Rosenquist james (486 risultati)

Condizione: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. James Rosenquist (cover) (illustratore).

Hardback. Condizione: Good. From James Rosenquist, one of our most iconic pop artists--along with Andy Warhol, Jim Dine, Claes Oldenburg, and Roy Lichtenstein--comes this candid and fascinating memoir. Unlike these artists, Rosenquist often works in three-dimensional forms, with highly dramatic shifts in scale and a far more complex palette, including grisaille and Day-Glo colors. A skilled traditional painter, he avoided the stencils and silk screens of Warhol and Lichtenstein. His vast canvases full of brilliant, surreally juxtaposed images would influence both many of his contemporaries and younger generations, as well as revolutionize twentieth-century painting. Ronsequist writes about growing up in a tight-knit community of Scandinavian farmers in North Dakota and Minnesota in the late 1930s and early 1940s; about his mother, who was not only an amateur painter but, along with his father, a passionate aviator; and about leaving that flat midwestern landscape in 1955 for New York, where he had won a scholarship to the Art Students League. George Grosz, Edwin Dickinson, and Robert Beverly Hale were among his teachers, but his early life was a struggle until he discovered sign painting. He describes days suspended on scaffolding high over Broadway, painting movie or theater billboards, and nights at the Cedar Tavern with Willem de Kooning, Franz Kline, and the poet LeRoi Jones. His first major studio, on Coenties Slip, was in the thick of the new art world. Among his neighbors were Ellsworth Kelly, Robert Indiana, Agnes Martin, and Jack Youngerman, and his mentors Robert Rauschenberg and Jasper Johns. Rosenquist writes about his shows with the dealers Richard Bellamy, Ileana Sonnabend, and Leo Castelli, and about colorful collectors like Robert and Ethel Scull. We learn about the 1971 car crash that left his wife and son in a coma and his own life and work in shambles, his lobbying--along with Rauschenberg--for artists' rights in Washington D.C., and how he got his work back on track. With his distinct voice, Roseqnuist writes about the ideas behind some of his major paintings, from the startling revelation that led to his first pop painting, Zone, to his masterpiece, F-III, a stunning critique of war and consumerism, to the cosmic reverie of Star Thief. This is James Rosenquist's story in his own words--captivating and unexpected, a unique look inside the contemporary art world in the company of one of its most important painters.…

Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condizione: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condizione: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardback. Condizione: Good. From James Rosenquist, one of our most iconic pop artists--along with Andy Warhol, Jim Dine, Claes Oldenburg, and Roy Lichtenstein--comes this candid and fascinating memoir. Unlike these artists, Rosenquist often works in three-dimensional forms, with highly dramatic shifts in scale and a far more complex palette, including grisaille and Day-Glo colors. A skilled traditional painter, he avoided the stencils and silk screens of Warhol and Lichtenstein. His vast canvases full of brilliant, surreally juxtaposed images would influence both many of his contemporaries and younger generations, as well as revolutionize twentieth-century painting. Ronsequist writes about growing up in a tight-knit community of Scandinavian farmers in North Dakota and Minnesota in the late 1930s and early 1940s; about his mother, who was not only an amateur painter but, along with his father, a passionate aviator; and about leaving that flat midwestern landscape in 1955 for New York, where he had won a scholarship to the Art Students League. George Grosz, Edwin Dickinson, and Robert Beverly Hale were among his teachers, but his early life was a struggle until he discovered sign painting. He describes days suspended on scaffolding high over Broadway, painting movie or theater billboards, and nights at the Cedar Tavern with Willem de Kooning, Franz Kline, and the poet LeRoi Jones. His first major studio, on Coenties Slip, was in the thick of the new art world. Among his neighbors were Ellsworth Kelly, Robert Indiana, Agnes Martin, and Jack Youngerman, and his mentors Robert Rauschenberg and Jasper Johns. Rosenquist writes about his shows with the dealers Richard Bellamy, Ileana Sonnabend, and Leo Castelli, and about colorful collectors like Robert and Ethel Scull. We learn about the 1971 car crash that left his wife and son in a coma and his own life and work in shambles, his lobbying--along with Rauschenberg--for artists' rights in Washington D.C., and how he got his work back on track. With his distinct voice, Roseqnuist writes about the ideas behind some of his major paintings, from the startling revelation that led to his first pop painting, Zone, to his masterpiece, F-III, a stunning critique of war and consumerism, to the cosmic reverie of Star Thief. This is James Rosenquist's story in his own words--captivating and unexpected, a unique look inside the contemporary art world in the company of one of its most important painters.…

Soft cover. Condizione: Near Fine. Paperback copy published on the occasion of the February 18 - March 19, 2010 exhibition. An interview by Sarah Celeste Bancroft and 25 color plates of the work plus two photographs of the paintings installed.

Hardcover. Condizione: Good. Condizione sovraccoperta: Fine. 1st. x, 370 pages, [36] pages of plates, illustrations (some colour); 24 cm. Firm bding, clean text. Previous owner's signature/front free endpaper, marked on a few pages. Fine DJ. A good reading copy for the thrifty scholar. *** "Part of the 1960s Pop Art movement along with Andy Warhol and Roy Lichtenstein, Rosenquist's dramatic, surreally juxtaposed images revolutionized 20th-century painting. His candid memoir offers a unique look inside the contemporary art world." - Publisher. Size: 8vo.…

Condizione: new.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. 1st Edition. Oversize hardcover, stated First edition. Ex-library; several pages have small top-corner creasing; tight, text clean. x, 370 p., with in-text illustrations, 32 p. of color plates and a long color foldout plate. Large, heavy volume published at $50.00 [otob: 49].…

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Soft cover. Condizione: Good. Glossy softcover, 108 pgs. Includes contributions from a long list of art world figures from the 80s. Short tear to spine, else very light wear.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. The binding is tight, corners sharp. Text and images unmarked. Light soiling on the top edge of the text block. The dust jacket shows some light handling, in a mylar cover. 8vo large. x, 370pp.

Condizione: New.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

SOFTCOVER. Condizione: Very Good. 1st Edition. Large square octavo softcover; 107 pp.; frontispiece; b/w and full color plates. Tight binding, clean throughout. Minor fading to spine. Very Good. Includes the essay "A Lot to Like" and an interview with James Rosenquist. ROSENQUIST, James (illustratore).…

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.

Softcover. Condizione: Fine. Color illustrations. ; Square 8vo 8" to 9" tall; 28 pp.

Hardcover w/ D. Condizione: used: good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDArt BooksVery good hardcover in very good dust jacket. Clean pages.

Hardcover. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: New. Hardcover. Publisher overstock, may contain remainder mark on edge.

Softcover, oversize, 50 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

No Binding. Condizione: Good. Postcard in Good condition, with writing on reverse. Unmailed, Cards are sent in stiff mailers. Photo.

No Binding. Condizione: Good. Postcard in Good condition, unmailed, with a little writing on reverse. Cards are sent in stiff mailers. Photo.

Hardcover. Condizione: Good.

No Binding. Condizione: Very Good. Postcard in Very Good condition, unmailed, with minor marks on reverse. Cards are sent in stiff mailers. Photo.