Rossi schrimpf inga (27 risultati)

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condizione: Very Good. 14/18 - Rupture or Continuity: Belgian Art around World War I This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

Condizione: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condizione: New.

Condizione: New. Brand New.

Condizione: New.

Condizione: New.

Soft cover. Condizione: Near Fine. No Jacket. 160 pages. 31.5 cm. Glossy color illustrated card cover. Frontispiece . Illustrated with numerous color photographs, many full-page (artworks) + a few b/w photographs. Printed on glossy paper. Light wear at front top corner. Else a bright, tight and crisp book.…

Hardcover. Condizione: As New. First Edition. Inge Rossi-Schrimpf has edited a fine collection of essays about social and art history in Berlin overlapping the era of the Weimar Republic, a period of wrenching changes in German culture as reflected in its art history, with contributions by Helmuth Kiesel, Burcu Dogramaci, Matthias Schirren, Anne Soll, Sabine T. Kriebel and Nicolas Baer about the persons and works of Max Beckmann, Rudolf Belling, Otto Dix, George Grosz and others. Sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear to the glossy pictorial covers; not ex-library, with neither underlining nor highlighting anywhere. [7], 8-251 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

Paperback. Condizione: new. Paperback. World War I had a major effect on Belgian visual arts. German occupation, the horror at the battlefield and the experience of exile, led to multiple narratives and artistic expressions by Belgian artists during and after the war. Belgian interbellum art is extremely vibrant and diverse. 14/18 - Rupture or Continuity takes a look at Belgian artistic life in the years around the First World War and how it was affected by this event. The Great War was a catalyst of artistic oppositions, leading on the one hand to a Belgian avant-garde that explored new forms and styles, while continuing to uphold a more traditional and established art on the other. Whereas the war experience consolidated an already present style for some artists, for others it constituted a revolution leading to new artistic adventures. The collection of essays in the present book highlights these contrasting facets of Belgian art in its rich historical context during the early 20th century.Contributors: Werner Adriaenssens (Royal Museums of Art and History, Brussels), Erik Buelinckx (Royal Institute for Cultural Heritage, Brussels), Sophie de Schaepdrijver (Pennsylvania State University), Ole W. Fischer (University of Utah, Salt Lake City), Eva Francioli (Universit degli Studi di Firenze), Laura Kollwelter (Royal Museum of Fine Arts of Belgium, Brussels), Christina Kott (Universit Panth on-Assas Paris 2), Fran oise Lucbert (Universit Laval, Qu bec), Peter Pauwels (independent art historian, Antwerp), Hubert Roland (F.R.S. - FNRS / Universit Catholique de Louvain), Inga Rossi-Schrimpf (Royal Museum of Fine Arts of Belgium, Brussels), Sergio Servell n (FeliXart Museum, Drogenbos), Sandrine Smets (Royal Museum of Armed Forces and Military History, Brussels), Hans Vandevoorde (Vrije Universiteit Brussel), Caterine Verdickt (Universiteit Antwerpen) The impact of the Great War and its aftermath on Belgian artistic life Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condizione: Good. Original pictorial boards, numerous illustrations (including photographs) mostly in colour, 4to.

Condizione: Very Good.

Paperback. Condizione: Brand New. 01 edition. 300 pages. French language. 9.00x6.75x1.25 inches. In Stock.

Mooi exemplaar. Cahiers van de Koninklijke Musea voor Schone Kunsten van België | nr. 11 Ferdinand Schirren (1872-1944), de eerste Belgische fauvist, begon zijn loopbaan als beeldhouwer. In 1904 gaf hij gaandeweg het beeldhouwen op, zonder er helemaal mee te stoppen, en wijdde zich vanaf dan vooral aan het tekenen, aquarelleren en schilde ren. Van meet af aan behoorde hij tot de groep vroegtwintigste eeuwse kunstenaars die aan de kleur een grote autonomie toe kenden. Zo opende zich voor hem de weg naar het Brabantse fauvisme-het pad dat ook Rik Wouters zou inslaan. Zijn vlotheid en durf komen vanaf 1917 eveneens in zijn schilderkunst tot uiting. De kleur als essentieel middel ons een synthe tische compositie te construeren wordt de rode draad in zijn werk tot aan het einde van zijn leven. Schirrens aquarellen met hun wazige materialiteit, zijn onderwer pen, die vooral een innerlijk leven weerspiegelen, en zijn vaak intimistische composities nodigen de kijker uit tot een wandeling "in zijn denkbeeldige tuinen'.…

8°, paperback. 160 p. New book. Sprache: Niederländisch Gewicht in Gramm: 0.

Condizione: New.

Couverture souple. Condizione: Neuf.

Condizione: New. pp. 300.

