Rohlehr gordon (67 risultati)

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Da: WorldofBooks, Goring-By-Sea, WS, Regno UnitoWorldofBooks
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Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Da: Better World Books, Mishawaka, IN, U.S.A.Better World Books
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Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Da: Better World Books, Mishawaka, IN, U.S.A.Better World Books
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Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Da: Better World Books, Mishawaka, IN, U.S.A.Better World Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Buono
EUR 10,71
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Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Da: Better World Books Ltd, Dunfermline, Regno UnitoBetter World Books Ltd
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Buono
EUR 5,75
EUR 5,85 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: New.

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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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EUR 20,59
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Paperback. Condizione: New. There is nothing quite like Gordon Rohlehr's Musings, Mazes, Muses, Margins in Caribbean writing; probably its nearest neighbours are Kamau Brathwaite's The Zea Mexican Diary and Trenchtown Rock. Over a period of more than forty years, Rohlehr, supreme public critic of the post-colonial Caribbean, its… creative writing and the historian and deep analyser of calypso, has been paying quiet attention to his inner consciousness, a fictive journeying that has much to say about outer personal and wider Caribbean realities. It is a book that ranges over a variety of forms - diary, recorded dreams, poems, a kind of flash fiction, polemics, prophecies, and philosophical reflections -- all enriched by a lifetime of reading, thinking and articulate writing. As befits the slippery connections between inner and outer worlds, Rohlehr's writing is distinguished by an infectious humour and a delight in puns.In the act of questioning what the years of "wuk" have achieved, Rohlehr asks himself and us the most profound questions - not the unanswerable metaphysics of "What are we here for?" but the material, ethical question of "To what end do we exist?" In the context of a Caribbean of disappointed post-colonial hopes, Rohlehr both confronts an existential void and records the increments of creativity and achievement that offer future hope.The book begins with the Guyanese child, born with a caul over his face, gifted with a prophetic vision deeply immersed in the African being that is part of his inheritance. He records how he was told - beyond his memory - how family members "steamed" his eyes to destroy something embarrassing to a colonial, lower-middle class family. The visions and intuitive knowledge disappeared, but if the family elders believed that they were cauterising something to destruction, they failed utterly to kill the visionary dreamer, the Daniel Lyonnes-Denne, who is one part of the triumvirate that also includes the public Gordon and the reticent Frederick.In his previous books, Gordon Rohlehr confronted the Caribbean world head-on. Here, he approaches from the margins, and who is to say his dream-work doesn't tell just as powerful truths about Caribbean reality.

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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: As New. Unread book in perfect condition.

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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Come nuovo
EUR 20,12
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Condizione: As New. Unread book in perfect condition.

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Da: Orrin Schwab Books, Providence, UT, U.S.A.Orrin Schwab Books
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Buono
EUR 18,69
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Softcover. Condizione: Good+. Glossy softbound covers. Some wear to the edges of the covers.; Caribbean Modern Classics; 6.25 X 1 X 9.25 inches; 310 pages.

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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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EUR 22,73
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Paperback. Condizione: new. Paperback. There is nothing quite like Gordon Rohlehrs Musings, Mazes, Muses, Margins in Caribbean writing; probably its nearest neighbours are Kamau Brathwaites The Zea Mexican Diary and Trenchtown Rock. Over a period of more than forty years, Rohlehr, supreme public critic of the post-colonial Carib…bean, its creative writing and the historian and deep analyser of calypso, has been paying quiet attention to his inner consciousness, a fictive journeying that has much to say about outer personal and wider Caribbean realities. It is a book that ranges over a variety of forms diary, recorded dreams, poems, a kind of flash fiction, polemics, prophecies, and philosophical reflections -- all enriched by a lifetime of reading, thinking and articulate writing. As befits the slippery connections between inner and outer worlds, Rohlehrs writing is distinguished by an infectious humour and a delight in puns.In the act of questioning what the years of wuk have achieved, Rohlehr asks himself and us the most profound questions not the unanswerable metaphysics of What are we here for? but the material, ethical question of To what end do we exist? In the context of a Caribbean of disappointed post-colonial hopes, Rohlehr both confronts an existential void and records the increments of creativity and achievement that offer future hope.The book begins with the Guyanese child, born with a caul over his face, gifted with a prophetic vision deeply immersed in the African being that is part of his inheritance. He records how he was told beyond his memory how family members steamed his eyes to destroy something embarrassing to a colonial, lower-middle class family. The visions and intuitive knowledge disappeared, but if the family elders believed that they were cauterising something to destruction, they failed utterly to kill the visionary dreamer, the Daniel Lyonnes-Denne, who is one part of the triumvirate that also includes the public Gordon and the reticent Frederick.In his previous books, Gordon Rohlehr confronted the Caribbean world head-on. Here, he approaches from the margins, and who is to say his dream-work doesnt tell just as powerful truths about Caribbean reality? Parallel to his career as one of the Caribbean's formest literary and cultural critics, famed for his meticulous documentation of the relationship between art and social reality, Gordon Rohlehr has also been documenting his inner dreaming life. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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- Prima edizione
Da: RIVERLEE BOOKS, Waltham Cross, HERTS, Regno UnitoRIVERLEE BOOKS
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Buono
EUR 6,01
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Soft cover. Condizione: Good. No Jacket. 1st Edition. PAPERBACK. GOOD CONDITION. NO MARKS OR TANNING TO PAGES. SLEIGHT DIRT MARKS TO PAGE EDGES. READING BEND TO COVER. 276 PAGES.

