roth lynette (85 risultati)

Hardcover. Condizione: Good. Light wear to boards. Content is clean and bright with light marks on the outer edge pages. Good DJ with some tears.

Hardcover. Condizione: Used-Like New. Clean copy. May have remainder mark.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. An examination of shifting notions of identity in modern-day Germanyand the diverse artists challenging conventional meanings of "Germanness" today Made in Germany? Art and Identity in a Global Nation addresses important questions of contemporary art and belonging in Germany from the 1980s, when discussions about multiculturalism in West Germany came to the fore, to our current time, a period still deeply impacted by the country's unification and more recent migration policies. In the wake of these developments, racial violence, right-wing populism, and ethnically defined nationalism have grown. Accessible essays on topics such as labor migration, being Black in Germany, and the aftermath of the fall of the Berlin Wall lay the groundwork for understanding the intercultural dynamics in Germany today. Object-focused texts delve into works in various media, from Candida Hoefer's slideshow Turks in Germany 1979, which presented Turkish immigrants as embedded in public life at a time when they were not welcomed as a permanent part of German society, to Ngozi Schommers's readymade sculpture Commuters, a commentary on the country's ongoing housing crisis. In a period when right-wing nationalist movements are gaining traction in Germany and around the globe, Made in Germany? argues for a more expansive idea of what it means to be German, spotlighting artists from diverse backgrounds whose works probe notions of national identity. Distributed for the Harvard Art Museums Exhibition Schedule: Harvard Art Museums, Cambridge, MA (September 13, 2024January 5, 2025) An examination of shifting notions of identity in modern-day Germanyand the diverse artists challenging conventional meanings of Germanness today Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Hardcover. Condizione: Very good +. Condizione sovraccoperta: very good +. First printing. Edited by Lynette Roth, with the assistance of Ilka Voermann. 4to. Illustrated boards, with white lettering on both covers, and exposed spine. Orange end papers. 427 pages, with Selected Bibliography and Index. Illustrated throughout with b/w and color images. Dust-jacket, with a cut out which wraps around spine, has a closed tear on rear panel. Exhibition catalogue. Due to size and weight, international shipping at cost.

Hardcover. Condizione: new. Hardcover. An unprecedented delve into the dazzling, inventive and long-overlooked Surrealist photograms and poetry of Anneliese HagerThis publication introduces the untold story of German artist and poet Anneliese Hager. Active from the 1930s to the 1960s, Hager began her photographic experimentation in Germany during the Nazi censure of modern art. Her preferred medium was the cameraless photograph, or photograman image made by placing objects directly on (or in close proximity to) a light-sensitive surface and exposing the assembled material to light. In its final form, a photogram is a one-of-a-kind work that reverses light and dark: the longer the paper is covered, and hence unexposed, the brighter the covered parts will be, and vice versa. Hager called these bright areas "white shadows."Hagers photograms offer a more inclusive history of the medium, synthesizing the techniques 20th-century avant-garde trajectory (best known in the work of Laszlo Moholy-Nagy and Man Ray) and its 19th-century prehistories in the realm of science and in practices such as the making of silhouettes, collage and textile artspursuits often coded feminine. In 1945, all Hagers existing artwork was destroyed in the bombing of Dresden during World War II. This book offers an unprecedented reconstruction of her development and postwar creation of otherworldly, Surrealist visions in photograms and poems, a selection of which appear here in English for the first time. For Hager, the photogram was significant for its provocative tonal inversions and surprising chance effects, but also for what emerges from the dark.Anneliese Hager (190497) was a German Surrealist poet, translator and photo artist. She began making photographs in Berlin in the 1920s, and from 1935 began to experiment with photograms. Hager also made the first German translations of French authors such as Apollinaire, Breton, Char, Jarry, Lautreamont and Yourcenar. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: Very Good. Hardcover in a bright dust jacket, 272 pages. Richly illustrated and filled with detailed information about one of the leading artists of the 20th century, this is the first book to explore in depth the Saint Louis Art Museum?s outstanding holdings of paintings by Max Beckmann?the largest collection of its kind in the world. One of the greatest German painters of the 20th century, Max Beckmann came to America in the mid-1940s and settled in St. Louis. There he met the retailer and collector Morton D. May. By the time May died, in 1983, he had amassed a comprehensive collection of Beckmann?s oeuvre, most of which he bequeathed to the Saint Louis Art Museum (SLAM). The stunning breadth and power of Beckmann?s work are explored in this volume, which examines all thirty-nine paintings in SLAM?s collection. Featuring some of Beckmann?s most celebrated images, this book offers fascinating insights into Beckmann?s life and art?in particular his underappreciated early work and previously unexplored aspects of his final years in the United States. Record # 372908.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Brand New. 193 pages. 10.00x7.25x0.75 inches. In Stock.

Hardback. Condizione: New. An unprecedented delve into the dazzling, inventive and long-overlooked Surrealist photograms and poetry of Anneliese HagerThis publication introduces the untold story of German artist and poet Anneliese Hager. Active from the 1930s to the 1960s, Hager began her photographic experimentation in Germany during the Nazi censure of modern art. Her preferred medium was the cameraless photograph, or photogram-an image made by placing objects directly on (or in close proximity to) a light-sensitive surface and exposing the assembled material to light. In its final form, a photogram is a one-of-a-kind work that reverses light and dark: the longer the paper is covered, and hence unexposed, the brighter the covered parts will be, and vice versa. Hager called these bright areas "white shadows."Hager's photograms offer a more inclusive history of the medium, synthesizing the technique's 20th-century avant-garde trajectory (best known in the work of László Moholy-Nagy and Man Ray) and its 19th-century prehistories in the realm of science and in practices such as the making of silhouettes, collage and textile arts-pursuits often coded feminine. In 1945, all Hager's existing artwork was destroyed in the bombing of Dresden during World War II. This book offers an unprecedented reconstruction of her development and postwar creation of otherworldly, Surrealist visions in photograms and poems, a selection of which appear here in English for the first time. For Hager, the photogram was significant for its provocative tonal inversions and surprising chance effects, but also for what emerges from the dark.Anneliese Hager (1904-97) was a German Surrealist poet, translator and photo artist. She began making photographs in Berlin in the 1920s, and from 1935 began to experiment with photograms. Hager also made the first German translations of French authors such as Apollinaire, Breton, Char, Jarry, Lautréamont and Yourcenar.

