rosalind printers (2 risultati)

Soft cover. Condizione: Fine. No Jacket. 1st Edition. [Publisher's colophon]: "This edition of 925 copies is set in 12-point Monotype Caslon and printed at the Whittington Press on Sommerville Laid, Hahnemuhle and Zerkall papers. The half-tones are printed as tritones at CTD Printers, except for those between pp. 112-21 which are printed at the Senecio Press, and the line blocks are made by Keene Engraving. 820 copies are bound in stiff covers [this copy is one of the 820] and 105 copies are quarter-bound in Oasis leather and paper marbled by Colleen Gryspeerdt and include 'A Letter to Colette' bound in the same style as the original in the Clark Library, Los Angeles. Edited by John & Rosalind Randle, & bound by The Fine Bindery August 1989. 8 in. x 11 1/4 in., half-title with Robert Gibbings wood-engraving; photographic frontispiece portrait of Gibbings; [4]pp., 1-200 pp. + final leaf with mounted photographic reproduction: Gibbings' Willow. Illustrated with black & white photographic half-tone plates; historical photographs relating to Gibbings & others, fold-outs (Wharfedale), woodcuts, inserted printed leaves or illustrations; a signed Shirley Jones mezzotint (135/300), at p. 80; a Chinese woodblock print (Rongbaozhai Studio, Beijing), at p. 173; illustrations of D'Ambrosio books, Bengali type faces, etc." With the printed order form for Matrix 10, inserted in this copy. Light pink stiff wrappers, with a Gibbings woodcut, and printed contents on the front cover. The paper spine shows very light fading. This issue contains much on Robert Gibbings and Stanley Morison. [Contents from the front cover]: [1] The Four Fathers of Richard Kennedy, by John Randle; [2] Thoughts on Wood: Robert Gibbings; [3] Reminiscences of Albert Cooper: Sue Walker & Martin Andrews; [4] Notes on the Printing Methods of the Golden Cockerel Press: A. C. Cooper; [5] My Career in Medicine: Robert Gibbings; [6] Gibbings & Gill: Arcady in Berkshire: Fiona MacCarthy; [7] A Letter to Colette: Robert Gibbings; [8] Some Correspondence between Robert Gibbings & Thomas Balston: John Dreyfus; [9] The Robert Gibbings Collection in Reading University Library: Michael Bott; [10] Robert Gibbings & the University of Reading: Michael Bott & Martin Andrews; [11] Robert Gibbings & the 'Willow': Sue Walker & Martin Andrews; [12] Remembering Stanley Morison: Brooke Crutchley & David McKitterick; [13] Word & Print at the Red Hen Press: Shirley Jones; [14] The Wrington Wharfedale: Bernard Seward; [15] A Collection of Printers' Flowers: Mark Arman; [16] D'Ambrosio: Ward Ritchie, Gloria Stuart & Joseph D'Ambrosio; [17] Stanley Morison & Jan van Krimpen: a Survey of their Correspondence: Sebastian Carter; [18] From Metal Type to Digital Letterforms: Fiona Ross; [19] The Printing of the 'Alice' Engravings: Jonathan Stephenson; [20] The Making of the 'Vigil of Venus': Roderick Cave; [21] Jan Tschichold & Chinese Woodblock Printing: Charles Antin; [22] The Rylands Private Press Collection: D. W. Riley; [23] Book Review: 'Eric Gill' by Fiona MacCarthy: Brocard Sewell; [24] Private Press Books 1988: A Review: David Chambers; [25] 'Chrissakes, Dummy!' by Patrick Reagh. Weight: 2 3/4 lbs. Postage may be extra on this item.

Soft cover. Condizione: Fine. No Jacket. 1st Edition. [Publisher's colophon]: 'This edition of 900 copies is set in 12-point Monotype Caslon and printed at The Whittington Press on Sommerville Laid and Zerkall Halbmatt papers. The colour plates and half-tones are printed at The Senecio Press. The wood-engravings are printed from the wood, and the line blocks are made by Keene Engraving. 800 copies are bound in stiff covers, [this copy is one of these 800] and 100 copies in boards covered in Whittington marbled-paper, by Smith Settle & Co., Otley, West Yorkshire. The [printer's] ornament was cast by Paul Hayden Duensing. December 1986 Copy No: 717." 8 in. x 11 1/4 in., half-title with Vance Gerry wood-engraving, frontispiece wood-engraving (Lettice Sandford); [4]pp., 1-182 pp. + final printed leaf with mounted photographic reproduction. Illustrated with color & black & white photographic half-tone plates relating to The Double Crown Club, historical photographs, fold-out map (Castle Press), woodcuts, inserted printed leaves or illustrations (John DePol), four Chinese paper samples (Hans Schmoller), one modern paper sample (Maureen Richardson), Black Sparrow Charles Bukowski (Ham On Rye) Broadside; material on Egyptian Hieroglyphic type faces, etc. With the printed order form for Matrix 7, inserted in this copy (this has a rubberstamped bookseller/distributor's name on the lower margin). Gray-green stiff wrappers, with Peter Forster woodcuts, and printed contents on the front cover, advance announcement for Roderick Cave/Dard Hunter II "Ceremonial Papers of the Chinese" on the back cover. Matrix 6 is an interesting and very desirable issue. [Contents from the front cover]: [1] Llewelyn & Theodore, by Robert Gibbings; [2] From County Cork to Chiswick & Cockerel: Roderick Cave; [3] Some Fond Reminiscences of a Boy Printer at the Castle Press: Vance Gerry; [4] The Early Years of the Double Crown Club: John Dreyfus; [5] 'Seems to See with his Fingers': the Printing of Joyce's 'Ulysses': Glenn Storhaug; [6] Patrick Reagh, Printer: Scott Freutel; [7] Weeds in my Garden: Miriam Macgregor; [8] Paper-chasing with Hans: Tanya Schmoller; [9] Portrait of the Wood-engraver in Middle Age: Peter Forster; [10] Paper as an Art Form: Maureen Richadson; [11] Private Presses in the John Johnson Collection: Anne Flavell; [12] John Johnson: Enid Marx; [13] By the Look of it: Robert Kelly; [14] 'And it Sold the Muffins', Reflections on Jobbing Printing: Sebastian Carter; [15] Fine Printing in California & England: the Clark Library Collection: John Bidwell; [16] Memories of T. E. Lawrence & Gregynog: Michael Hutchins; [17] On Hieroglyphic Types: David Wishart; [18] Woodcut Pattern Papers, & the Engraved Work of John DePol: Renee I. Weber; [18] 'Congeniality' in the Typography of Books: Brooke Crutchley; [19] The Ballad of Paul Hayden Duensing: Timothy Hawley; [20] A Collaboration: Letters between John O'Connor & Christopher Dandford: Roderick Cave; [21] Further Thoughts on the Literature of Letterpress Printing: Geoffrey Wakeman; [23] 'The Most Underrated of Typographers': Ruari McLean; [24] Private Press Books 1985, a Review: David Chambers; [25] Hans Schmoller's Contributions to Matrix: John Randle; [26] Two Poems: Philip Gallo. Weight: 2 1/2 lbs. Postage may be extra on this item.