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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Paperback. Condizione: New. For fifty years, Gordon Rohlehr was the regular correspondent, sometimes confidant and always the critic who best understood the nature of Kamau Brathwaite's vision and what his poetry achieved. In revisiting the trajectory of their mutually enriching relationship, this is a book to be read at many le…vels. It documents, invaluably, the movements in Caribbean thought, literary culture and collective activity over those years; it focuses on the human relationship and sometimes disagreements between two of the region's most important articulators of the difficult struggle to decolonise its arts and culture; it offers an honest and perceptive account of the nature of friendship and its, perhaps, inevitable inequalities; and it reflects movingly on the personal costs of confronting a world that seems bent on forgetting. It begins in the London years of the Caribbean Artists Movement and ends with Rohlehr's account of and his eulogy at Brathwaite's funeral in Barbados.Written in the year before his death, this is Gordon Rohlehr's last will and testament, his farewell to himself and to the first post-independence generation now disappearing from our sight. It speaks to a neocolonial Caribbean in which in the revolution it needed to become genuinely independent has faltered, a diffusive, divided Caribbean afflicted with a "culture of terminality" and "traditions of discontinuity". And though he describes himself as a "born pessimist", it is Gordon Rohlehr's revolt against the "immense indifference of things". With extended endnotes and an appendix providing information on the vast network of people with whom Brathwaite and Rohlehr engaged, it provides both a record and a challenge to the generations that follow.

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Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: New.

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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 25,38
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Paperback. Condizione: new. Paperback. Gordon Rohlehrs critical work is outstanding in the balance it achieves between its particularity and its breadth from the detailed unpacking of a poems inner workings, to locating Caribbean writing in the sweep of political and cultural history and the equal respect he pays to literary and… to popular cultural forms. His Articulating a Caribbean Aesthetic remains a stunningly pertinent and concise account of the historical formation of the cultural shifts that framed Caribbean writing as a distinctive body of work. Indeed, along with Kamau Brathwaite, Sylvia Wynter and Kenneth Ramchand, no critic has done more to establish the subject of Caribbean writing and its distinctive aesthetics. These essays, written between 1969 to 1986, first published in radical campaigning newspapers such as Tapia and Moko, and first collected in 1992, were the work of a young academic who was both changing the university curriculum, and deeply engaged with the less privileged world outside the campus. Rohlehr catches Caribbean writing at the point when it leaves behind its nationalist hopes and begins to challenge the complex realities of independence. Few critics have written as clearly about how deeply the colonial has remained embedded in the postcolonial.What shines in Rohlehrs work is not merely its depth, acuity and humanity, but its courage. He writes when his subject is still emergent, without waiting for the credibility of metropolitan endorsements as a guide to the canon. My Strangled City, a record of how Trinidads poets responded to the upsurge of revolutionary hopes, radical shams, repressions and disappointed dreams of 1964-1975 is an indispensable account of those times and the diversity of literary response that continues to speak to the present. And if in these essays Trinidad is Rohlehrs primary focus, his perspective is genuinely regional. His native Guyana is always present in his thoughts and several essays show his deep interest in the cultural productions of a dread Jamaica, and in making insightful comparisons between, for instance, reggae and calypso. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 25,40
Spedizione gratuitaSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Paperback. Condizione: New. Gordon Rohlehr's critical work is outstanding in the balance it achieves between its particularity and its breadth - from the detailed unpacking of a poem's inner workings, to locating Caribbean writing in the sweep of political and cultural history - and the equal respect he pays to literary and to p…opular cultural forms. His "Articulating a Caribbean Aesthetic" remains a stunningly pertinent and concise account of the historical formation of the cultural shifts that framed Caribbean writing as a distinctive body of work. Indeed, along with Kamau Brathwaite, Sylvia Wynter and Kenneth Ramchand, no critic has done more to establish the subject of Caribbean writing and its distinctive aesthetics. These essays, written between 1969 to 1986, first published in radical campaigning newspapers such as Tapia and Moko, and first collected in 1992, were the work of a young academic who was both changing the university curriculum, and deeply engaged with the less privileged world outside the campus. Rohlehr catches Caribbean writing at the point when it leaves behind its nationalist hopes and begins to challenge the complex realities of independence. Few critics have written as clearly about how deeply the colonial has remained embedded in the postcolonial.What shines in Rohlehr's work is not merely its depth, acuity and humanity, but its courage. He writes when his subject is still emergent, without waiting for the credibility of metropolitan endorsements as a guide to the canon. "My Strangled City", a record of how Trinidad's poets responded to the upsurge of revolutionary hopes, radical shams, repressions and disappointed dreams of 1964-1975 is an indispensable account of those times and the diversity of literary response that continues to speak to the present. And if in these essays Trinidad is Rohlehr's primary focus, his perspective is genuinely regional. His native Guyana is always present in his thoughts and several essays show his deep interest in the cultural productions of a "dread" Jamaica, and in making insightful comparisons between, for instance, reggae and calypso.