Hardcover. Condizione: New. Condizione sovraccoperta: New. New, unmarked. // Shipped carefully packed in a sturdy box.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. An unprecedented delve into the dazzling, inventive and long-overlooked Surrealist photograms and poetry of Anneliese HagerThis publication introduces the untold story of German artist and poet Anneliese Hager. Active from the 1930s to the 1960s, Hager began her photographic experimentation in Germany during the Nazi censure of modern art. Her preferred medium was the cameraless photograph, or photogram-an image made by placing objects directly on (or in close proximity to) a light-sensitive surface and exposing the assembled material to light. In its final form, a photogram is a one-of-a-kind work that reverses light and dark: the longer the paper is covered, and hence unexposed, the brighter the covered parts will be, and vice versa. Hager called these bright areas "white shadows."Hager's photograms offer a more inclusive history of the medium, synthesizing the technique's 20th-century avant-garde trajectory (best known in the work of László Moholy-Nagy and Man Ray) and its 19th-century prehistories in the realm of science and in practices such as the making of silhouettes, collage and textile arts-pursuits often coded feminine. In 1945, all Hager's existing artwork was destroyed in the bombing of Dresden during World War II. This book offers an unprecedented reconstruction of her development and postwar creation of otherworldly, Surrealist visions in photograms and poems, a selection of which appear here in English for the first time. For Hager, the photogram was significant for its provocative tonal inversions and surprising chance effects, but also for what emerges from the dark.Anneliese Hager (1904-97) was a German Surrealist poet, translator and photo artist. She began making photographs in Berlin in the 1920s, and from 1935 began to experiment with photograms. Hager also made the first German translations of French authors such as Apollinaire, Breton, Char, Jarry, Lautréamont and Yourcenar.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. An examination of shifting notions of identity in modern-day Germany-and the diverse artists challenging conventional meanings of "Germanness" today  Made in Germany? Art and Identity in a Global Nation addresses important questions of contemporary art and belonging in Germany from the 1980s, when discussions about multiculturalism in West Germany came to the fore, to our current time, a period still deeply impacted by the country's unification and more recent migration policies. In the wake of these developments, racial violence, right-wing populism, and ethnically defined nationalism have grown. Accessible essays on topics such as labor migration, being Black in Germany, and the aftermath of the fall of the Berlin Wall lay the groundwork for understanding the intercultural dynamics in Germany today. Object-focused texts delve into works in various media, from Candida Höfer's slideshow Turks in Germany 1979, which presented Turkish immigrants as embedded in public life at a time when they were not welcomed as a permanent part of German society, to Ngozi Schommers's readymade sculpture Commuters, a commentary on the country's ongoing housing crisis. In a period when right-wing nationalist movements are gaining traction in Germany and around the globe, Made in Germany? argues for a more expansive idea of what it means to be German, spotlighting artists from diverse backgrounds whose works probe notions of national identity.   Distributed for the Harvard Art Museums  Exhibition Schedule:  Harvard Art Museums, Cambridge, MA (September 13, 2024-January 5, 2025).

Condizione: New. 2025. paperback. . . . . .

Hardback or Cased Book. Condizione: New. White Shadows: Anneliese Hager and the Camera-Less Photograph. Book.

Condizione: New.

Condizione: new.

Hardcover. Condizione: Near Fine. 1st. 427 pages, illustrations (some colour); 27 cm. This catalogue accompanies the exhibition "Inventur - Art in Germany, 1943-55," on view at the Harvard Art Museums, Cambridge, Massachusetts, from February 9 through June 3, 2018. Near fine. Firm binding, clean inside copy. Light shelfwear. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Profusely illustrated. *** "As Germany went through a period of intense physical and moral stocktaking in the wake of World War II, the country's artists responded by creating highly charged works and engaging in heated debates about artistic practice and its relationship to the reestablishment of a new national identity. This long-overdue examination of German art from the immediate postwar period includes case studies of nearly fifty artists working in a variety of media ranging from small-scale drawings and collages to large, colorful canvases and industrial products. Insightful essays delve into Willi Baumeister's wartime lacquer experiments, Louise Ro sler's abstract ruinscapes, and Arno Fischer's photographs of a divided Berlin, revealing Germany's surprisingly generative and pluralistic artistic culture. With a title taken from a 1945 poem by Gunter Eich, this important book provides a fresh perspective on a largely overlooked corpus of works - some published here for the first time - and is a valuable contribution to our understanding of 20th-century German art" - Publisher. *** CONTENTS: Inventur-Art in Germany, 1943-55, by Lynette Roth; "An Absolutely Unknown Aspect of Modern Art": The U.S. Reception of Postwar German Art in the 1950s, by Ilka Voermann; Catalogue Entries; Key Exhibitions, 1945-55. Size: 4to. Collectible.

Paperback. Condizione: New.

Condizione: NEW.

Hardcover. Condizione: Acceptable. reading copy only - damaged/worn/marked copy, may be ex-libris Oversized.

Condizione: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Condizione: New. In.