rosenfield editor (27 risultati)

Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: As New. A previously owned copy that is unblemished.; 100% Satisfaction Guaranteed! Ships same or next business day!

PAPERBACK. Paper edition. no pagination, color + b/w illustrations, quarto paperback. slight cover wear otherwise very good.

Soft cover. Condizione: Good. 126 page softcover with many illustrations. 7 major articles, 7 contributors. Outer wrap is lightly sunfaded along top edge. Interior is unmarked, tight and clean.

Soft Cover. Condizione: Very Good. Solid VG condition.

Hardcover. Condizione: Fine (no DJ). 8vo, 445 pp. Number in ink on front free endpaper, otherwise unmarked.

Paperback. Condizione: Good. First Edition. 125 pp., bw ill., 4to. : Smudged/soiled wraps, no ownership markings, touch of waving to edges of pages. : Well packaged, ships with tracking.

Hardcover. Rust colored cloth, gilt letters on spine & front cover, color illus. and black and tan dust jacket, 264 pp., BW & color illus.; weighs 3.5 lbs. Issued in conjunction with a 2002-2003 exhibition of work by 67 Boston-area artists. "What emerges from this volume is a new appreciation of the accomplishments of Boston-area painters and the art community that has sustained them. The book also places their work in local, national, and international contexts." (dj) With thematic essays by Rachel Rosenfield Lafo, John Stornberg, Nicholas Capasso, Carl Belz, and Ann Wilson Lloyd. Artist biographies, many full-color examples of their artistry, and much more. VG (DJ has slight wear around edges; page edges are beginning to tan lightly; otherwise clean and vibrant.).

Condizione: Very Good. Like new in publisher's shrink-wrap. Remainder mark on top page block. Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important American artists as Berenice Abbott, Harry Callahan, Paul Caponigro, Marie Cosindas, Harold Edgerton, Nan Goldin, Jerome Liebling, Nicholas Nixon, Barbara Norfleet, Olivia Parker, Rosamond Purcell, Aaron Siskind, and Minor White.The period from 1955 to 1985 reflects photography's acceptance as an art form, the influence of modernism, and the coalescence of a unique constellation of educational institutions, museums, and technological development in the Boston area that directly influenced artistic options for photography. Minor White's arrival at the Massachusetts Institute of Technology in 1965 to run the Center for Creative Photography and the Polaroid Corporation's innovative support of photographic art suggest how developments built upon one another to create a regional critical mass in photography.The book contains twenty-five color plates, sixty duotones, and essays by A. D. Coleman, Rachel Rosenfield Lafo, Arno Rafael Minkkinen, and Kim Sichel. Record # 352436.

Condizione: Very Good. Like new in publisher's shrink-wrap. Remainder mark on top page block. Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important American artists as Berenice Abbott, Harry Callahan, Paul Caponigro, Marie Cosindas, Harold Edgerton, Nan Goldin, Jerome Liebling, Nicholas Nixon, Barbara Norfleet, Olivia Parker, Rosamond Purcell, Aaron Siskind, and Minor White.The period from 1955 to 1985 reflects photography's acceptance as an art form, the influence of modernism, and the coalescence of a unique constellation of educational institutions, museums, and technological development in the Boston area that directly influenced artistic options for photography. Minor White's arrival at the Massachusetts Institute of Technology in 1965 to run the Center for Creative Photography and the Polaroid Corporation's innovative support of photographic art suggest how developments built upon one another to create a regional critical mass in photography.The book contains twenty-five color plates, sixty duotones, and essays by A. D. Coleman, Rachel Rosenfield Lafo, Arno Rafael Minkkinen, and Kim Sichel. Record # 352437.

Soft cover. Condizione: Very Good. 1st Edition. UK 1st edition softcover in very good condition. No inscriptions, minor wear.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Slightly Worn. First Edition. 'Morris Raphael Cohen in Life and Letters' Dust jacket has a few small chps. 461pp. (loc 737/1).

Paperback. Condizione: Brand New. special edition. 176 pages. 8.75x5.75x0.50 inches. In Stock.

hardcover. Condizione: New. Gerber, Perren; Gerber, Pesach (illustratore). In shrink wrap. Looks like an interesting title!

paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. 1. English This work breaks new ground: it is the first in either English or Japanese to be devoted solely to Bugaku masks. The enterprise is easily justified, for the best of these masks are masterpieces of sculpture, ranking in beauty and expressiveness with those of Africa and India. Bugaku masks are worn in an ancient Japanese dance-drama that evolved in the ninth century, when dances imported in earlier times from other East Asian regions were combined and modified to suit Japanese tastes. This elegant dance-drama, called Bugaku, is still performed today, little changed from when it was a favorite pastime of the tenth-century Heian court. The masks themselves are thought to be the stylized and Japanized descendants of those masks?none of which survive?brought over with the original dances. Many of the outstanding Bugaku masks date from the eleventh and twelfth centuries and were made in the cultural centers, chiefly Kyoto. As Bugaku slowly lost its court patronage in the following two centuries, the musicians and dancers moved to the provinces, where the masks were modified and new forms emerged. From the seventeenth to nineteenth centuries Bugaku experienced a revival, and masks equal in technique and style to the best work of earlier periods resulted. Refined or boldly dynamic, grotesque or subtly eloquent?the great range and artistic excellence of Bugaku masks are exemplified by those shown on the back of the jacket. The twelfth-century mask on the front jacket exhibits one feature unique among Japanese masks?eyes and chin that sway to the rhythm of the dancer's movements and bring the mask alive. This and other devices are described and illustrated in a chapter on the technical aspects of mask-making. Inscriptions on masks and the few known carvers are also discussed, as well as the relationship of Bugaku masks to other types of Japanese mask. A concise yet comprehensive treatment of all facets of the subject, this volume is amply illustrated with over 25 color and 150 black-and-white plates. CONTENTS Table of Japanese Art Periods List of Illustrations Introduction: The Bugaku Dance by Monica Bethe 1 Historical Background 2 Types of Masks 3 Masks in the Provinces 4 Technical Aspects 5 Inscriptions and Mask Carvers Appendix 1: Places to See Performances and Masks Appendix 2: Datable Masks Appendix 3: Bugaku Masks in Japan List of Illustrations in Japanese Glossary Bibliography Index.

