Rosemary c williams (6 risultati)

Paperback. Condizione: Good.

Paperback. Condizione: Good.

Trade paperback. Condizione: Very good. Trade paperback (US). Glued binding. 219 p. Contains: Illustrations. Audience: General/trade. No previous owner's name. Clean, tight pages. No bent corners. No remainder mark. Fine but not totally flat. SC 345.

Soft cover. Condizione: Good. 80 pages. Richard Handset "Hot Jazz For The Cold War" / Brenda Byron "Market Research" / Peter Williams "Week-End Sailors" / Rosemary Timperley "The Bin-Worthy Husband" / Michael I've s "Earthbound" / K M Simcox "Private Bates" / John May "'Mister Chairman!'" / Andy Gray "Frankie Howerd Relaxes" /Neville Woodbury "Disturbers Of The Peace" / George Maracco "Best Man Wins" / Chapman Pincher "Wild Cats And Englishmen" / C E Herring "Odd Man In" / John Rydon "The Secrets Of A Good Suit" (SL#48).…

Paperback. Condizione: Very Good. 2005 John Donald paperback edition. Light reading wear else very good condition. Contents: Sally Mapstone, 'Introduction: Older Scots and the Fifteenth Century'; Julia Boffey and A.S.G. Edwards, 'Bodleian MS Arch. Selden. B. 24: The Genesis and Evolution of a Scottish Poetical Anthology'; Alessandra Petrina, 'Donne Gentili and Courtly Ladies: A Comparison Between Dante's Beatrice and the Lady of the Kingis Quair'; Jonathan A. Glenn, 'The Manuscript History of Sir Gilbert Hay's Buke of the Law of Armys: A Study'; Rosemary Greentree, 'Literate in Love: Makyne's Lesson for Robene'; Klaus Bitterling, 'Insular and Continental Traditions Behind Robert Henryson's Fables'; R.J. Lyall, 'Henryson, the Hens and the Pelagian Fox: a Poet and the Intellectual Currents of his Age'; John McNamara, 'Folkloric Patterns in Henryson's Fables: A Sociolinguistic Approach'; John MacQueen, 'Lent and Henryson's 'The Fox, the Wolf, and the Cadger''; R.W. Smith, 'The Meaning of the 'Nekhering' in Henryson's Fable of 'The Fox, the Wolf, and the Cadger''; Edward W. Bradburn, ''Prolog' and 'Moralitie': Authorial Apostrophe in Robert Henryson's Fables'; Anne M. McKim, 'Henryson's Use of the Conjunctive Phrase 'with that' in the Moral Fables'; J. Derrick McClure, 'Blind Hary's Metrics'; Marace Dareau, Lorna Pike, and Harry D. Watson, 'DOST and Older Scots Scholarship'; Sally Mapstone, 'Introduction: Older Scots and the Sixteenth Century'; Priscilla Bawcutt, 'Manuscript Miscellanies in Scotland from the Fifteenth to the Seventeenth Century'; Ma. Nieves Rodriguez Ledesma, 'Linguistic Anglicisation in The Complaynt of Scotland: A Study of Further Diagnostic Variables'; A.A. MacDonald, 'On First Looking into the Gude and Godlie Ballatis (1565)'; Joanne Norman, 'William Dunbar and the Bakhtinian Construction of the Self'; Robert Drexler, 'Dunbar, Douglas, and the Art of Memory'; C. Marie Harker, 'Skirting the Issue: Misogyny and Gender in Lyndsay's Ane Supplication Directit - to the Kingis Grace, in Contemptioun of Syde Taillis'; Evelyn S. Newlyn, 'The Female Voice in Sixteenth-Century Scots Poetry'; Keely Fisher, 'Eldritch Comic Verse in Older Scots'; Theo van Heijnsbergen, 'Modes of Self-Representation in Older Scots Texts'; Janet Hadley Williams, ''We had the ky and thai gat bot the glaikis': Catching the Echoes in Duncan Laideus' Testament'; William Gillies, 'Gun ann ach an ceo 'Nothing Left but their Mist': Farewell and Elegy in Gaelic Poetry'; Michael Chesnutt, 'Otterburn Revisited: A Late Medieval Border Ballad and its Transmission'; Sally Mapstone, 'Introduction: Older Scots and the Sixteenth and Seventeenth Centuries'; Anneli Meurman-Solin, 'Women's Scots: Gender-Based Variation in Renaissance Letters'; Sarah M. Dunnigan, 'Feminising the Early Modern Erotic: Female-voiced Love Lyrics and Mary Queen of Scots'; Jamie Reid-Baxter, ''Judge and revenge my cause': the Earl of Morton, Andro Blackhall, Robert Sempill and the Fall of the House of Hamilton in 1579'; David J. Parkinson, 'Alexander Montgomerie: Scottish Author'; Regina Scheibe, 'The Function of the Animal Massacre in John Burel's Passage of the Pilgremer'; Daniel Fischlin, 'Like a Mercenary Poet': the Politics and Poetics of James VI's Lepanto'; Morna R. Fleming, ''The End of an Auld Sang'? Scottish Poetry of the English Reign of James VI and I'; Louise Yeoman, 'James Melville and the Covenant of Grace'; David W. Atkinson, 'More than One Voice: the Poetic Accomplishment of William Alexander'; David Reid, 'Hume of Godscroft on Kings and Subjects'; Margery Palmer McCulloch, 'Liz Lochhead, Mary Queen of Scots, and the Suppression of the Female Principle'.…

Soft cover. Condizione: Good. 60 pp . ; ill., ports. ; 28 cm. ; frequency Five no. a year in 1968, 4 no. a year, 1969-1971 ; LC: AP2; N6490; Dewey: 051; OCLC: 1518928 ; colorful, pictorial stiff paper wrappers ; foxing to covers ; Contents : What makes Nixon run? / Warren Boroson -- Galahad's pad / Julio Mitchel -- The hate mail of Captain Levy -- Let's reitre our most overworked four-letter word / L. Eric Hotaling -- Richard Lindner : The Rubens of the Love Generation -- The slaughter of civilians for sport by U.S. Pilots / Lt. Thomas F. Loflin III -- An obscenity bust in--would you believe?--India / Malay Roy Choudhury -- Drawings by Muhammad Ali -- Believe in God : you have teeth! / S. H. Margalith -- The Fugs : Nextness is godlier than cleanliness / Martin Cohen -- Metamorphic jewelry : Last word in found-object art / Ryszard Horowitz -- God/Love poem / Lenore Kandel ; repair to spine ; "Avant Garde was a magazine notable for graphic and logogram design by Herb Lubalin. The magazine had 14 issues and was published from January 1968 to July 1971. From January, 1968, through July, 1971, Ginzburg published Avant Garde. While it could not be termed obscene, it was filled with creative imagery often caustically critical of American society and government, sexual themes, and (for the time) crude language.Avant Garde had a modest circulation but was extremely popular in certain circles, including New York's advertising and editorial art directors. Herbert F. Lubalin (1918-1981), a post-modern design guru, was Ginzburg's collaborator on his four best-known magazines, including Avant Garde, which gave birth to a well-known typeface of the same name. It was originally intended primarily for use in logos: the first version consisted solely of 26 capital letters. It was inspired by Ginzburg and his wife, designed by Lubalin, and realized by Lubalin's assistants and Tom Carnese, one of Lubalin's partners. It is characterized by geometrically perfect round strokes; short, straight lines; and an extremely large number of kerned ligatures. The International Typeface Corporation (ITC) (of which Lubalin was a founder) released a full version in 1970."--wikipedia ; G. Book. …