Rosenberg samuel n translator (10 risultati)

1st edition. Fine copy in the original gilt-blocked cloth. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical Description; viii, 158 pages ; 24 cm. Summary; An expressive and illuminating translation of the Old French poem, shedding light on the idea of friendship in medieval Europe. Subjects; Ami et Amile. Amitie? Poe?sie. Chansons de geste. Epic poetry, French. Friendship. Friendship Poetry. Friendships. Knights and knighthood. Knights and knighthood Poetry. Poetry. Poe?sie e?pique franc?aise. 1 Kg.…

1st edition. Fine copy in the original gilt-blocked cloth. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical Description; viii, 158 pages ; 24 cm. Summary; An expressive and illuminating translation of the Old French poem, shedding light on the idea of friendship in medieval Europe. Subjects; Ami et Amile. Amitie? Poe?sie. Chansons de geste. Epic poetry, French. Friendship. Friendship Poetry. Friendships. Knights and knighthood. Knights and knighthood Poetry. Poetry. Poe?sie e?pique franc?aise. 1 Kg.…

Paperback. Condizione: Brand New. 288 pages. 8.25x5.50x0.75 inches. In Stock.

Hardcover. Condizione: Very Good(-). Smal quarto in black and yellow jacket; 208 pages 21 cm. "Paul Jules Antoine Meillet (1866-1936) was one of the most important French linguists of the early 20th century. He began his studies at the Sorbonne University, where he was influenced by Michel Br?al, Ferdinand de Saussure and the members of the L'Ann?e Sociologique. In 1890, he was part of a research trip to the Caucasus, where he studied the Armenian language. Meillet completed his doctorate, Research on the Use of the Genitive-Accusative in Old Slavonic, in 1897. In 1902, he took a chair in Armenian at the Institut national des langues et civilisations orientales and took under his wing Hrachia Adjarian, who would become the founder of modern Armenian dialectology. In 1905, he was elected to the Coll?ge de France, where he taught on the history and structure of Indo-European languages. One of his most-quoted statements is that "anyone wishing to hear how Indo-Europeans spoke should come and listen to a Lithuanian peasant". He worked closely with linguists Paul Pelliot and Robert Gauthiot. Meillet is remembered as the mentor of an entire generation of linguists and philologists, who would become central to French linguistics in the twentieth century, such as ?mile Benveniste, Georges Dum?zil, and Andr? Martinet. In 1921, with the help of linguists Paul Boyer and Andr? Mazon [fr], he founded the Revue des ?tudes slaves." ?Wikipedia. ?? Language and linguistics. Indo-European languages, Indogermanisch, Langues indo-europ?ennes, Slight must; else very good in very good(-) price-clipped jacket in mylar. …

Paperback. Condizione: Brand New. 208 pages. 8.25x5.75x0.75 inches. In Stock.

Paperback. Condizione: Brand New. 168 pages. 9.00x6.00x0.47 inches. In Stock.

Paperback. Condizione: Brand New. 168 pages. 8.75x6.00x0.75 inches. In Stock.

Hardcover. Condizione: Brand New. sew edition. 408 pages. 9.00x6.00x1.38 inches. In Stock.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Hardcover, xx+300 pages, NOT ex-library. Interior is clean and bright throughout with unmarked text, no inscriptions, no stamps, firmly bound. A white glue (?) mark on the front board. Untorn jacket with some creasing, faint marks. -- "Berlioz the composer was also a writer and critic. His Memoirs and Evenings with the Orchestra are well-known and well-loved. This book offers a selection of his day-to-day criticism in English, taking him from his student days as a participant in musical polemics over Rossini to his first years of mature success: in 1834 he began writing for the newly founded Revue et gazette musicale, the French counterpart to Schumann's Neue Zeitschrift für Musik; in 1835 he became music critic at the Journal des débats, the most influential such post of the day. Through Berlioz's eyes we follow musical events during one of the richest periods in French cultural history - the decade surrounding the Revolution of 1830, a year that also saw Victor Hugo's victory for the Romantics in the Classical bastion of the Théâtre-Français, of and the premiere of Berlioz's Symphonie fantastique. A substantial introduction situates Berlioz's criticism in these watershed years that bring the advent of the as yet unknown Beethoven in France along with the first modern symphony orchestra, a recognized musical canon, the first successful French music journals, and music criticism designed to guide and instruct rather than to judge. Each selection is accompanied by an introductory paragraph and explanatory notes. The most entertaining of critics, Berlioz has found here the "good English-language anthology" of his criticism that Jacques Barzun, founder of modern Berlioz studies, called for in 1950." -- Contents: Introduction; Musical Polemic: On Dilettanti & Armide and Gluck; Arts: Observations on Classical and Romantic Music; Concert Society of the Conservatoire: First Concert; Music Review: Concerts [1833-1834]; Gluck (Part I); Music Review: Beethoven and the Dilettanti of Bordeaux & Henri Reber Quartets & Funeral Service for Choron; Rossini's William Tell (Part I); Boieldieu; Notice to Readers Idle Enough to Read My Articles; Gluck's Iphigenia in Tauris; Music Review: à elle, Letters for Piano by Chrétien Urhan; Gabussi's Ernani at the Théâtre-Italien; Music Review: Opéra: William Tell - Opéra-Comique: Zémire et Azor (Reprise) - Concerts; Conservatoire Orchestra: First Concert [Eighth Season]; Critical Review: Le Moine, Text by Émilien Pacini, Music by G. Meyerbeer; Third Concert at the Conservatoire: Symphonies by Haydn and Beethoven; Music Review: Royal Academy of Music: First Performance of La Juive, Opera in Five Acts by MM & Concert by the Pupils of Choron at the Hôtel de Ville; Concert Society of the Conservatoire: Fourth Concert; Sixth Conservatoire Concert; Concert by Franz Liszt: Hôtel de Ville; M. Cherubini's Requiem at the Invalides and M. Lesueur's Te Deum at Notre Dame; On the Score of Hérold's Zampa; Music Review; Mozart's Don Juan; Religious Music: M. Lesueur: Rachel, Noémi, Ruth et Booz, Oratorios - M. Urhan: Auditions; Opéra-Comiqu - Concerts: Virtuosos and Composers; First Conservatoire Concert of the Season; Meyerbeer's Les Huguenots: Acts 4 and 5; Concerts at the Conservatoire: The Magic Flute and Les Mystères d'Isis - Mozart's Corrector; Liszt; Antoine Reicha; Musical Entertainments: Le Siège de Corinthe at the Opéra - M. Ole Bull - M. Labarre and His Harp School - Music of Public Festivals - Paris Artists and Music Lovers Celebrating the Victory at Fleurus in 1794 - Amateur Fund-raiser for the Wounded in 1830 - Huge Chorus in the Galerie Colbert; Progress of Musical Education in France: M. Joseph Mainzer and M. Aubéry du Boulley; Polytechnical Society: Awards Ceremony; Opéra: William Tell - Debut of Duprez; Royal Academy of Music: Premiere of La Chatte métamorphosée en femme, Ballet in Three Acts by MM Charles Duveyrier and Corali, Music by M. Montfort; Biographical Notes; Short Bibliography; Index.…

Hardcover. Condizione: Brand New. sew edition. 408 pages. 9.00x6.00x1.38 inches. In Stock.