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Da: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 26,69
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
Paperback. Condizione: New. Gordon Rohlehr's critical work is outstanding in the balance it achieves between its particularity and its breadth - from the detailed unpacking of a poem's inner workings, to locating Caribbean writing in the sweep of political and cultural history - and the equal respect he pays to literary and to p…opular cultural forms. His "Articulating a Caribbean Aesthetic" remains a stunningly pertinent and concise account of the historical formation of the cultural shifts that framed Caribbean writing as a distinctive body of work. Indeed, along with Kamau Brathwaite, Sylvia Wynter and Kenneth Ramchand, no critic has done more to establish the subject of Caribbean writing and its distinctive aesthetics. These essays, written between 1969 to 1986, first published in radical campaigning newspapers such as Tapia and Moko, and first collected in 1992, were the work of a young academic who was both changing the university curriculum, and deeply engaged with the less privileged world outside the campus. Rohlehr catches Caribbean writing at the point when it leaves behind its nationalist hopes and begins to challenge the complex realities of independence. Few critics have written as clearly about how deeply the colonial has remained embedded in the postcolonial.What shines in Rohlehr's work is not merely its depth, acuity and humanity, but its courage. He writes when his subject is still emergent, without waiting for the credibility of metropolitan endorsements as a guide to the canon. "My Strangled City", a record of how Trinidad's poets responded to the upsurge of revolutionary hopes, radical shams, repressions and disappointed dreams of 1964-1975 is an indispensable account of those times and the diversity of literary response that continues to speak to the present. And if in these essays Trinidad is Rohlehr's primary focus, his perspective is genuinely regional. His native Guyana is always present in his thoughts and several essays show his deep interest in the cultural productions of a "dread" Jamaica, and in making insightful comparisons between, for instance, reggae and calypso.

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Da: Books From California, Simi Valley, CA, U.S.A.Books From California
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paperback. Condizione: Good.

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Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.World of Books (was SecondSale)
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Condizione: Like New. Item is in like new condition.

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Da: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 184 pages. 9.17x6.18x0.75 inches. In Stock.

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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Paperback. Condizione: new. Paperback. For fifty years, Gordon Rohlehr was the regular correspondent, sometimes confidant and always the critic who best understood the nature of Kamau Brathwaites vision and what his poetry achieved. In revisiting the trajectory of their mutually enriching relationship, this is a book to be read…at many levels. It documents, invaluably, the movements in Caribbean thought, literary culture and collective activity over those years; it focuses on the human relationship and sometimes disagreements between two of the regions most important articulators of the difficult struggle to decolonise its arts and culture; it offers an honest and perceptive account of the nature of friendship and its, perhaps, inevitable inequalities; and it reflects movingly on the personal costs of confronting a world that seems bent on forgetting. It begins in the London years of the Caribbean Artists Movement and ends with Rohlehrs account of and his eulogy at Brathwaites funeral in Barbados.Written in the year before his death, this is Gordon Rohlehrs last will and testament, his farewell to himself and to the first post-independence generation now disappearing from our sight. It speaks to a neocolonial Caribbean in which in the revolution it needed to become genuinely independent has faltered, a diffusive, divided Caribbean afflicted with a culture of terminality and traditions of discontinuity. And though he describes himself as a born pessimist, it is Gordon Rohlehrs revolt against the immense indifference of things. With extended endnotes and an appendix providing information on the vast network of people with whom Brathwaite and Rohlehr engaged, it provides both a record and a challenge to the generations that follow. For fifty years, Gordon Rohlehr corresponded with Kamau Brathwaite, resulting in this moving portrayal of a friendship frequently at odds with the political direction of the Caribbean world. This is an essential record of the making of Caribbean literature. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
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Da: Chiron Media, Wallingford, Regno UnitoChiron Media
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Paperback. Condizione: New.

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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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Condizione: New.

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Da: THE SAINT BOOKSTORE, Southport, Regno UnitoTHE SAINT BOOKSTORE
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Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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Condizione: New. pp. 310.

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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 216 pages. 6.01x9.26x0.73 inches. In Stock.

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Da: Chiron Media, Wallingford, Regno UnitoChiron Media
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Paperback. Condizione: New.