . The Metropolitan Museum of Art. Part I: Spain."; 11.0" tall; 86 pages.…

xx, 150pp, bw photographs and diagrams. 28x22, card wraps Very good. Nicely produced results of a survey of streets and people in downtown Seattle, with conclusions that preferred organic and small-scale interventions (benches) rather than the big engineering solutions then very much in vogue. Rather ahead of its time. …

Condizione: New.

Hardcover. Condizione: Very Good+. 1st Edition. Signed by author Roger Hull on half-title page. Hardcover in illustrated boards. Covers lightly rubbed; foot of spine a tad bumped. Interior is clean and unmarked. Color illustrations throughout. Bibliography, list of exhibitions, collections. Index. 136 pages. 12 x 9 inches. A retrospective on the art and life of Oregon artist John R. Stahl (1937-2017), featuring a wide range of artworks produced during his 45-year career, including painting, sculpture, assemblages, and works on paper. Features an detailed essay documenting Stahl's artistic career through its various phases, by Roger Hull, Professor Emeritus of Art History at Willamette University. Stahl moved to Portland, Oregon in 1967 and studied at the Museum Art School (now the Pacific Northwest College of Art). His instructors included the Pacific Northwest artists Louis Bunce, Jack McLarty, George Johanson, Manuel Izquierdo and Eunice Parsons. After earning his BFA in 1971, he taught at PNCA from 1973 until 1979 when he moved to Netarts on the Oregon Coast. He continued teaching at Tillamook Bay Community College (1979-2002) and at the Sitka Center for Art and Ecology (1988-1999). Signed by Author(s). …

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Condizione: New. Satisfaction Guaranteed or your money back.

Condizione: New.

Hardback. Condizione: New. In these essays, Roger Parker brings a series of valuable insights to bear on Verdian analysis and criticism, and does so in a way that responds both to an opera-goer's love of musical drama and to a scholar's concern for recent critical trends. As he writes at one point: "opera challenges us by means of its brash impurity, its loose ends and excess of meaning, its superfluity of narrative secrets." Verdi's works, many of which underwent drastic revisions over the years and which sometimes bore marks of an unusual collaboration between composer and librettist, illustrate in particular why it can sometimes be misleading to assign fixed meanings to an opera. Parker instead explores works like Rigoletto, Il trovatore, La forza del destino, and Falstaff from a variety of angles, and addresses such contentious topics as the composer's involvement with Italian politics, the possibilities of an "authentic" staging of his work, and the advantages and pitfalls of analyzing his operas according to terms that his contemporaries might have understood.Parker takes into account many of the interdisciplinary influences currently engaging musicologists, in particular narrative and feminist theory. But he also demonstrates that close attention to the documentary evidence--especially that offered by autograph scores--can stimulate equal interpretive activity. This book serves as a model of research and critical thinking about opera, while nevertheless retaining a deep respect for opera's continuing power to touch generations of listeners. …

Condizione: As New. Unread book in perfect condition.

Condizione: New. In English.

Paperback. Condizione: Brand New. 352 pages. 9.00x6.00x1.00 inches. In Stock.

Condizione: New. In English.

Hardback. Condizione: New. In these essays, Roger Parker brings a series of valuable insights to bear on Verdian analysis and criticism, and does so in a way that responds both to an opera-goer's love of musical drama and to a scholar's concern for recent critical trends. As he writes at one point: "opera challenges us by means of its brash impurity, its loose ends and excess of meaning, its superfluity of narrative secrets." Verdi's works, many of which underwent drastic revisions over the years and which sometimes bore marks of an unusual collaboration between composer and librettist, illustrate in particular why it can sometimes be misleading to assign fixed meanings to an opera. Parker instead explores works like Rigoletto, Il trovatore, La forza del destino, and Falstaff from a variety of angles, and addresses such contentious topics as the composer's involvement with Italian politics, the possibilities of an "authentic" staging of his work, and the advantages and pitfalls of analyzing his operas according to terms that his contemporaries might have understood.Parker takes into account many of the interdisciplinary influences currently engaging musicologists, in particular narrative and feminist theory. But he also demonstrates that close attention to the documentary evidence--especially that offered by autograph scores--can stimulate equal interpretive activity. This book serves as a model of research and critical thinking about opera, while nevertheless retaining a deep respect for opera's continuing power to touch generations of listeners. …