rosen morris (14 risultati)

perfect. Condizione: Good. Allison Stein (illustratore). Binding and spine intact. Cover has shelf and edge wear. Bumping to cover corners. No apparent marks throughout this book. Some water damage to top page/book corner. Tracking available on most domestic orders.

Paperback. Condizione: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Secure packaging for safe delivery.

Condizione: New. In.

Paperback. Condizione: Brand New. 152 pages. 8.10x5.00x0.40 inches. In Stock.

single_issue_magazine. Condizione: Very Good. We have 75,000 books to choose from -- Ship within 24 hours -- Satisfaction Guaranteed!

No Binding. Condizione: VG. A lot of eleven VG or better original release 8 x 10 stills.1949 re-release. Photographic Image.

No Binding. Condizione: VG. A lot of ten VG or better original release 8 x 10 stills. Photographic Image.

Soft cover. Condizione: Very Good. 1st edition. VG+. 8vo, 128pp, printed wrappers. Features an essay on The Black Aesthetic in White America by Morris Dickstein, and writing by Herbert Marcuse, James Bertolino, et al. Unmarked copy with small closed tear and patch of wear to top margin of cover. Not Signed.

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Soft cover. Condizione: Fine. 1st edition. Near Fine. 8vo, 58pp, printed wrappers. Scarce little magazine from 1948, includes two poems by Wallace Stevens (Edelstein C179), four plates by Morris Graves, and a very early review of Celine's "Death on the Installment Plan" by Allen Ginsberg. Very nice copy with just a little toning to wrappers. Not Signed.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Essays "All Around Esthetes: Jeffrey Slonim Canvases Fear," by Jeffrey Slonim; "American Myths: J. Hoberman on 'Jaws(n),'" by J. Hoberman; "Gadget Love: Vincent Leo on 'Full Disclosure,'" by Vincent Leo; "Books: Robert Farris Thompson on 'Thornton Dial: Image of the Tiger,'" by Robert Farris Thompson; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Sean Sucks. Not: The Très Boring Hours," by Andrew Hultkrans; "Sean Sucks. Not: SWM," by Lorraine O'Grady; "Sean Sucks. Not: Portrait of the Young Artist as a Young Artist," by Jan Avgikos; "Act Out, Turn Off," by Donald Kuspit; "Act Out, Turn On," by Laurence A. Rickels; "Man Trouble: Introduction," by Maurice Berger; "Man Trouble: Aphrodite of the Future," by Simon Watney; ""Man Trouble: His Infinite Variety," by Herbert Sussman; "'My' Masculinity," by Wayne Koestenbaum; "Man Trouble: Lines of Flight," by Todd Haynes; "Man Trouble: Fear of a Black Penis," by Kobena Mercer; "Man Trouble: A Clown's Coat," by Maurice Berger; "James Rosenquist: F-111," by Douglas Coupland; "Golden Memories," W.J.T. Mitchell talks with Robert Morris; "Openings: Keith Mayerson," by Lane Relyea. Reviews by Donald Kuspit, Jan Avgikos, Andrew Perchuk, Joshua Decter, Thomas McEvilley, Thad Ziolkowski, Barry Schwabsky, Keith Seward, Justin Spring, Patricia C. Phillips, Linda Yablonsky, RoseLee Goldberg, Laura U. Marks, Eileen Neff, James Yood, Maria Porges, Rosetta Brooks, Amelia Jones, John K. Grande, Carlos Basualdo, José Luis Brea, Anaxtu Zabalbeascoa, Mario Codognato, Francesca Pasini, Miriam Rosen, Anne Dagbert, Claudia Jolles, Christian Kravagna, Justin Hoffmann, Noemi Smolik, and Michael Archer. Cover: Sean Landers.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. First Edition. First edition. Forewords by John N. Rosen and O. Spurgeon English. Octavo. 104pp. Owner stamp and signature of a noted American psychologist on the front fly and binding a trifle worn else fine in modestly rubbed, near fine dust jacket. Brody was a longtime professor of psychiatry at Temple University. John N. Rosen is quoted on the jacket: "From my point of view, Dr. Brody's work constitutes a turning point in the presentation of this subject. ." Although Rosen was respected in his time, the story of his practice is a tragic one. Here is a lengthy quote from a review of Edward Dolinick's *Madness on the Couch*, written by Joanne Sitarski and published in *The Harvard Crimson*: "John Rosen, a psychiatrist from Philadelphia, did not beat around the bush when he treated his patients. Looking into their eyes, he told neurotic patients they were 'crazy,' accused schizophrenics of 'lying,' and threatened to 'kill' any patient who acted 'abnormal.' His methodology was drastic, brutal and, surprisingly, well admired by his peers. He was awarded a faculty position at Temple University Medical School and the Man of the Year award from the American Academy of Psychotherapy. From the 1950s to the late 1970s, Rosen was psychiatry's Superman; he soared to the peak of his profession with the claim that he could cure any psychosis. But like all superheroes, Rosen, too, was make-believe. In 1983 he was forced to surrender his medical license. Rosen faced 67 violations of the Pennsylvania Medical Practices Act that ranged from curing schizophrenics who had never had schizophrenia to sequestering patients in dungeons and cells, extending his definition of 'drastic' to a new level of inhumane." A vanity-published apologia for the work of a discredited psychologist known for his brutal tactics.