Hardcover. Condizione: Brand New. 2nd edition. 608 pages. 11.25x9.00x1.50 inches. In Stock.

Hardcover. Condizione: Fine. Condizione sovraccoperta: near fine. Hardcover. Quarto. Three volumes: 347pp; 383pp; 202pp. Illustrated, mostly b&w, but some are in color and double-page. Brown silk cloth, stamped in gilt. Color paper dust jackets; original cardboard packing slipcase. Dust jackets have a hint of fading to the spines.

Paperback. Condizione: Brand New. 114 pages. 9.00x6.00x0.50 inches. In Stock.

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Paperback. Condizione: Brand New. 404 pages. 9.75x6.75x1.25 inches. In Stock.

Hardcover. Condizione: Brand New. 404 pages. 10.50x7.50x1.00 inches. In Stock.

Condizione sovraccoperta: dj. First American Edition. Quarto (26.5cm); green and black paper-covered boards, with titling stamped in white on spine and front cover; dustjacket; [6],7-204pp; colorful and black-and-white photographic halftones and illustrations throughout. Japanese Arts Library 15. This copy is from the library of noted poet, translator, and anthropologist Nathaniel Tarn (1928-2024), with his pictorial bookplate to front pastedown. Lower corners gently nudged, with 1" scratch to front cover, and light rubbing to board edges; Very Good. Dustwrapper, unclipped (priced $29.95), with 2" tear to front wrapper, and trivial surface wear; Good. Originally published in Japanese as Mikky?ga, volume 33 in the series Nihon no bijutsu (1969), this edition includes the translator's introduction on the Esteric tradition. [88138].

Condizione sovraccoperta: dj. First American Edition. Quarto (26.5cm); maroon and purple paper-covered boards, with titling stamped in white and purple on spine and front cover; dustjacket; [7],8-201,[3]pp; colorful and black-and-white photographic halftones and illustrations throughout. Japanese Arts Library 4. This copy is from the library of noted poet, translator, and anthropologist Nathaniel Tarn (1928-2024), with his pictorial bookplate to front pastedown. Light rubbing to board edges; Very Good+. Dustwrapper, unclipped, with price sticker to front flap; Near Fine. Originally published in Japanese as J?do ky?ga, volume 43 in the series Nihon no bijutsu (1969), this edition includes the translator's introduction on the genesis and development of the Pure Land Faith. [88137].

Condizione sovraccoperta: dj. First American Edition. Quarto (26.5cm); brown and black paper-covered boards, with titling stamped in black and white on spine and front cover; dustjacket; [7],8-150pp; colorful and black-and-white photographic halftones and illustrations throughout. Japanese Arts Library 2. This copy is from the library of noted poet, translator, and anthropologist Nathaniel Tarn (1928-2024), with his pictorial bookplate to front pastedown. Light rubbing to board edges; Very Good+. Dustwrapper, unclipped, with price sticker to front flap, and trivial surface wear; Near Fine. Originally published in Japanese as Shozo chokoku, volume 10 in the series Nihon no bijutsu (1967), this edition includes the translator's introduction on the history and purpose of a portrait. [88139].

orig.cloth. Condizione: Minor rubbing, VG. 23x16cm, xi,220 pp, Series: Society for the Study of the History of Philosophy, History of Philosophy Series, Nr. 1. Contains 12 papers. Includes: C. Rowe "The Present-Day Relevance of Condorcet"; R.H. Popkin "Condorcet: Abolitionist"; A.O. Aldridge " Condorcet, Paine, & Historical Method"; C. Blum "Condorcet & the Problem of Emigration in 1791"; K.M. Baker "A Note on the Problem of the Randomness of Ends"; L.S: Greenbaum "Condorcet's 'Memoire sur les Hôpitaux'(1786): An English Translation & Commentary"; J.A. Perkins "Condorcet & Progressive Taxation: Theory & Practice"; R. Waldinger "Condorcet: The Problematic Nature of Progress"; M. Albertone "Enlightenment & Revolution: The Evolution of Condorcet's Ideas on Education"; L. Trenard "Un Provincial Eclairé: Thomas Riboud, Emule de Condorcet"; P.A. Perroud "Une Contribution de Condorcet à la Réforme de la Législation Pénale; V.G. Rosenblum "Condorcet as Constitutional Draftsman: Dimensions of Substantive Commitment & Procedural Implementation".