Taschenbuch. Condizione: Neu. Neuware - The impact of the Great War and its aftermath on Belgian artistic lifeWorld War I had a major effect on Belgian visual arts. German occupation, the horror at the battlefield and the experience of exile led to multiple narratives and artistic expressions by Belgian artists during and after the war. Belgian interbellum art is extremely vibrant and diverse. 14/18 - Rupture or Continuity takes a look at Belgian artistic life in the years around the First World War and how it was affected by this event. The Great War was a catalyst of artistic oppositions, leading on the one hand to a Belgian avant-garde that explored new forms and styles, while continuing to uphold a more traditional and established art on the other. Whereas the war experience consolidated an already present style for some artists, for others it constituted a revolution leading to new artistic adventures. The collection of essays in the present book highlights these contrasting facets of Belgian art in its rich historical context during the early 20th century.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).Contributors: Werner Adriaenssens (Royal Museums of Art and History, Brussels), Erik Buelinckx (Royal Institute for Cultural Heritage, Brussels), Sophie de Schaepdrijver (Pennsylvania State University), Ole W. Fischer (University of Utah, Salt Lake City), Eva Francioli (Università degli Studi di Firenze), Laura Kollwelter (Royal Museum of Fine Arts of Belgium, Brussels), Christina Kott (Université Panthéon-Assas Paris 2), Françoise Lucbert (Université Laval, Québec), Peter Pauwels (independent art historian, Antwerp), Hubert Roland (F.R.S. - FNRS / Université Catholique de Louvain), Inga Rossi-Schrimpf (Royal Museum of Fine Arts of Belgium, Brussels), Sergio Servellón (FeliXart Museum, Drogenbos), Sandrine Smets (Royal Museum of Armed Forces and Military History, Brussels), Hans Vandevoorde (Vrije Universiteit Brussel), Caterina Verdickt (Universiteit Antwerpen).…

Paperback. Condizione: new. Paperback. World War I had a major effect on Belgian visual arts. German occupation, the horror at the battlefield and the experience of exile, led to multiple narratives and artistic expressions by Belgian artists during and after the war. Belgian interbellum art is extremely vibrant and diverse. 14/18 - Rupture or Continuity takes a look at Belgian artistic life in the years around the First World War and how it was affected by this event. The Great War was a catalyst of artistic oppositions, leading on the one hand to a Belgian avant-garde that explored new forms and styles, while continuing to uphold a more traditional and established art on the other. Whereas the war experience consolidated an already present style for some artists, for others it constituted a revolution leading to new artistic adventures. The collection of essays in the present book highlights these contrasting facets of Belgian art in its rich historical context during the early 20th century.Contributors: Werner Adriaenssens (Royal Museums of Art and History, Brussels), Erik Buelinckx (Royal Institute for Cultural Heritage, Brussels), Sophie de Schaepdrijver (Pennsylvania State University), Ole W. Fischer (University of Utah, Salt Lake City), Eva Francioli (Universit degli Studi di Firenze), Laura Kollwelter (Royal Museum of Fine Arts of Belgium, Brussels), Christina Kott (Universit Panth on-Assas Paris 2), Fran oise Lucbert (Universit Laval, Qu bec), Peter Pauwels (independent art historian, Antwerp), Hubert Roland (F.R.S. - FNRS / Universit Catholique de Louvain), Inga Rossi-Schrimpf (Royal Museum of Fine Arts of Belgium, Brussels), Sergio Servell n (FeliXart Museum, Drogenbos), Sandrine Smets (Royal Museum of Armed Forces and Military History, Brussels), Hans Vandevoorde (Vrije Universiteit Brussel), Caterine Verdickt (Universiteit Antwerpen) The impact of the Great War and its aftermath on Belgian artistic life Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

paperback. Condizione: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Condizione: Very Good.

Tielt Lannoo 2007 Gebonden, hardcover, 304pp., 24.5x30cm., talrijke ills. in kleur, in zeer goede staat. ISBN 9789020971897. Rubens, een genie aan het werk. De catalogus van de prestigieuze tentoonstelling in de Koninklijke Musea voor Schone Kunsten van België te Brussel. Naar aanleiding van de prestigieuze Rubenstentoonstelling in het najaar van 2007 verschijnt een unieke catalogus over het werk van Rubens en zijn samenwerking met belangrijke tijdgenoten waaronder Antoon van Dyck, Jan Brueghel en Cornelis de Vos. Samen met een zeventigtal schilderijen en tekeningen van Rubens uit andere musea wordt de ontstaansgeschiedenis van de werken in de collectie van het museum in Brussel bestudeerd en beschreven. De Koninklijke Musea voor Schone Kunsten van België bezitten een belangrijke collectie werken van Rubens en zijn atelier. Het boek en de tentoonstelling zijn mee het resultaat van een grondig wetenschappelijk onderzoeksproject naar de atelierpraktijk van Rubens door o.m. Hélène Dubois, Natasja Peeters en Bert Schepers. Het boek bevat essays en beeldmateriaal waarmee de atelierpraktijk van Rubens, de samenwerking met tijdgenoten zoals Antoon van Dyck, Jan Brueghel de Oude en Cornelis de Vos, en de ontstaansgeschiedenis van een zeventigtal schilderijen en tekeningen centraal staan.…

Condizione: New.